{"id":3096,"date":"2017-03-14T09:54:24","date_gmt":"2017-03-14T07:54:24","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=3096"},"modified":"2017-04-20T14:16:46","modified_gmt":"2017-04-20T12:16:46","slug":"negation-zhen-liu","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2017\/03\/negation-zhen-liu\/","title":{"rendered":"Limite Arbitraire, Zhen Liu"},"content":{"rendered":"<p>2017, vid\u00e9o 3min51s<\/p>\n<p>\u00c0 partir de recherches sur la censure dans la\u00a0litt\u00e9rature chinoise, mon travail pose la question de savoir comment une \u0153uvre d\u2019art peut raconter une histoire.<br \/>\nComment trouver une fa\u00e7on de repr\u00e9senter des documentaires et des archives?<br \/>\nComment d\u00e9construire les formes narratives habituelles?<\/p>\n<p><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2017\/01\/la-capitale-dechue-zhen-liu\/\" target=\"_blank\">La Capitale d\u00e9chue<\/a>, (Fei du) roman de l&rsquo;\u00e9crivain chinois Jia Pingwa a \u00e9t\u00e9 interdit pendant 17 ans en Chine pour ses descriptions sexuelles explicites. Dans le texte chinois, l&rsquo;ironique \u00abautocensure\u00bb se manifeste par des carr\u00e9s blancs.\u00a0Ces absences font travailler l\u2019imagination\u2026 Le \u00ab\u00a0carr\u00e9 blanc\u00a0\u00bb est apparu en 1961 \u00e0 la t\u00e9l\u00e9vision fran\u00e7aise. Il visait principalement les repr\u00e9sentations de violence et de pornographie. La censure est encore tr\u00e8s pr\u00e9sente de nos jours.<\/p>\n<p>Ce vid\u00e9o consiste \u00e0 montrer que la censure existe toujours en prenant parfois diff\u00e9rentes formes. On peut avoir l\u2019impression qu\u2019il n\u2019y a pas de censure mais elle est pr\u00e9sente.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/213272778?color=33CC33&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2017, vid\u00e9o 3min51s \u00c0 partir de recherches sur la censure dans la\u00a0litt\u00e9rature chinoise, mon travail pose la question de savoir comment une \u0153uvre d\u2019art peut raconter une histoire&#8230;.<\/p>\n","protected":false},"author":20,"featured_media":3097,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,37,4],"tags":[527,382,526],"class_list":["post-3096","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documents","category-etudiants","category-projets","tag-carre-blanc","tag-censure","tag-negation"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/03\/n.png","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-NW","jetpack-related-posts":[{"id":1295,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/03\/la-piscine-dounia-ismail\/","url_meta":{"origin":3096,"position":0},"title":"La piscine \/ Dounia Isma\u00efl","author":"Reynald Drouhin","date":"15 mars 2013","format":false,"excerpt":"Dounia Isma\u00efl,\u00a0La Piscine, vid\u00e9o 5' env. (4 bis) et installation, lignes d'eau, 7 x 25 m (jardin du clo\u00eetre), 2013. Les deux espaces mis en parall\u00e8les sont des espaces \"carr\u00e9s\". Pour l'un (l'esplanade) il est ouvert, pour l'autre il est clos. Cela est renvers\u00e9 gr\u00e2ce \u00e0 des transformations qui modifient\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/IMG_4836.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/IMG_4836.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/IMG_4836.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/IMG_4836.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2827,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2017\/01\/la-capitale-dechue-zhen-liu\/","url_meta":{"origin":3096,"position":1},"title":"La capitale d\u00e9chue, Zhen Liu","author":"Reynald Drouhin","date":"18 janvier 2017","format":false,"excerpt":"Zhen Liu","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/01\/zl2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/01\/zl2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/01\/zl2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/01\/zl2.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/01\/zl2.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/01\/zl2.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":6189,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/10\/stop-motion-luis-huet\/","url_meta":{"origin":3096,"position":2},"title":"Stop-motion \/ Luis Huet","author":"Reynald Drouhin","date":"4 octobre 2025","format":false,"excerpt":"Vid\u00e9o, 7 min. Projet de stop-motion r\u00e9alis\u00e9 \u00e0 partir de scans de carr\u00e9s de scotchs, travail sur la fragilit\u00e9 de la perception des couleurs. \u00a0","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/10\/p.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/10\/p.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/10\/p.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2148,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/02\/screenshots-1-2-elisabeth-gomes-barradas\/","url_meta":{"origin":3096,"position":3},"title":"Screenshots #1, #2, Elisabeth Gomes-Barradas","author":"Reynald Drouhin","date":"24 f\u00e9vrier 2016","format":false,"excerpt":"2015, 4\u00a0peintures, acrylique, feutre noir et Posca,\u00a060 x 101 cm chacune. J'effectue souvent des captures d\u2019\u00e9cran d\u2019articles\u00a0qui m\u2019ont particuli\u00e8rement marqu\u00e9s. Lorsque\u00a0je suis interpell\u00e9e\u00a0par le titre, je regarde\u00a0le nombre de j\u2019aime\u00a0et de commentaires. Si ces derniers sont assez \u00e9lev\u00e9s, j'entreprends alors de les lire, et ce n\u2019est qu\u2019apr\u00e8s que je d\u00e9cide\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/02\/MG_6489.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/02\/MG_6489.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/02\/MG_6489.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/02\/MG_6489.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/02\/MG_6489.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/02\/MG_6489.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":250,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/11\/250\/","url_meta":{"origin":3096,"position":4},"title":"Blanc comme neige \/ L\u00e9o Usa\u00ef","author":"Reynald Drouhin","date":"22 novembre 2010","format":false,"excerpt":"Travail photographique r\u00e9alis\u00e9 lors de l'exposition commune : \"Blanc comme neige\" , avec la Kunstkola d'Ostestund en Su\u00e8de . Lors de l\u2019exposition\u00a0:\u00a0\u00ab\u00a0blanc comme neige\u00a0\u00bb o\u00f9 nous \u00e9tions dans le cadre du cours de vid\u00e9o d\u2019Alain Bourges, \u00e0 Ostersund en su\u00e8de, je d\u00e9sirais intervenir \u00e0 partir d\u2019\u00e9l\u00e9ments d\u00e9couverts sur place. Je\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/nocolour03bb1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/nocolour03bb1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/nocolour03bb1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/nocolour03bb1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/nocolour03bb1.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2010\/11\/nocolour03bb1.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2449,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/03\/fantomes-miharu-yanai\/","url_meta":{"origin":3096,"position":5},"title":"Fant\u00f4mes, Miharu Yanai","author":"Reynald Drouhin","date":"9 mars 2016","format":false,"excerpt":"2016, livre en\u00a0tissu, 50 x 50 cm sur table 125 x 80 cm, et tr\u00e9teaux. 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