{"id":2417,"date":"2016-04-22T10:00:07","date_gmt":"2016-04-22T08:00:07","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=2417"},"modified":"2024-04-30T13:44:14","modified_gmt":"2024-04-30T11:44:14","slug":"material-reality","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/04\/material-reality\/","title":{"rendered":"Material Reality"},"content":{"rendered":"

 <\/p>\n

Group Show<\/h2>\n

Une proposition de Reynald Drouhin<\/em><\/p>\n

Du 22 avril au 4 mai 2016<\/p>\n

Vernissage le vendredi 22 avril 2016 de 17h \u00e0 21h<\/strong><\/p>\n

\u00e0 la\u00a0Galerie Vanessa Quang<\/a>, 7 Rue des Filles du Calvaire, 75003 Paris<\/p>\n

Artistes expos\u00e9s : C\u00e9lia Calvez,\u00a0Thibault Coudouret,\u00a0Sybil Dary,\u00a0Corentin Derbr\u00e9,\u00a0Geoffrey Jeanville,\u00a0Elisabeth Gomes-Barradas,\u00a0Brendan Keenan,\u00a0Shankar Lestr\u00e9han,\u00a0Alisson Schmitt,\u00a0Lilas Souksomboune,\u00a0Sanisa Tulyasukh,\u00a0Miharu Yanai<\/strong><\/p>\n

L\u2019exposition regroupe le travail des \u00e9tudiants de l\u2019ARC (Atelier de Recherche et de Cr\u00e9ation) DataFlow de l\u2019EESAB \u2013 Rennes<\/a>.
\nLes travaux t\u00e9moignent de la r\u00e9flexion men\u00e9e par chacun autour des diff\u00e9rents \u00e9tats du mat\u00e9riau du num\u00e9rique et de sa culture dans les arts plastiques (r\u00e9seaux sociaux, avatar, mod\u00e9lisation 3D, jeux vid\u00e9os, images virales, virus\u2026).
\nInfiltr\u00e9 aujourd\u2019hui dans toutes les disciplines, le num\u00e9rique se re-mat\u00e9rialise pour prendre forme. Il s\u2019agit de red\u00e9couvrir, sous un autre angle, le rapport entre disciplines et mati\u00e8res, et de prendre du recul, \u00e0 travers des sujets contemporains, sur les techniques dites \u00ab\u00a0classiques\u00a0\u00bb (peinture, sculpture, installation, vid\u00e9o, photo argentique\u2026). Celles-ci deviennent le mat\u00e9riau cherchant \u00e0 \u00e9prouver la r\u00e9alit\u00e9 de la mati\u00e8re num\u00e9rique.
\nLe post-digital<\/i> passe, comme son inscription dans le temps l\u2019indique ; le mat\u00e9riau, lui, reste, \u00ab\u00a0multi-formes\u00a0\u00bb, multim\u00e9dia\u2026<\/p>\n

