{"id":115,"date":"2010-10-12T09:55:12","date_gmt":"2010-10-12T07:55:12","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=115"},"modified":"2010-10-12T09:57:37","modified_gmt":"2010-10-12T07:57:37","slug":"%c2%ab-de-l%e2%80%99archive-et-de-l%e2%80%99auto-archivage-immediat-comme-oeuvre-%c2%bb","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/10\/%c2%ab-de-l%e2%80%99archive-et-de-l%e2%80%99auto-archivage-immediat-comme-oeuvre-%c2%bb\/","title":{"rendered":"\u00ab De l\u2019archive et de l\u2019auto-archivage imm\u00e9diat comme \u0153uvre \u00bb"},"content":{"rendered":"<p>Ce projet de recherche a \u00e9t\u00e9 accept\u00e9 par le conseil scientifique de la recherche et des \u00e9tudes de la DAP et il est port\u00e9 par l\u2019\u00c9cole sup\u00e9rieure d\u2019art de Lorient et l\u2019association des \u00e9coles d\u2019art de Bretagne.<br \/>\n<strong>L\u2019art num\u00e9rique et la textualit\u00e9 d\u2019internet ont profond\u00e9ment transform\u00e9 le principe et les modalit\u00e9s de l\u2019\u00e9criture qui emprunte des supports de plus en plus interactifs. <\/strong>Le blog, notamment, a \u00e9t\u00e9 investi par de nombreux artistes num\u00e9riques et contemporains, jusqu\u2019\u00e0 en faire \u0153uvre. L\u2019apparition des blogs a permis un nouveau type d\u2019archivage : l\u2019auto-archivage imm\u00e9diat, qui, non fig\u00e9, se reconstitue en permanence, et sur lequel le lecteur peut interagir. Ainsi, l\u2019oeuvre-archive inclut sa gen\u00e8se, ses h\u00e9sitations, ses retours, ses commentaires, ses silences, sa r\u00e9ception. Cette \u00e9mergence produit de nouvelles formes plastiques et esth\u00e9tiques fond\u00e9es sur le r\u00e9seau, l\u2019interactivit\u00e9, le flux, le fragment, la pluralit\u00e9 des discours. La recherche s\u2019inscrit donc\u00a0 de mani\u00e8re g\u00e9n\u00e9rale dans un large mouvement contemporain qui regroupe l\u2019archive comme objet media, et l\u2019archivage comme oeuvre &amp; comme principe relationnel.<\/p>\n<p>Responsable scientifique : Julie Morel. \u00c9quipe : Gr\u00e9gory Chatonsky, Reynald Drouhin, Karine Lebrun, Dominique Moulon, Sylvie Ungauer, Gwenola Wagon.<\/p>\n<p><strong>Ecole sup\u00e9rieure d\u2019art de Lorient.<\/strong> 1, avenue Kergroise\u00a0 56100 Lorient.\u2028T\u00e9l. 02 97 35 31 70<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/esa.lorient.fr\/\">http:\/\/esa.lorient.fr<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/esa.lorient.fr\/\"><\/a><a rel=\"attachment wp-att-116\" href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/10\/%c2%ab-de-l%e2%80%99archive-et-de-l%e2%80%99auto-archivage-immediat-comme-oeuvre-%c2%bb\/aaa\/\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"116\" data-permalink=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/10\/%c2%ab-de-l%e2%80%99archive-et-de-l%e2%80%99auto-archivage-immediat-comme-oeuvre-%c2%bb\/aaa\/\" data-orig-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/10\/aaa.png\" data-orig-size=\"342,294\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"aaa\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/10\/aaa.png\" class=\"alignnone size-full wp-image-116\" title=\"aaa\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/10\/aaa.png\" alt=\"\" width=\"342\" height=\"294\" srcset=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/10\/aaa.png 342w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/10\/aaa-300x257.png 300w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/10\/aaa-210x180.png 210w\" sizes=\"auto, (max-width: 342px) 100vw, 342px\" \/><\/a><\/p>\n<p style=\"text-align: left;\"><em>Sur la Pelouse \u00a9 Julie Morel 2009-2010<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ce projet de recherche a \u00e9t\u00e9 accept\u00e9 par le conseil scientifique de la recherche et des \u00e9tudes de la DAP et il est port\u00e9 par l\u2019\u00c9cole sup\u00e9rieure d\u2019art&#8230;<\/p>\n","protected":false},"author":20,"featured_media":116,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,5],"tags":[28,26,27],"class_list":["post-115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projets","category-recherches","tag-archivage","tag-blog","tag-partenariat"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/10\/aaa.png","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-1R","jetpack-related-posts":[{"id":2129,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2006\/03\/gregory-chatonsky\/","url_meta":{"origin":115,"position":0},"title":"Gr\u00e9gory Chatonsky","author":"Reynald Drouhin","date":"14 mars 2006","format":false,"excerpt":"La m\u00e9moire et l\u2019oubli, \u00a0Ecole R\u00e9gionale des Beaux-Arts de Rennes Workshop 14, 15, 16 mars 2006 et conf\u00e9rence le 14 mars 2006. http:\/\/incident.net\/users\/gregory\/ Les notions de m\u00e9moire et d\u2019oubli permettent de probl\u00e9matiser de fa\u00e7on th\u00e9orique et pratique une grande partie des productions contemporaines et en particulier celles des nouveaux m\u00e9dias.