2017, 15 plaques de verre,\u00a0gravure laser , 40 x 30 cm chacune<\/p>\n
Lors des manifestations contre la loi du travail, plus pr\u00e9cis\u00e9ment la loi n\u00b02016-1088 du 8 ao\u00fbt 2016, Un event tr\u00e8s particulier, au sens artistique du terme, a eu lieu : sur de multiples pancartes, banderoles ou autres sortes de supports contestataires \u00e9taient r\u00e9activ\u00e9es des citations de rappeurs afin de protester contre la loi El Khomri. Ces fragments de texte ont alors \u00e9t\u00e9 d\u00e9plac\u00e9s dans un environnement et dans un contexte qui n\u2019\u00e9taient, a priori pas suppos\u00e9s \u00eatre les leurs. Un \u00e9v\u00e8nement culturel important qui m\u00e9rite des plaques comm\u00e9moratives. Ceci est un projet artistique, produit par plusieurs \u00e9l\u00e9ments transdisciplinaires, s’articulant autour de disciplines diff\u00e9rentes telles que : les arts, la sociologie, la philosophie, l\u2019\u00e9conomie, la politique. Un plongement d\u2019un long r\u00e9cit, agissant comme une virgule dans une phrase, les plaques de verres sous-entendent plusieurs questionnements \u00e0 propos du temps et de la m\u00e9moire. Que garde t-on de ces situations particuli\u00e8res ? comment \u00e9voluent-elles ? Qui \u00e9crit l\u2019Histoire ? La question d\u2019\u00eatre acteur principal de notre propre cadre spatio-temporel et du r\u00e9cit qui en est un corolaire et peut \u00e9galement \u00eatre mis en avant. En parall\u00e8le de l\u2019exposition, au m\u00eame moment, des plaques avec d\u2019autre citation grav\u00e9es sont expos\u00e9es dans les rue de la ville de Rennes, relay\u00e9 par la presse comme la ville o\u00f9 les contestations ont \u00e9t\u00e9 les plus violentes.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
2017, 15 plaques de verre,\u00a0gravure laser , 40 x 30 cm chacune Lors des manifestations contre la loi du travail, plus pr\u00e9cis\u00e9ment la loi n\u00b02016-1088 du 8 ao\u00fbt…<\/p>\n","protected":false},"author":20,"featured_media":3268,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[37,4],"tags":[519,475,476,474,520],"class_list":["post-2840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-lois","tag-manifestation","tag-politique","tag-slogan","tag-travail"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7254.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-JO","jetpack-related-posts":[{"id":302,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/11\/impressions\/","url_meta":{"origin":2840,"position":0},"title":"Impressions \/ William Beville","author":"Reynald Drouhin","date":"22 novembre 2010","format":false,"excerpt":"Ces reproductions sont des impressions en bichromie de plaques rouill\u00e9es mesurant chacune 65x40 cm. Ces travaux illustrent en partie le travail que j'ai d\u00e9velopp\u00e9 l'ann\u00e9e derni\u00e8re autour de l'\u00e9l\u00e9ment aquatique, et de sa symbolique dans l'histoire de l'art et de la litt\u00e9rature. 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L'\u0153uvre de Pierre Belo\u00fcin pourrait\u2026","rel":"","context":"Dans "Artiste"","block_context":{"text":"Artiste","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/artiste\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/12037989_102986556723855_2644542944798966948_n.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/12037989_102986556723855_2644542944798966948_n.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/12037989_102986556723855_2644542944798966948_n.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2935,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2017\/02\/motifs-camille-kerzerho\/","url_meta":{"origin":2840,"position":3},"title":"Motifs, Camille Kerzerho","author":"Reynald Drouhin","date":"28 f\u00e9vrier 2017","format":false,"excerpt":"2017, 9\u00a0plans de prison grav\u00e9s sur plaque de zinc, 30 x 30 cm \u00abLe sens propre de \u00abmotif\u00bb, n\u2019est-ce pas: ce qui met en marche, ce qui meut et \u00e9meut ?\u00bb 1 Dans un contexte artistique, le motif d\u00e9signe le sujet d\u2019un dessin, et le sujet de mes dessins est\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7277.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7277.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7277.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7277.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7277.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7277.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1427,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/10\/plateforme-publication-edition-diffusion\/","url_meta":{"origin":2840,"position":4},"title":"Plateforme : Publication \/ \u00c9dition \/ Diffusion","author":"Reynald Drouhin","date":"7 octobre 2013","format":false,"excerpt":"avec\u00a0Reynald Drouhin, Aur\u00e9lie Gasche, Laurence L\u00e9pron, Jean\u00ad-Fran\u00e7ois Maurige Cette plateforme, poly\u00adoption, est le moyen pour les \u00e9tudiants d\u2019enrichir leur recherche et leur r\u00e9flexion sur les notions de publication, de diffusion incluant un ensemble de techniques \u00e0 la fois li\u00e9es au livre ainsi qu\u2019aux productions multim\u00e9dias. 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