Par opposition \u00e0 l\u2019oxymore \u00ab\u00a0Virtual Reality\u00a0\u00bb, la tautologie de \u00ab\u00a0Material Reality\u00a0\u00bb insiste sur le concret et revient sur l\u2019id\u00e9e que le pure player<\/em> (le tout Internet) n\u2019existe plus seulement dans le virtuel mais se mat\u00e9rialise dans le r\u00e9el, tels les combattants incarn\u00e9s dans VS<\/i><\/strong> ou Autoportrait<\/i><\/strong>. R\u00e9seaux sociaux ou images virales sorties de l\u2019\u00e9cran\u00a0deviennent mati\u00e8re picturale (Screenshots<\/i>, Virus<\/i><\/strong>), s\u2019inscrivant ainsi dans une toute autre temporalit\u00e9, fig\u00e9e, captur\u00e9e. Pour d\u2019autres, c\u2019est par la mise en espace que l\u2019interpr\u00e9tation des concepts de partage, de diffusion et de propagation prennent forme (Like Comment Share<\/i>,\u00a0G\u00e9n\u00e9jazz <\/i><\/strong>).
\nNouveaux m\u00e9dias, arts num\u00e9riques, post-internet\u2026<\/i>\u00a0Chacun cherche \u00e0 d\u00e9finir, repr\u00e9senter ou identifier\u00a0 le \u00ab\u00a0num\u00e9rique\u00a0\u00bb. Comme l\u2019\u00e9crit tr\u00e8s justement Gr\u00e9gory Chatonsky<\/a> : \u00ab\u00a0le post-digital<\/i> travaille la mat\u00e9rialit\u00e9 ready-made<\/em> de notre \u00e9poque [\u2026] elle serait la mati\u00e8re m\u00eame toujours en train de se former.\u00a0\u00bb Les \u0153uvres r\u00e9v\u00e8lent la transformation du sujet dans la succession des disciplines employ\u00e9es\u00a0; l\u2019usage successif de techniques l\u2019alt\u00e8re, lui donnant \u00e0 chaque fois des caract\u00e9ristiques nouvelles (Fant\u00f4mes, WYSIWYG, Traque<\/i><\/strong>), comme pour mieux affirmer les hybridations<\/a> utilis\u00e9es.
\nLe transfert du sujet par les diff\u00e9rents traitements plastiques dissimule son sens premier (47<\/i>, Ton hardcore\u2026<\/i><\/strong>), fausse son interpr\u00e9tation (L\u2019alignement<\/i><\/strong>).<\/p>\n

Reynald Drouhin<\/a><\/p>\n

Pdf Communiqu\u00e9 de presse<\/a><\/p>\n

\n

Remerciements \u00e0 :<\/strong><\/p>\n

Claude, H\u00e9l\u00e8ne, Jod\u00e8ne, Manu, Odile, Sophie, Thierry, Vanessa et aux \u00e9tudiants qui ont particip\u00e9…<\/p>\n

\n

Oeuvres pr\u00e9sent\u00e9es :<\/strong><\/p>\n

\"z\"<\/a>Virus<\/a>, C\u00e9lia Calvez<\/strong>,\u00a02016, 3 toiles imprim\u00e9es en s\u00e9rigraphie, 138\u00a0x\u00a097,5 cm 136\u00a0x\u00a096 cm et 101,5\u00a0 x\u00a0108 cm.<\/p>\n

 <\/p>\n

\n

\"3\"<\/a><\/p>\n


\n<\/a>WYSIWYG<\/a>, Sybil Dary<\/strong>,\u00a02016, 6 photographies, 119 x 84\u00a0cm chacune.<\/p>\n

\n

\"a\"<\/a><\/p>\n

L\u2019alignement<\/a>, Corentin Derbr\u00e9<\/strong>,\u00a02016, projection vid\u00e9o g\u00e9n\u00e9rative, dur\u00e9e infini.<\/p>\n

\n
\"vs\"<\/a>

Preview<\/p><\/div>\n

Vs<\/a>,\u00a0Geoffrey Jeanville<\/b> et\u00a0Lilas Souksomboune<\/b>, 2016, boucle video, sans son sur TV plasma 100 x 70 cm.<\/p>\n

\n

\"autoportrait\"<\/a><\/p>\n

Autoportrait<\/a>,\u00a0Elisabeth Gomes-Barradas<\/strong>,\u00a02016,\u00a0huile sur toile, 115 x 160 cm.<\/p>\n

\n

\"IMG_3763\"<\/a><\/p>\n

Screenshots #1, #2<\/a>, Elisabeth Gomes-Barradas<\/strong>,\u00a02015, 4\u00a0peintures acrylique, feutre noir et Posca,\u00a060 x 101 cm chacune.<\/p>\n

\n

\"IMG_3756\"<\/a><\/p>\n

47<\/a>, Brendan Keenan<\/b>, 2016,\u00a0sculpture, en bois, verte fluo,\u00a0450 x 100 x 60 cm.<\/p>\n

\n
\"1\"<\/a>

Preview<\/p><\/div>\n

Ton hardcore il est tout p\u00e9t\u00e9, L\u2019insolence c\u2019est tout un art, pd !<\/a>,\u00a0Brendan Keenan<\/b>, 2015,\u00a0<\/strong>animation vid\u00e9o 2min 06s en boucle, 27 signes, sans son, sur TV plasma 100 x 70 cm.<\/p>\n

