{"id":3505,"date":"2018-03-11T20:29:07","date_gmt":"2018-03-11T18:29:07","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=3505"},"modified":"2018-04-07T11:15:26","modified_gmt":"2018-04-07T09:15:26","slug":"annabel-aoun-blanco","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2018\/03\/annabel-aoun-blanco\/","title":{"rendered":"Annabel Aoun Blanco"},"content":{"rendered":"

Annabel Aoun Blanco<\/a> est n\u00e9e \u00e0 Paris, d\u2019origine Franco-Libano-V\u00e9n\u00e9zuelienne, elle vit et travaille \u00e0 Paris.<\/p>\n

[…] L\u2019\u0153uvre d\u2019Annabel Aoun Blanco s\u2019inscrit malais\u00e9ment dans le genre du portrait auquel, de prime abord, on est pourtant tent\u00e9 de la rapporter en contemplant ses tableaux photographiques ou ses vid\u00e9os. Apparaissent des formes de visages, aussi impr\u00e9cis que des empreintes ou livides ainsi que des moulages, impressionnants dans leur expression et attirants par l\u2019\u00e9nigme qu\u2019ils rec\u00e8lent, comme s\u2019ils illustraient de fa\u00e7on litt\u00e9rale la c\u00e9l\u00e8bre pens\u00e9e de Pascal : Un portrait porte absence et pr\u00e9sence, plaisir et d\u00e9plaisir (Pascal, Pens\u00e9e 678, Ed Brunschvicg)<\/i>. Par l\u00e0 m\u00eame, les mod\u00e8les qui ont servi \u00e0 r\u00e9aliser ces portraits semblent plus imaginaires que r\u00e9els, ce sont des masques rappelant tour \u00e0 tour des spectres, des momies, des fant\u00f4mes en fonction du traitement subi avant les prises de vue ou parfois de vrais visages affranchis de leur personnalit\u00e9, comme dans la s\u00e9rie Avatars<\/i> .<\/p>\n

La raison d\u2019\u00eatre de tels portraits n\u2019est pas l\u2019affiche d\u2019une identit\u00e9, mais bien plut\u00f4t la mise en \u00e9vidence du mode d\u2019apparition des figures qu\u2019ils r\u00e9v\u00e8lent, le portrait n\u2019ayant plus d\u2019autre fin que celle de r\u00e9fl\u00e9chir la portraiture dans sa complexit\u00e9 et dans son rapport avec la m\u00e9moire. Ce qui int\u00e9resse tout particuli\u00e8rement Annabel Aoun Blanco c\u2019est la souvenance<\/i>, la fa\u00e7on dont l\u2019image des portraits, fixe ou anim\u00e9e, rappelle cette repr\u00e9sentation inconstante et fragile vis\u00e9e dans l\u2019acte de se souvenir. Voil\u00e0 pourquoi les mod\u00e8les vivants n\u2019apparaissent qu\u2019au tout d\u00e9but de son \u0153uvre, s\u2019\u00e9clipsant pour laisser la place \u00e0 des empreintes directes, \u00e0 des masques, \u00e0 des sujets qui sont d\u00e9j\u00e0 des images.<\/p>\n

Tout le dispositif plastique mis en \u0153uvre par l\u2019artiste est orient\u00e9 vers une ph\u00e9nom\u00e9nologie du souvenir, la photographie ou la vid\u00e9o rapportant, selon un r\u00e9gime de visibilit\u00e9 variable, les impressions fugitives saisies lors des actes de rem\u00e9moration. On peut remarquer au moins deux modalit\u00e9s d\u2019apparition et de disparition de ces images fugaces.\u00a0[…]\u00a0Robert Pujade<\/p>\n

 <\/p>\n

\"IMG_6161\" <\/a> <\/div> <\/div>
\"IMG_6159\" <\/a> <\/div>
\"IMG_6162\" <\/a> <\/div>
\"IMG_6164\" <\/a> <\/div> <\/div> <\/div>
\"Algum\u00e8nes\" <\/a>
Algum\u00e8nes <\/div> <\/div> <\/div>
\"Algum\u00e8nes\" <\/a>
Algum\u00e8nes <\/div> <\/div>
\"Algum\u00e8nes\" <\/a>
Algum\u00e8nes <\/div> <\/div> <\/div> <\/div>
\"Algum\u00e8nes\" <\/a>
Algum\u00e8nes <\/div> <\/div>
\"Algum\u00e8nes\" <\/a>
Algum\u00e8nes <\/div> <\/div>
\"Algum\u00e8nes\" <\/a>
Algum\u00e8nes <\/div> <\/div> <\/div>
\"Le <\/a>
Le Cri <\/div> <\/div> <\/div> <\/div>
\"Le <\/a>
Le Cri <\/div> <\/div> <\/div>
\"Le <\/a>
Le Cri <\/div> <\/div> <\/div> <\/div> <\/div>\n

Algum\u00e8nes<\/strong>, Tirage Fine Art contrecoll\u00e9 sur dibond, sous diasec, anti-reflet, 40×40 cm, 2014, s\u00e9rie de 6 photographies<\/p>\n

