{"id":2213,"date":"2016-02-15T15:00:19","date_gmt":"2016-02-15T13:00:19","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=2213"},"modified":"2016-02-16T10:31:44","modified_gmt":"2016-02-16T08:31:44","slug":"pierre-belouin","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/02\/pierre-belouin\/","title":{"rendered":"Pierre Belo\u00fcin"},"content":{"rendered":"

Pierre Belo\u00fcin [artiste & directeur du label Optical Sound]<\/p>\n

Conf\u00e9rence et intervention dans le cadre de l’ARC \u00c9dition (Drouhin, Lepron, Maurige)<\/p>\n

\u00ab\u00a0A l’\u00e8re de la postmodernit\u00e9, le champ de l’art est r\u00e9guli\u00e8rement travers\u00e9 par des objets qui interrogent son espace et l’\u00e9lasticit\u00e9 de ses limites. L’\u0153uvre de Pierre Belo\u00fcin pourrait \u00eatre un de ces objets aux contours flous et \u00e0 l’appr\u00e9hension fuyante. Revendiquant la pratique de l’art comme moyen de collaborations, l’artiste devient le c\u0153ur d’un r\u00e9seau ouvert multipliant les ramifications et le d\u00e9veloppement de projets en tout genre (du partenariat au commissariat en passant par l’\u00e9dition de disques, l’organisation de concert…).
\nCe qui signe d’embl\u00e9e le travail de Pierre Belouin, c’est le d\u00e9sir affirm\u00e9 de multiplier les champs plut\u00f4t que de les soustraire et d’inscrire ainsi sa pratique au sein du label Optical Sound (dont il est le cr\u00e9ateur) dans sa production plastique. Qu’elle soit jou\u00e9e ou cit\u00e9e (les r\u00e9f\u00e9rences se rencontrent avec une certaine \u00e9rudition), la musique, son actualit\u00e9 et son histoire, ses codes et ses croisements, y constitue donc le socle \u00e0 partir duquel tout s’\u00e9labore. Se m\u00eale alors, sur une m\u00eame vibration, l’exp\u00e9rience sonore et la sensation visuelle.\u00a0\u00bb<\/p>\n

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Guillaume Mansart<\/p>\n

www.pierrebelouin.com<\/a><\/p>\n

www.optical-sound.com<\/a><\/p>\n

\"IMG_3125\" <\/a> <\/div> <\/div>
\"IMG_3127\" <\/a> <\/div>
\"IMG_3132\" <\/a> <\/div> <\/div> <\/div> <\/div>\n

https:\/\/www.facebook.com\/events\/988079161271746\/<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Pierre Belo\u00fcin [artiste & directeur du label Optical Sound] Conf\u00e9rence et intervention dans le cadre de l’ARC \u00c9dition (Drouhin, Lepron, Maurige) \u00ab\u00a0A l’\u00e8re de la postmodernit\u00e9, le champ de l’art est r\u00e9guli\u00e8rement travers\u00e9 par des objets qui interrogent son espace et l’\u00e9lasticit\u00e9 de ses limites. L’\u0153uvre de Pierre Belo\u00fcin pourrait \u00eatre un de ces objets […]<\/p>\n","protected":false},"author":20,"featured_media":2214,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[36,124,3],"tags":[409,412,225,357,25,408,410,413,411,414],"class_list":["post-2213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artiste","category-conferences","category-documents","tag-cd","tag-disque","tag-dvd","tag-edition","tag-livre","tag-multiple","tag-musique","tag-picture-disc","tag-son","tag-vinyl"],"jetpack_shortlink":"https:\/\/wp.me\/p72hC6-zH","jetpack-related-posts":[{"id":3466,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2018\/03\/thomas-tudoux\/","url_meta":{"origin":2213,"position":0},"title":"Thomas Tudoux","author":"Reynald Drouhin","date":"11\/03\/2018","format":false,"excerpt":"L\u2019oeuvre de Thomas Tudoux frappe par sa pers\u00e9v\u00e9rance \u00e0 cerner les nouvelles mythologies de notre \u00e9poque. 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