{"id":227,"date":"2010-11-20T19:14:34","date_gmt":"2010-11-20T17:14:34","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=227"},"modified":"2016-01-26T11:31:04","modified_gmt":"2016-01-26T09:31:04","slug":"ce-qui-vient","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/11\/ce-qui-vient\/","title":{"rendered":"Ce qui vient \/ Chlo\u00e9 Steigelmann"},"content":{"rendered":"<p><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/IMG_1087.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"228\" data-permalink=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/11\/ce-qui-vient\/img_1087\/\" data-orig-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/IMG_1087.jpg\" data-orig-size=\"600,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"IMG_1087\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/IMG_1087.jpg\" class=\"alignnone size-large wp-image-228\" title=\"IMG_1087\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/IMG_1087-438x585.jpg\" alt=\"\" width=\"438\" height=\"585\" \/><\/a><br \/>\n<em><br \/>\nCe qui vient<\/em> est une s\u00e9rie de 5 photographies. J&rsquo;ai abord\u00e9 le sujet Ce qui vient de 2 points de vues: le mien et celui des autres.<br \/>\nPour le mien j&rsquo;ai gard\u00e9 ma premi\u00e8re image, assez litt\u00e9rale, le futur qui se voit \u00e0 travers le regard, d&rsquo;o\u00f9 les yeux. Le c\u00f4t\u00e9 hors champs et la lecture indiqu\u00e9 par le biais du regard accentuant \u00ab\u00a0ce regard vers le futur\u00a0\u00bb.<br \/>\nPour celui des autres, je l&rsquo;ai guid\u00e9 par une sorte de jeu, je dit un mot la personne en face me r\u00e9pond la premi\u00e8re chose qui lui vient par l&rsquo;esprit sans r\u00e9fl\u00e9chir. J&rsquo;avais donc r\u00e9alis\u00e9 diff\u00e9rent th\u00e8me qui comportait 5 mots et le dernier \u00e9tant ce qui vient. J&rsquo;ai ensuite fait une s\u00e9lection des r\u00e9ponses qui m&rsquo;int\u00e9ressaient et \u00e9taient exploitables. A partir de cela, j&rsquo;ai chercher des images correspondantes et fait le lien entre les r\u00e9ponses et les regards des personnes interrog\u00e9es.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ce qui vient est une s\u00e9rie de 5 photographies. J&rsquo;ai abord\u00e9 le sujet Ce qui vient de 2 points de vues: le mien et celui des autres. Pour&#8230;<\/p>\n","protected":false},"author":20,"featured_media":228,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37,4],"tags":[42,41],"class_list":["post-227","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-fragment","tag-point-de-vue"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/IMG_1087.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-3F","jetpack-related-posts":[{"id":5501,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2024\/03\/la-fete-pauline-guillaume\/","url_meta":{"origin":227,"position":0},"title":"Seuls au bar \/ Pauline Guillaume","author":"Reynald Drouhin","date":"24 mars 2024","format":false,"excerpt":"J'ai r\u00e9tr\u00e9ci mes id\u00e9es autour de mon sujet qui \u00e9tait au d\u00e9part tr\u00e8s vague. J'ai envie de me centrer sur les personnes qui viennent seuls au bar. Ces gens qui sont devenus des habitu\u00e9s du bar. Ils ont tous une particularit\u00e9 qui m'int\u00e9resse avec ce projet sur l'effondrement. Leur quotidien,\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/03\/IMG_3873.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/03\/IMG_3873.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/03\/IMG_3873.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/03\/IMG_3873.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/03\/IMG_3873.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/03\/IMG_3873.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2371,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/03\/traque-alison-schmitt\/","url_meta":{"origin":227,"position":1},"title":"Traque, Alison Schmitt","author":"Reynald Drouhin","date":"4 mars 2016","format":false,"excerpt":"2016, 5 photographies argentines mont\u00e9es sur alu, 50 x 59\u00a0cm chacune. R\u00e9sultat d\u2019une analogie entre une pratique de la chronophotographie et le comportement actuel vis-\u00e0-vis de l\u2019image num\u00e9rique, Traque \u00e9voque avant tout la poursuite et la capture. En 1882 \u00c9tienne-Jules Marey \u00e9labore le fusil photographique, objet formellement reli\u00e9 au champ\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4364,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/01\/car-casse-alexandra-bessette\/","url_meta":{"origin":227,"position":2},"title":"Car Casse \/  Alexandra Bessette","author":"Reynald Drouhin","date":"27 janvier 2022","format":false,"excerpt":"\u00a0 CAR CASSE La sixie\u0300me extinction Lundi 29 novembre 2021, il fait nuit, un ciel sans lune et sans e\u0301toiles, l\u2019obscurite\u0301 totale. J\u2019allume le contact, le halo de lumie\u0300re vient transpercer les te\u0301ne\u0300bres. La machine ronronne, elle est pre\u0302te a\u0300 partir. J\u2019enfourche donc la be\u0302te me\u0301canique et pars sur la\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/MG_8147.