{"id":2947,"date":"2017-02-28T17:07:18","date_gmt":"2017-02-28T15:07:18","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=2947"},"modified":"2017-04-29T19:22:58","modified_gmt":"2017-04-29T17:22:58","slug":"multiple-sybil-dary","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2017\/02\/multiple-sybil-dary\/","title":{"rendered":"Multiple,\u00a0Sybil Dary"},"content":{"rendered":"

2017, \u00e9<\/span>dition, tirage photographique, sculpture<\/span><\/p>\n

Multiple<\/i><\/b>\u00a0trouve son origine dans la conception d\u2019image 3D sur ordinateur.\u00a0<\/span><\/p>\n

L\u2019image fait office de r\u00e9f\u00e9rent. \u00a0<\/span><\/p>\n

L\u2019image contient des formes \u00e9l\u00e9mentaires, des compositions rudimentaires de ces m\u00eame masses, des assemblages, un panel de textures r\u00e9duit, une approche au caract\u00e8re syst\u00e9matique, une g\u00e9om\u00e9trie omnipr\u00e9sente et la m\u00eame lumi\u00e8re artificielle.\u00a0<\/span>En d\u00e9coule une cr\u00e9ation d\u2019images intuitives.<\/p>\n

L\u2019\u00e9dition est un exemplaire unique ne rendant pas compte le plus fid\u00e8lement de l\u2019esth\u00e9tique num\u00e9rique visible sur l\u2019\u00e9cran. C\u2019est une \u00e9dition qui semble vouloir se confondre avec le reste, qui n\u2019appartiendrait \u00e0 aucune \u00e9poque, aucun temps. Une masse blanch\u00e2tre et anonyme, qui va \u00e0 l\u2019encontre m\u00eame de la caract\u00e9ristique principale du num\u00e9rique : sa multiplicit\u00e9.<\/span><\/p>\n

Il s\u2019agit ensuite d\u2019\u00e9tablir une r\u00e9interpr\u00e9tation de l\u2019image, une traduction du volume.\u00a0 Les formes programm\u00e9es num\u00e9riquement prennent de l\u2019\u00e9paisseur. Ces formes faussement parfaites deviennent des objets \u00e9voquant les in\u00e9vitables \u00ab\u00a0rat\u00e9s\u00a0\u00bb de la conception artisanale et le travail de la mati\u00e8re IRL.\u00a0<\/span><\/p>\n

Cette d\u00e9structuration de l\u2019image questionne sa mat\u00e9rialit\u00e9 et entretient une certaine ambiguit\u00e9 de la surface m\u00eame. En r\u00e9sultent des pi\u00e8ces simultan\u00e9ment images et manifestations de leur mat\u00e9rialit\u00e9. Elles sont donc image et pr\u00e9sence sculpturale, unit\u00e9 et d\u00e9tail, perfection et d\u00e9faut.<\/span><\/p>\n

\"IMG_6908\" <\/a> <\/div> <\/div>
\"composition1NB\" <\/a> <\/div>
\"IMG_7251\" <\/a> <\/div>
\"compositionA0\" <\/a> <\/div> <\/div> <\/div> <\/div>\n","protected":false},"excerpt":{"rendered":"

