{"id":1520,"date":"2007-01-24T13:21:12","date_gmt":"2007-01-24T11:21:12","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=1520"},"modified":"2014-02-04T13:29:00","modified_gmt":"2014-02-04T11:29:00","slug":"emilie-pitoiset","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2007\/01\/emilie-pitoiset\/","title":{"rendered":"\u00c9milie Pitoiset"},"content":{"rendered":"<p>le mercredi 24 janvier 2007 \u00e0 17h : \u00c9milie Pitoiset<br \/>\n<a href=\"http:\/\/emiliepitoiset.net\" target=\"_blank\">http:\/\/emiliepitoiset.net<\/a><br \/>\n\u00c9milie Pitoiset ancienne \u00e9l\u00e8ve de l\u2019ENSB-A (atelier Closky et Jean-Luc Vilmouth) travaille sur l\u2019effet larsen (sonore et vid\u00e9o) et sur les syst\u00e8mes de communication qui excluent l\u2019individu.<br \/>\nSon travail non sans une certaine th\u00e9\u00e2tralit\u00e9 place comme un pr\u00e9suppos\u00e9 \u00e0 la cr\u00e9ation et \u00e0 ses limites la trag\u00e9die inh\u00e9rente \u00e0 notre soci\u00e9t\u00e9. Ses oeuvres interviennent \u00e0 un moment de bascule, de tension, ce sont des points de non-retour. Son humour, m\u00eame s\u2019il est souvent noir questionne notre rapport au monde. Au travers de disfonctionnements d\u2019erreur, d\u2019incompr\u00e9hensions, de milles petits bogues, elle s\u2019adresse directement au spectateur. Elle lui propose une pause. Elle invite son regard, son esprit et son corps \u00e0 remettre en cause leur propre mat\u00e9rialit\u00e9.<br \/>\nApr\u00e8s avoir expos\u00e9, \u00e0 la 11\u00e8me biennale de l\u2019image en mouvement \u00e0 Gen\u00e8ve en 2005 et l\u2019ann\u00e9e d\u2019avant \u00e0 l\u2019\u00e9cole nationale sup\u00e9rieure des beaux arts de Paris pour \u00ab densit\u00e9 + -0 \u00bb. Elle sera, en 2006, en r\u00e9sidence au Pavillon au Palais de Tokyo \u00e0 Paris.<\/p>\n<p><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/affiche1.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1521\" data-permalink=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2007\/01\/emilie-pitoiset\/affiche1\/\" data-orig-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/affiche1.jpg\" data-orig-size=\"500,676\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"affiche1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/affiche1.jpg\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/affiche1.jpg\" alt=\"affiche1\" width=\"500\" height=\"676\" class=\"alignnone size-full wp-image-1521\" srcset=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/affiche1.jpg 500w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/affiche1-300x405.jpg 300w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/affiche1-210x283.jpg 210w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>le mercredi 24 janvier 2007 \u00e0 17h : \u00c9milie Pitoiset http:\/\/emiliepitoiset.net \u00c9milie Pitoiset ancienne \u00e9l\u00e8ve de l\u2019ENSB-A (atelier Closky et Jean-Luc Vilmouth) travaille sur l\u2019effet larsen (sonore et&#8230;<\/p>\n","protected":false},"author":20,"featured_media":1521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[36,124],"tags":[228],"class_list":["post-1520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artiste","category-conferences","tag-emilie-pitoiset"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/affiche1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-ow","jetpack-related-posts":[{"id":1511,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2007\/06\/splitscreen\/","url_meta":{"origin":1520,"position":0},"title":"SplitScreen","author":"Reynald Drouhin","date":"30 juin 2007","format":false,"excerpt":"Split Screen est le th\u00e8me de l\u2019ARC Vid\u00e9o non lin\u00e9aire anim\u00e9 par Tom Drahos & Reynald Drouhin pour l\u2019ann\u00e9e 2006-2007 aux Beaux-Arts de Rennes. L\u2019atelier (ARC) est propos\u00e9 aux \u00e9l\u00e8ves de 3, 4 et 5 \u00e8me ann\u00e9e Art, Com, Design (\u00c9cole des beaux-arts de Rennes, 2006-07) avec les conf\u00e9rences de\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/02\/splitscreen-face.