Le Cri<\/strong>, Tirage Fine Art contrecoll\u00e9 sur dibond, encadrement ch\u00eane, 55 x 45 cm, 2016,\u00a0s\u00e9rie de 3 photographies<\/p>\n

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Algum\u00e8nes
\n<\/strong>Si ces chevelures et ces visages s\u2019offraient en entier, ils n\u2019auraient que leur beaut\u00e9 individuelle \u00e0 offrir, celle que la nature leur a accord\u00e9. En revanche, totalement immerg\u00e9s, ils appartiendraient au n\u00e9ant. L\u2019\u00e9tat qui leur a \u00e9t\u00e9 choisi, mariage entre l\u2019\u00e9tat liquide et l\u2019\u00e9tat solide, cr\u00e9e une richesse de d\u00e9tails, une d\u00e9licatesse de tons qui nous fait glisser dans l\u2019intimit\u00e9 de l\u2019\u00eatre. L\u2019engloutissement liquide se le dispute \u00e0 la r\u00e9silience physique, le fig\u00e9 au dynamique, le mortif\u00e8re \u00e0 la gr\u00e2ce. La dynamique ne se situe plus dans la d\u00e9tente musculaire et la plastique des courbes, mais dans la fragilit\u00e9 du d\u00e9tail dans son mariage avec l\u2019\u00e9l\u00e9ment liquide.<\/p>\n

Nous sommes dans un entre deux telles des algues \u00e0 l\u2019\u00e9tale, entre flot et jusant, avant qu\u2019elles ne se r\u00e9v\u00e8lent dans leur totalit\u00e9, ou au contraire ne disparaissent.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

Le Cri
\n<\/strong>Le dispositif dont ces figures humaines semblent captives rel\u00e8ve d\u2019une r\u00e9alit\u00e9 physique, alors que pour nous, spectateurs, nous percevons avant tout cet univers de fa\u00e7on mentale.<\/p>\n

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Un cri terrible r\u00e9sonne dans nos t\u00eates \u00e0 contempler les leurs, enferm\u00e9es dans le silence que la r\u00e9alit\u00e9 contraignante de l\u2019embaumement \u00e9tabli.<\/p>\n

Cette sensation de hurlement muet vient peut-\u00eatre d\u2019une ind\u00e9finissable trace visuelle de b\u00e2illonnement, laquelle contredit le principe m\u00eame de l\u2019embaumement. Ont-ils \u00e9t\u00e9 envelopp\u00e9s de bandelettes de leur vivant ? Vivant, le seraient-ils par hasard encore ?<\/p>\n

Le cri muet vient de ce doute.
\nSi le rituel de l\u2019embaumement, quelles que soient les civilisations, a toujours \u00e9t\u00e9 une pr\u00e9paration du corps au voyage dans le silence de l\u2019\u00e9ternit\u00e9, alors ce cri se prolonge d\u2019autant plus qu\u2019il ne peut s\u2019\u00e9teindre.<\/p>\n

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\n
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Le Mandylion<\/strong>, tirage contrecoll\u00e9 sur dibond, caisse US ch\u00eane, 50×60 cm, 2015 \/ s\u00e9rie de 9 photographies<\/p>\n

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Desvoil\u00e9s<\/strong>, tirage contrecoll\u00e9 sur dibond, caisse US ch\u00eane, 40×60 cm, 2016 \/ s\u00e9rie de 14 photographies<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Annabel Aoun Blanco est n\u00e9e \u00e0 Paris, d\u2019origine Franco-Libano-V\u00e9n\u00e9zuelienne, elle vit et travaille \u00e0 Paris. […] L\u2019\u0153uvre d\u2019Annabel Aoun Blanco s\u2019inscrit malais\u00e9ment dans le genre du portrait auquel,…<\/p>\n","protected":false},"author":20,"featured_media":3637,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[38,381,538,372,540,549,65,85,29,559,370],"class_list":["post-3505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documents","tag-blanc","tag-disparition","tag-eesab","tag-galerie","tag-galerie-vanessa-quang","tag-gvq","tag-photographie","tag-portrait","tag-temps","tag-temps-libre","tag-visage"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/IMG_6159.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-Ux","jetpack-related-posts":[{"id":3522,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2018\/03\/temps-libre\/","url_meta":{"origin":3505,"position":0},"title":"Temps Libre","author":"Reynald Drouhin","date":"14 mars 2018","format":false,"excerpt":"L\u2019EESAB \u2013 site de Rennes et la Galerie Vanessa Quang pr\u00e9sentent TEMPS LIBRE GROUP SHOW Une proposition de Reynald Drouhin DU 6 AU 26 AVRIL 2018 Vernissage le vendredi 6 avril de 18 h \u00e0 21 h en pr\u00e9sence des artistes. \u00ab Temps libre et lib\u00e9r\u00e9 des urgences du monde\u2026","rel":"","context":"Dans "Documents"","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/invitation-tl.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/invitation-tl.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/invitation-tl.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/invitation-tl.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/invitation-tl.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/invitation-tl.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3382,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2018\/02\/projet-expo-gvq\/","url_meta":{"origin":3505,"position":1},"title":"Projet expo GVQ – Temps Libre","author":"Reynald Drouhin","date":"12 f\u00e9vrier 2018","format":false,"excerpt":"Alumni EESAB Rennes 2018 - 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