{"id":3874,"date":"2019-04-28T16:17:59","date_gmt":"2019-04-28T14:17:59","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=3874"},"modified":"2019-06-22T09:18:40","modified_gmt":"2019-06-22T07:18:40","slug":"tom-david","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2019\/04\/tom-david\/","title":{"rendered":"Tom David"},"content":{"rendered":"
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Dans la conception d\u2019un objet, le parti-prit du designer est omnipr\u00e9sent. Il peut tenter de s\u2019y soustraire mais la conception m\u00eame qu\u2019il apportera \u00e0 l\u2019objet sera parti-prit.<\/p>\n

Tentons d\u2019illustrer simplement ce propos.
\nSi le concepteur souhaite faire par exemple un tabouret dans sa forme la plus simple admettons : certains penserons \u00e0 un cylindre, d\u2019autre \u00e0 un parall\u00e9l\u00e9pip\u00e8de qui pour eux repr\u00e9senteraient la forme la plus simple. Mais si maintenant ce tabouret se doit d\u2019\u00eatre l\u00e9ger, ce qui constitue en somme une n\u00e9cessit\u00e9 fonctionnelle, alors une myriade de tabourets divers pourraient voir le jour. Ce qui d\u00e9montre que sans m\u00eame aborder des notions d\u2019esth\u00e9tisme, la conception d\u2019un objet de mani\u00e8re uniquement fonctionnelle aboutira \u00e0 diff\u00e9rents r\u00e9sultats. Si on extrapole, on se retrouvera donc avec un choix de tabourets incommensurable et qui en fonction des concepteurs plaira ou non \u00e0 des utilisateurs.<\/p>\n

Tout cela semble bien \u00e9vident mais abord\u00e9 \u00e0 travers le prisme de la collapsologie, se posent certaines questions. Dans une logique de r\u00e9duction de notre impact environnemental, dans le raisonnement de notre mode de consommation, la r\u00e9ponse raisonn\u00e9e \u00e0 notre consommation d\u2019objets serait des objets ayant la dur\u00e9e de vie la plus longue. Mais cette condition n\u00e9cessite d\u2019une part que les objets soient de qualit\u00e9 suffisante \u00e0 une conservation dans le temps, mais \u00e9galement qu\u2019ils \u00ab ne passent pas de mode \u00bb. Ces deux conditions assurerait que l\u2019utilisateur ne sentirait donc pas le besoin de changer l\u2019objet. La premi\u00e8re \u00e9tant \u00ab relativement facile \u00bb \u00e0 remplir si l\u2019attention est port\u00e9e \u00e0 la qualit\u00e9 de fabrication et aux mat\u00e9riaux employ\u00e9s. La seconde en revanche est tout \u00e0 fait probl\u00e9matique car il est bien difficile de concevoir un objet qui ne vieillirait pas et ne deviendrait jamais de mauvais go\u00fbt ou \u00ab d\u00e9mod\u00e9 \u00bb.<\/p>\n

On peut imaginer que si l\u2019on r\u00e9duisait les parti-prits au minimum, le go\u00fbt du concepteur, le risque de plaire ou non serait diminu\u00e9. Mais cela est il possible ? Le designer peut-il concevoir un objet sans y mettre de lui, n\u2019est-ce pas contraire \u00e0 la conception d\u2019un objet ? Serait-ce un devoir, une corv\u00e9e de concepteur de tenter de produire un tel objet ?<\/p>\n

L\u2019histoire du design est ponctu\u00e9 d\u2019objets intemporels, qui regard\u00e9s objectivement \u00ab plaisent encore au plus grand nombre \u00bb et ne semblent pas avoir \u00e9t\u00e9 con\u00e7us il y a plus de 50 ans.<\/p>\n

Quelques exemples ci-dessous qui aujourd\u2019hui encore ont leur place dans nos int\u00e9rieurs.<\/p>\n

\"\"<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Dans la conception d\u2019un objet, le parti-prit du designer est omnipr\u00e9sent. Il peut tenter de s\u2019y soustraire mais la conception m\u00eame qu\u2019il apportera \u00e0 l\u2019objet sera parti-prit. Tentons…<\/p>\n","protected":false},"author":20,"featured_media":3901,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37,4],"tags":[275,619,621,563,593,624,544,189,620],"class_list":["post-3874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-bois","tag-chaise","tag-design","tag-effondrement","tag-environnement","tag-impact","tag-objet","tag-simple","tag-tabouret"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/04\/IMG_0293.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-10u","jetpack-related-posts":[{"id":3474,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2018\/03\/brieg-huon\/","url_meta":{"origin":3874,"position":0},"title":"Brieg Huon","author":"Reynald Drouhin","date":"11 mars 2018","format":false,"excerpt":"Brieg Huon est dipl\u00f4m\u00e9 de l\u2019\u00c9cole Europ\u00e9enne Sup\u00e9rieure d\u2019Art de Bretagne-Rennes et en arts visuels \u00e0 la HEAD Gen\u00e8ve, sa pratique se d\u00e9veloppe principalement autour de la photographie et de l\u2019\u00e9dition. 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