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1921,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2015\/02\/brendan-keenan-ton-hardcore-il-est-tout-pete-linsolence-cest-tout-un-art-pd\/","url_meta":{"origin":1520,"position":1},"title":"Brendan Keenan \/ Ton hardcore il est tout p\u00e9t\u00e9, L&rsquo;insolence c&rsquo;est tout un art, pd !","author":"Reynald Drouhin","date":"10 f\u00e9vrier 2015","format":false,"excerpt":"2015,\u00a0animation vid\u00e9o 2min 06s en boucle, 27 signes, sans son, sur TV plasma. L\u2019existence de nombreux gang ont marqu\u00e9es les grandes villes am\u00e9ricaines. Pour lire rapidement l\u2019alphabet ou les pr\u00e9noms de leurs acolytes, ces membres mimaient avec leurs doigts. Sans dire un seul mot, ils conversaient par des gestes de\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":6480,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/12\/monstera-mariam-silagadze\/","url_meta":{"origin":1520,"position":2},"title":"Monstera \/ Mariam Silagadze","author":"Reynald Drouhin","date":"9 d\u00e9cembre 2025","format":false,"excerpt":"La Monstera comme m\u00e9taphore du corps f\u00e9minin Le langage commun de la respiration La monstera grandit dans le silence. Sur ses feuilles tombe la lumi\u00e8re, comme un souffle ti\u00e8de. L\u2019espace s\u2019ouvre, comme une peau qui se d\u00e9ploie de l\u2019int\u00e9rieur. Un corps plein de fentes, comme le corps d\u2019une femme, non\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/12\/m.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/12\/m.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/12\/m.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/12\/m.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/12\/m.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/12\/m.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4724,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/11\/effondrement-remi-daumesnil\/","url_meta":{"origin":1520,"position":3},"title":"Effondrement \/ R\u00e9mi Daumesnil","author":"Reynald Drouhin","date":"15 novembre 2022","format":false,"excerpt":"La musique bruitiste, ou noise musique (traduction anglaise) est un terme pour regrouper divers genres musicaux venus de diffe\u0301rentes cate\u0301gories musicales telles que : l\u2019avant-garde, l\u2019e\u0301lectroacoustique, la musique improvise\u0301e, le jazz ou free-jazz, la musique industrielle, le rock, le me\u0301tal, le drone, la musique concre\u0300te, le sound art etc... Son\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4977,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2023\/03\/atika-camara-dys-paraitre\/","url_meta":{"origin":1520,"position":4},"title":"Atika Camara \/ Dys-para\u00eetre","author":"Reynald Drouhin","date":"14 mars 2023","format":false,"excerpt":"\u00a0 Ce travail interroge la trace de l'homme sur son environnement \u00e0 travers diff\u00e9rentes exp\u00e9riences, r\u00e9flexion, et critiques L'impact que l'homme a sur son environnement n'est plus \u00e0 d\u00e9montrer que nous \u00e9tions l'arme fatale de la vie animale et v\u00e9g\u00e9tal, nous avons pomp\u00e9, d\u00e9truit, exploit\u00e9s, modifi\u00e9s pratiquement la totalit\u00e9 de\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_0911-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_0911-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_0911-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_0911-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_0911-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_0911-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2213,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/02\/pierre-belouin\/","url_meta":{"origin":1520,"position":5},"title":"Pierre Belo\u00fcin","author":"Reynald Drouhin","date":"15 f\u00e9vrier 2016","format":false,"excerpt":"Pierre Belo\u00fcin [artiste & directeur du label Optical Sound] Conf\u00e9rence et intervention dans le cadre de l'ARC \u00c9dition (Drouhin, Lepron, Maurige) \"A l'\u00e8re de la postmodernit\u00e9, le champ de l'art est r\u00e9guli\u00e8rement travers\u00e9 par des objets qui interrogent son espace et l'\u00e9lasticit\u00e9 de ses limites. 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