2017, \u00e9dition, tirage photographique, sculpture Multiple\u00a0trouve son origine dans la conception d\u2019image 3D sur ordinateur.\u00a0 L\u2019image fait office de r\u00e9f\u00e9rent. \u00a0 L\u2019image contient des formes \u00e9l\u00e9mentaires, des compositions…<\/p>\n","protected":false},"author":20,"featured_media":3269,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[37,4],"tags":[366,408],"class_list":["post-2947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-3d","tag-multiple"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7251.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-Lx","jetpack-related-posts":[{"id":1619,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2014\/04\/echo-archive\/","url_meta":{"origin":2947,"position":0},"title":"\u00c9cho Archive","author":"Reynald Drouhin","date":"18 avril 2014","format":false,"excerpt":"Affiche pdf \u00c9cho Archive Data Flow et archives fant\u00f4mes Exposition du 7 au 18 avril 2014 dans le jardin du clo\u00eetre et la biblioth\u00e8que de L\u2019EESAB - site de Rennes et du 7 au 13 avril sur l\u2019\u00e9cran g\u00e9ant du 4bis. Vernissage le 8 avril 2014 \u00e0 18h \u00e0 l\u2019EESAB\u2026","rel":"","context":"Dans "Documents"","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/affiche-echoarchive.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/affiche-echoarchive.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/affiche-echoarchive.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/affiche-echoarchive.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/affiche-echoarchive.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/affiche-echoarchive.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1430,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/10\/docs-publication-edition-diffusion\/","url_meta":{"origin":2947,"position":1},"title":"Docs : Publication \/ \u00c9dition \/ Diffusion","author":"Reynald Drouhin","date":"7 octobre 2013","format":false,"excerpt":"A voir Irma Boom Les livres \u00e0 r\u00e9alit\u00e9s augment\u00e9s : Books in the future Interactive game book Jekyll and Hyde Augmented Reality Book - All Examples Les \u00e9ditions volumiques : Les \u00c9ditions Volumiques sont un studio d\u2019invention, conception et d\u00e9veloppement de nouveaux types de jeux et jouets, bas\u00e9s sur la\u2026","rel":"","context":"Dans "Documents"","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/10\/piy.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/10\/piy.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/10\/piy.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2371,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/03\/traque-alison-schmitt\/","url_meta":{"origin":2947,"position":2},"title":"Traque, Alison Schmitt","author":"Reynald Drouhin","date":"4 mars 2016","format":false,"excerpt":"2016, 5 photographies argentines mont\u00e9es sur alu, 50 x 59\u00a0cm chacune. R\u00e9sultat d\u2019une analogie entre une pratique de la chronophotographie et le comportement actuel vis-\u00e0-vis de l\u2019image num\u00e9rique, Traque \u00e9voque avant tout la poursuite et la capture. En 1882 \u00c9tienne-Jules Marey \u00e9labore le fusil photographique, objet formellement reli\u00e9 au champ\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3680.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2213,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/02\/pierre-belouin\/","url_meta":{"origin":2947,"position":3},"title":"Pierre Belo\u00fcin","author":"Reynald Drouhin","date":"15 f\u00e9vrier 2016","format":false,"excerpt":"Pierre Belo\u00fcin [artiste & directeur du label Optical Sound] Conf\u00e9rence et intervention dans le cadre de l'ARC \u00c9dition (Drouhin, Lepron, Maurige) \"A l'\u00e8re de la postmodernit\u00e9, le champ de l'art est r\u00e9guli\u00e8rement travers\u00e9 par des objets qui interrogent son espace et l'\u00e9lasticit\u00e9 de ses limites. L'\u0153uvre de Pierre Belo\u00fcin pourrait\u2026","rel":"","context":"Dans "Artiste"","block_context":{"text":"Artiste","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/artiste\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/12037989_102986556723855_2644542944798966948_n.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/12037989_102986556723855_2644542944798966948_n.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/12037989_102986556723855_2644542944798966948_n.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1613,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2014\/03\/avalanche-encyclopedie-trouvee-pieces-a-conviction-brieg-huon\/","url_meta":{"origin":2947,"position":4},"title":"Avalanche, Encyclop\u00e9die Trouv\u00e9e, Pi\u00e8ces \u00e0 conviction \/ Brieg Huon","author":"Reynald Drouhin","date":"24 mars 2014","format":false,"excerpt":"Avalanche Edition, 2013. Cette \u00e9dition est compos\u00e9e photographies couleurs de combinaison de ski, venant d\u2019un site de petites annonces. Ces photographies, prise au sol, de mani\u00e8re frontale, font tant\u00f4t penser \u00e0 des cadavres, tant\u00f4t \u00e0 des cr\u00e9atures mutantes par leurs d\u00e9formations et leur position inconfortable. Encyclop\u00e9die trouv\u00e9eEdition, impression num\u00e9rique sur\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/IMG_8075.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/IMG_8075.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/IMG_8075.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/03\/IMG_8075.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6512,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2026\/03\/balade-au-marais-stockage-sature-anae-jamati\/","url_meta":{"origin":2947,"position":5},"title":"Balade au marais stockage satur\u00e9 \/ Ana\u00e9 Jamati","author":"Reynald Drouhin","date":"21 mars 2026","format":false,"excerpt":"balade au marais stockage satur\u00e9, 2025 S\u00e9rie de 6 photos num\u00e9riques noir et blanc et \u00e9dition de 192 pages un choix une s\u00e9lection pour pouvoir stocker encore plus de souvenirs des 59 images que j\u2019ai prises lors de notre balade au marais en reste seulement 6 6 pour raconter une\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2026\/03\/6650.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2026\/03\/6650.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2026\/03\/6650.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2026\/03\/6650.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2026\/03\/6650.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2026\/03\/6650.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/2947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=2947"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/2947\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/3269"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=2947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=2947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=2947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}