{"id":1289,"date":"2013-03-15T18:10:57","date_gmt":"2013-03-15T16:10:57","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=1289"},"modified":"2013-03-23T14:07:30","modified_gmt":"2013-03-23T12:07:30","slug":"ponctuations-a-r-m","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/03\/ponctuations-a-r-m\/","title":{"rendered":"Ponctuations \/ A.R.M."},"content":{"rendered":"<p><strong>A.R.M.<\/strong>, <em>Ponctuations<\/em>,\u00a02 vid\u00e9os 15&rsquo;35\u00a0\u00bb (beaux-arts) et 15&rsquo;34\u00a0\u00bb (4bis), 2013.<br \/>\n(<strong>A.R.M.<\/strong>\u00a0: collectif compos\u00e9 de\u00a0<strong>Marion Augusto,\u00a0<strong>Ma\u00eblle Bertrand\u00a0<\/strong><\/strong>et de<strong><strong>\u00a0<strong>Lorraine Vivien<\/strong><\/strong><\/strong>)<\/p>\n<p>\u00ab\u00a0La r\u00e9p\u00e9tition d&rsquo;un trajet.<br id=\".reactRoot[28].[1][2][1]{comment457939600943628_458216044249317}.0.[1].0.[1].0.[0].[0][2].0.[0].[3]\" \/>Une structure \u00e9tablie entre en collision avec la notion d&rsquo;improvisation pour \u00e0 chaque fois laisser le corps se d\u00e9ployer dans l&rsquo;espace. Jouant par nos postures avec l&rsquo;environnement urbain, nous le requestionnons. La ville et l&rsquo;homme interagissent et s&rsquo;influencent mutuellement.<br id=\".reactRoot[28].[1][2][1]{comment457939600943628_458216044249317}.0.[1].0.[1].0.[0].[0][2].0.[3].0.[1]\" \/>Pour rendre compte des diff\u00e9rents espaces de diffusion, une performance au d\u00e9part de l&rsquo;EESAB &#8211; site de Rennes aura lieu le vendredi 29 mars \u00e0 17h, relatant ainsi les diff\u00e9rentes temporalit\u00e9s de l&rsquo;action.\u00a0\u00bb<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/62491023?title=0&amp;byline=0&amp;portrait=0&amp;color=00cc00\" width=\"320\" height=\"224\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p>\n<p><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/arm.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1318\" alt=\"arm\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/arm-610x340.jpg\" width=\"610\" height=\"340\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A.R.M., Ponctuations,\u00a02 vid\u00e9os 15&rsquo;35\u00a0\u00bb (beaux-arts) et 15&rsquo;34\u00a0\u00bb (4bis), 2013. (A.R.M.\u00a0: collectif compos\u00e9 de\u00a0Marion Augusto,\u00a0Ma\u00eblle Bertrand\u00a0et de\u00a0Lorraine Vivien) \u00ab\u00a0La r\u00e9p\u00e9tition d&rsquo;un trajet.Une structure \u00e9tablie entre en collision avec la notion d&rsquo;improvisation pour \u00e0 chaque fois laisser le corps se d\u00e9ployer dans l&rsquo;espace. Jouant par nos postures avec l&rsquo;environnement urbain, nous le requestionnons. La ville et l&rsquo;homme [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":1318,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37,4],"tags":[98,155,185,129,192,56],"class_list":["post-1289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-corps","tag-espace","tag-improvisation","tag-performance","tag-rue","tag-ville"],"jetpack_shortlink":"https:\/\/wp.me\/p72hC6-kN","jetpack-related-posts":[{"id":1193,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/03\/workflow\/","url_meta":{"origin":1289,"position":0},"title":"WorkFlow","author":"Reynald Drouhin","date":"20\/03\/2013","format":false,"excerpt":"WorkFlow Corps, itin\u00e9raire, exp\u00e9rience Cette exposition fait suite \u00e0 un workshop de 3 jours (le 11, 12 et 13 mars 2013) conduit par Reynald Drouhin avec les \u00e9tudiants de l'ESAAB - site de Rennes. Les dates et lieux d'accrochage (\u00e9cran du 4bis et espace d'exposition de l'\u00e9cole) \u00e9tant pr\u00e9vus avant\u2026","rel":"","context":"Dans &quot;Expositions&quot;","block_context":{"text":"Expositions","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/expositions\/"},"img":{"alt_text":"image","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/image-710x346.jpeg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]},{"id":3512,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2018\/03\/paloma-moin\/","url_meta":{"origin":1289,"position":1},"title":"Paloma Moin","author":"Reynald Drouhin","date":"11\/03\/2018","format":false,"excerpt":"Confessions Under Request,\u00a0\u00e9criture perform\u00e9e, 2018 Dur\u00e9e et r\u00e9currence : de 16h \u00e0 18h les vendredis et samedis. Le dispositif est simple : une table, un ordinateur, un vid\u00e9oprojecteur. \u00c7a ressemble \u00e0 une projection ou \u00e0 une conf\u00e9rence banale et traditionnelle. Quelqu\u2019un est assis derri\u00e8re la table et on comprend que\u2026","rel":"","context":"Dans &quot;Documents&quot;","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/IMG_6185-300x225.jpg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":3507,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2018\/03\/alisson-schmitt\/","url_meta":{"origin":1289,"position":2},"title":"Alisson Schmitt","author":"Reynald Drouhin","date":"11\/03\/2018","format":false,"excerpt":"Welcome to Nine Dragons Hill Resort, vid\u00e9o performance, 02\u201934\u2019\u2019, 2017 J'ai dans\u00e9 sur ce parking. Il y avait la musique \u00e0 fond. \u00c7a donnait sur l'entr\u00e9e du parc d'attractions mais, il \u00e9tait ferm\u00e9. La ville italienne \u00e9tait derri\u00e8re et j'avais l'impression que ce parking avait pour seule fonction le passage\u2026","rel":"","context":"Dans &quot;Documents&quot;","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/as.png?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":1250,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/03\/en-corps-urbain-maelle-bertrand\/","url_meta":{"origin":1289,"position":3},"title":"En corps urbain \/ Ma\u00eblle Bertrand","author":"Reynald Drouhin","date":"15\/03\/2013","format":false,"excerpt":"Ma\u00eblle Bertrand,\u00a0En corps urbain,\u00a02013, 3 photographies,\u00a055 x 50 cm, 70 x 50 cm et 75 x 50 cm, 2013. \"En corps urbain c'est l'homme dans la ville et la ville vue \u00e0 travers l'homme. Ces photographie sont des mises en ab\u00eeme, elles cadrent un corps qui lui m\u00eame cadre un\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"581879_10200748265368296_1361569172_n","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/581879_10200748265368296_1361569172_n-610x563.jpg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]},{"id":4577,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/05\/les-delaisses-urbains-lucie-robin\/","url_meta":{"origin":1289,"position":4},"title":"Les d\u00e9laiss\u00e9s urbains \/ Lucie Robin","author":"Reynald Drouhin","date":"09\/05\/2022","format":false,"excerpt":"La n\u00e9cessit\u00e9 biologique\/ \u00e9cologique des d\u00e9laiss\u00e9s urbains. Sensibiliser les usagers d'un territoire \u00e0 ce type d'espaces abandonn\u00e9s o\u00f9 la nature \u00e0 repris ses droits. Je propose une d\u00e9ambulation entre diff\u00e9rents projets et diff\u00e9rentes strates spaciales et temporelles afin de s'ancrer dans un territoire et de comprendre son histoire et ses\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/20220503_152724-290x290.jpg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":2429,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/02\/%e2%96%bd%e2%96%bd-virv5-ctrl%e2%96%bd%e2%96%bd-thibault-coudouret\/","url_meta":{"origin":1289,"position":5},"title":"\u25bd\u25bd VIRV5 # CTRL\u25bd\u25bd, Thibault Coudouret","author":"Reynald Drouhin","date":"23\/02\/2016","format":false,"excerpt":"2016, installation\u00a0in situ, volumes\u00a0de dimensions variables. \u00c0 partir de polygones simples (comme une citation lointaine de la\u00a0mod\u00e9lisation 3D)\u00a0agenc\u00e9s spontan\u00e9ment puis \"explos\u00e9s\" par de la mousse expansive, l'artiste improvise\u00a0des sculptures \"virales\". Install\u00e9es dans l'espace d'exposition au milieu des autres \u0153uvres, ces \"virus\" dormants mat\u00e9rialis\u00e9s se sont d\u00e9j\u00e0 propag\u00e9s, sans que l'on\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"10470171_957202594365817_2687256597375065542_o","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/10470171_957202594365817_2687256597375065542_o-290x290.jpg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/arm.jpg","_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/1289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=1289"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/1289\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/1318"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=1289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=1289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=1289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}