\n

\"IMG_3732\"<\/a>G\u00e9n\u00e9jazz<\/a>, Shankar Lestr\u00e9han<\/b>, 2016, performance sonore \u00e0 partir de vid\u00e9o YouTube de Free jazz.<\/p>\n

\n

\"IMG_3759\"<\/a><\/p>\n

Traque<\/a>,\u00a0Alisson Schmitt<\/b>, 2016, 5 photographies argentines mont\u00e9es sur alu, 50 x 59\u00a0cm chacune.<\/p>\n

\n

\"IMG_3693\"<\/a><\/p>\n

Like Comment Share<\/a>, \u00a0Sanisa Tulyasukh<\/strong>, 2015, installation \u00e9ph\u00e9m\u00e8re\u00a0in situ<\/em>, caf\u00e9 moulu pass\u00e9 au pochoir, 4,5 x 3 m.<\/p>\n

\n

\"12915109_1748366428716800_1357817312_o\"<\/a>Fant\u00f4mes<\/a>, Miharu Yanai<\/strong>, 2016, livre en\u00a0tissu d\u00e9pli\u00e9, 100 x 50 cm sur table 125 x 80 cm, et tr\u00e9teaux.<\/p>\n

\n

Pdf Carton d’invitation
\n<\/a>\"invitation-material-reality-2\"<\/a>\"invitation-material-reality-1\"<\/a><\/p>\n

\u00a0<\/a><\/p>\n

EESAB – Rennes
\n<\/a>\"screencapture-www-eesab-fr-node-5748-1458417384442\"<\/a><\/p>\n