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/MG_8147.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/MG_8147.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/MG_8147.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/MG_8147.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/MG_8147.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":393,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/11\/les-formes-a-travers-le-paysage-urbain\/","url_meta":{"origin":227,"position":3},"title":"Les formes \u00e0 travers le paysage urbain \/ La\u00ebtitia Desauw","author":"Reynald Drouhin","date":"23 novembre 2010","format":false,"excerpt":"\u00c0 l\u2019heure actuelle, les choses reviennent \u00e0 la position de fragment . Tel la pr\u00e9sentation d\u2019\u00e9missions t\u00e9l\u00e9vis\u00e9es, l\u2019organisation texte \/ image que l\u2019on retrouve dans les magazines et le journal, ou encore, entre autre, la reconstruction des villes . Je fais donc une mise en conscience de cette question de\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/P1260236.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/P1260236.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/P1260236.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/P1260236.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/P1260236.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/P1260236.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4453,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/12\/fantome-de-louest-lea-chotard\/","url_meta":{"origin":227,"position":4},"title":"Fant\u00f4me de l&rsquo;ouest \/ L\u00e9a Chotard","author":"Reynald Drouhin","date":"16 d\u00e9cembre 2021","format":false,"excerpt":"J\u2019ai appele\u0301 cette installation fanto\u0302me de l\u2019ouest. Elle se compose d\u2019un tapis et d\u2019une vide\u0301o avec une bande-son projete\u0301es sur une TV. Tout d\u2019abord, le tapis est une sce\u0300ne ou\u0300 les the\u0301matiques de la route, de l\u2019abandon, du cine\u0301ma et de la lumie\u0300re reviennent. Plusieurs e\u0301le\u0301ments reconnaissables nous renvoient directement\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/DSC04006-scaled.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/DSC04006-scaled.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/DSC04006-scaled.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/DSC04006-scaled.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/DSC04006-scaled.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/DSC04006-scaled.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1496,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2005\/03\/nikola-jankovic\/","url_meta":{"origin":227,"position":5},"title":"Nikola Jankovic","author":"Reynald Drouhin","date":"1 mars 2005","format":false,"excerpt":"Nikola Jankovic (1969) est architecte. Critique et commissaire d\u2019exposition, il a \u00e9t\u00e9 laur\u00e9at de l\u2019Acad\u00e9mie d\u2019Architecture pour une \u00e9tude consacr\u00e9e \u00e0 l\u2019influence des paysages d\u00e9sertiques chez l\u2019artiste James Turrell (Arizona) et chez le compositeur Harold Budd (Californie). Il ach\u00e8ve actuellement un doctorat de g\u00e9ographie consacr\u00e9 au paysage contemporain. Architecte DPLG\u2026","rel":"","context":"Dans &quot;Conf\u00e9rences&quot;","block_context":{"text":"Conf\u00e9rences","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/conferences\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/nj.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/nj.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/nj.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=227"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/227\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/228"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}