\u2026","rel":"","context":"Dans &quot;Artiste&quot;","block_context":{"text":"Artiste","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/artiste\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1216,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/09\/des-materialisations\/","url_meta":{"origin":115,"position":1},"title":"Des Mat\u00e9rialisations","author":"Reynald Drouhin","date":"14 septembre 2010","format":false,"excerpt":"Titre : ARC \"Des Mat\u00e9rialisations\" Lieu : Ecole des beaux-arts de Rennes, salle 302, ateliers, auditorium et \u00e0 l'ext\u00e9rieur. Date : 2010-2011 et plus Enseignant : Reynald Drouhin Collaboration : Articulation possible avec l'ARC \"D\u00e9mat\u00e9rialisation\" de Luc Larmor (son) Intervenants : 2011-2012 : Ivan Argote (artiste, conf\u00e9rence) 2010-2011 : St\u00e9phane\u2026","rel":"","context":"Dans &quot;Projets&quot;","block_context":{"text":"Projets","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5960,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/01\/log-in-flora-rushiti\/","url_meta":{"origin":115,"position":2},"title":"Ruines virtuelles \/ Flora Rushiti","author":"Reynald Drouhin","date":"22 janvier 2025","format":false,"excerpt":"\"Transformation de donn\u00e9es num\u00e9riques \u00e9ph\u00e9m\u00e8res en vestiges tangibles, r\u00e9flexion sur la m\u00e9moire collective et la perte de persistance des traces dans un monde virtuel en perp\u00e9tuelle mutation. La fluidit\u00e9 du m\u00e9tal fondu capture ces traces num\u00e9riques dans une forme durable, mais les imperfections naturelles du coulage illustrent la perte d\u2019information\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":6035,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/03\/escalade-urbaine-vincent-salvat\/","url_meta":{"origin":115,"position":3},"title":"Escalade urbaine \/ Vincent Salvat","author":"Reynald Drouhin","date":"21 mars 2025","format":false,"excerpt":"\u00a0 J'ai organis\u00e9 une session escalade en ville pour prendre des photos et scanner des lieux.\u00a0 Les photos ont pour but de l'archivage. J'ai r\u00e9alis\u00e9 des scans de prises utilis\u00e9s lors de cette session. Ils ont pour but de m'aider \u00e0 chercher les formes de prises que je vais r\u00e9aliser.","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/image00075.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/image00075.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/image00075.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/image00075.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/image00075.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/image00075.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1471,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/11\/edit-on\/","url_meta":{"origin":115,"position":4},"title":"edit-on","author":"Reynald Drouhin","date":"26 novembre 2013","format":false,"excerpt":"Titre pour la plateforme \"Publication, \u00e9dition, diffusion\" avec Laurence Lepron, Jean-Fran\u00e7ois Maurige, Reynald Drouhin et Aurelie Gasche \u00c9crire \u00e9dition avec le i \u00e0 l'horizontal - edit-on : edit on : \"modifi\u00e9 le\" correspond \u00e0 un terme courant utilis\u00e9 sur Internet : les projets web ou \u00e9quivalents pouvant \u00eatre modifi\u00e9s \u00e0\u2026","rel":"","context":"Dans &quot;Projets&quot;","block_context":{"text":"Projets","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/11\/keep-calm-and-edit-on-111.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/11\/keep-calm-and-edit-on-111.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/11\/keep-calm-and-edit-on-111.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3096,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2017\/03\/negation-zhen-liu\/","url_meta":{"origin":115,"position":5},"title":"Limite Arbitraire, Zhen Liu","author":"Reynald Drouhin","date":"14 mars 2017","format":false,"excerpt":"2017, vid\u00e9o 3min51s \u00c0 partir de recherches sur la censure dans la\u00a0litt\u00e9rature chinoise, mon travail pose la question de savoir comment une \u0153uvre d\u2019art peut raconter une histoire. Comment trouver une fa\u00e7on de repr\u00e9senter des documentaires et des archives? Comment d\u00e9construire les formes narratives habituelles? La Capitale d\u00e9chue, (Fei du)\u2026","rel":"","context":"Dans &quot;Documents&quot;","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/03\/n.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/03\/n.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/03\/n.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/03\/n.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/03\/n.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/03\/n.png?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=115"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/115\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/116"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}