https:\/\/www.facebook.com\/events\/949324451848330\/<\/a><\/p>\n

 <\/p>\n

\"Capture<\/a><\/p>\n

https:\/\/www.artsy.net\/show\/vanessa-quang-gallery-material-reality<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  Group Show Une proposition de Reynald Drouhin Du 22 avril au 4 mai 2016 Vernissage le vendredi 22 avril 2016 de 17h \u00e0 21h \u00e0 la\u00a0Galerie Vanessa…<\/p>\n","protected":false},"author":20,"featured_media":2489,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[37,1146,4,5],"tags":[366,377,105,445,443,435,315,380,125,463,462,444,260,405,446],"class_list":["post-2417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-expositions","category-projets","category-recherches","tag-3d","tag-avatar","tag-exposition","tag-images-virales","tag-materialiser","tag-materiau","tag-materiel","tag-modelisation","tag-multimedia","tag-post-digital","tag-post-internet","tag-re-materialiser","tag-realite","tag-reseaux-sociaux","tag-virus"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/invitation-material-reality-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-CZ","jetpack-related-posts":[{"id":780,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2011\/03\/cette-exposition-qui-naura-pas-lieu\/","url_meta":{"origin":2417,"position":0},"title":"Cette exposition qui n’aura pas lieu","author":"Reynald Drouhin","date":"28 mars 2011","format":false,"excerpt":"Nous allons lister les projets ici pour une exposition fictive qui aurait pu avoir lieu... la d\u00e9mat\u00e9rialisation est compl\u00e8te Annabel Aoun \"Insectes\" ? Chlo\u00e9 Steigelmann \"Poster\" hand ball Cl\u00e9ment Le Pallec : photos \"Marcher au pas\" Coline Faucon \"Cours d'esth\u00e9tique\"\u00a0http:\/\/dematerialisation.tumblr.com\/ La\u00ebtitia Desauw \"Carte en volume\" L\u00e9o Usa\u00ef \"P\u00e9rimetre\" (les poutres)\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/03\/cubes.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/03\/cubes.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/03\/cubes.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2442,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/03\/genejazz-shankar-lestrehan\/","url_meta":{"origin":2417,"position":1},"title":"GeneJazz, Shankar Lestr\u00e9han","author":"Reynald Drouhin","date":"9 mars 2016","format":false,"excerpt":"2016, performance sonore \u00e0 partir de vid\u00e9o YouTube de Free jazz. D\u00e9ambulant dans l'espace d'exposition, l'artiste fait jouer sur son ordinateur portable des vid\u00e9os Youtube de Jazz et\u00a0Free Jazz, accumulant la mati\u00e8re sonore de\u00a0plusieurs vid\u00e9os \u00e0 la fois, cr\u00e9ant des nappes musicales\u00a0plus ou moins denses et coh\u00e9rentes. Le mat\u00e9riau disponible\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1216,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/09\/des-materialisations\/","url_meta":{"origin":2417,"position":2},"title":"Des Mat\u00e9rialisations","author":"Reynald Drouhin","date":"14 septembre 2010","format":false,"excerpt":"Titre : ARC \"Des Mat\u00e9rialisations\" Lieu : Ecole des beaux-arts de Rennes, salle 302, ateliers, auditorium et \u00e0 l'ext\u00e9rieur. Date : 2010-2011 et plus Enseignant : Reynald Drouhin Collaboration : Articulation possible avec l'ARC \"D\u00e9mat\u00e9rialisation\" de Luc Larmor (son) Intervenants : 2011-2012 : Ivan Argote (artiste, conf\u00e9rence) 2010-2011 : St\u00e9phane\u2026","rel":"","context":"Dans "Projets"","block_context":{"text":"Projets","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2429,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/02\/%e2%96%bd%e2%96%bd-virv5-ctrl%e2%96%bd%e2%96%bd-thibault-coudouret\/","url_meta":{"origin":2417,"position":3},"title":"\u25bd\u25bd VIRV5 # CTRL\u25bd\u25bd, Thibault Coudouret","author":"Reynald Drouhin","date":"23 f\u00e9vrier 2016","format":false,"excerpt":"2016, installation\u00a0in situ, volumes\u00a0de dimensions variables. \u00c0 partir de polygones simples (comme une citation lointaine de la\u00a0mod\u00e9lisation 3D)\u00a0agenc\u00e9s spontan\u00e9ment puis \"explos\u00e9s\" par de la mousse expansive, l'artiste improvise\u00a0des sculptures \"virales\". Install\u00e9es dans l'espace d'exposition au milieu des autres \u0153uvres, ces \"virus\" dormants mat\u00e9rialis\u00e9s se sont d\u00e9j\u00e0 propag\u00e9s, sans que l'on\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/v.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/v.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/v.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/v.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/v.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2281,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/02\/preparation-de-lexposition\/","url_meta":{"origin":2417,"position":4},"title":"Pr\u00e9paration","author":"Reynald Drouhin","date":"23 f\u00e9vrier 2016","format":false,"excerpt":"Sujet Voir Material Reality Dates Chargement du camion le lundi 11 avril D\u00e9p\u00f4t des oeuvres : d\u00e9part le mardi 12 avril \u00e0 6h - arriv\u00e9e du camion avec Thierry d\u00e9part 6h,\u00a0arriv\u00e9 vers 11h, Geoffrey \u00a0et Reynald pr\u00e9sents \u00e0 la r\u00e9ception \u00e0 Paris et retour vers 17h. Montage du 18 au\u2026","rel":"","context":"Dans "Recherches"","block_context":{"text":"Recherches","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/recherches\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/IMG_2962.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/IMG_2962.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/IMG_2962.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/IMG_2962.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/IMG_2962.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1489,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2003\/04\/no-video\/","url_meta":{"origin":2417,"position":5},"title":"No video","author":"Reynald Drouhin","date":"9 avril 2003","format":false,"excerpt":"Atelier de recherche et Cr\u00e9ation Concevoir et r\u00e9aliser un projet vid\u00e9o non lin\u00e9aire sur CD \u2013 DVD ou Internet. Atelier anim\u00e9 par Tom Drahos, Reynald Drouhin et Micha\u00ebl Sellam. Atelier destin\u00e9 en priorit\u00e9 aux \u00e9tudiants de 4\u00b0 ann\u00e9e. \u00c9cole des Beaux-Arts de Rennes 34, rue Hoche 35000 Rennes http:\/\/novideo.free.fr\/ Pour\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/carton2-face.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/carton2-face.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/carton2-face.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/2417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=2417"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/2417\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/2489"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=2417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=2417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=2417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}