{"id":3879,"date":"2019-05-06T11:07:23","date_gmt":"2019-05-06T09:07:23","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=3879"},"modified":"2019-06-22T09:18:16","modified_gmt":"2019-06-22T07:18:16","slug":"siada-aminou-clemence-estingoy-julia-jacot","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2019\/05\/siada-aminou-clemence-estingoy-julia-jacot\/","title":{"rendered":"Siada Aminou, Cl\u00e9mence Estingoy, Julia Jacot"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>\u00c0 partir du th\u00e8me de la collapsologie et plus pr\u00e9cis\u00e9ment l\u2019anthropoc\u00e8ne \u2014 p\u00e9riode actuelle des temps g\u00e9ologiques, o\u00f9 les activit\u00e9s humaines ont de fortes r\u00e9percussions sur<br \/>\nles \u00e9cosyst\u00e8mes de la plan\u00e8te (biosph\u00e8re) et les transforment \u00e0 tous les niveaux \u2014, les questions de mutation \u2014 changement brusque du patrimoine d\u2019un \u00eatre vivant. Mutation de g\u00e8nes ; mutation naturelle, provoqu\u00e9e \u2014 et de l\u2019impact de l\u2019homme sur l\u2019environnement dans son ensemble sont devenus le point central de notre projet.<\/p>\n<p>Ce projet devait prendre la forme d\u2019une exp\u00e9rience perform\u00e9e. Nous imaginions cr\u00e9er une pi\u00e8ce totale alliant design d\u2019objet, design graphique, son et lumi\u00e8re. Une \u00e9dition devait rendre compte de cette exp\u00e9rience. Nous souhaitions \u00e9galement mettre en place un mode d\u2019emploi pr\u00e9sent lorsde l\u2019exp\u00e9rience, afin d\u2019indiquer aux spectateurs l\u2019usage desobjets hybrides cr\u00e9\u00e9s pr\u00e9c\u00e9demment.<\/p>\n<p>En effet, l\u2019installation proposerait aux participants des objets hybrides \u2014 qui provient du croisement naturel ou<\/p>\n<p>artificiel de deux individus d\u2019esp\u00e8ces, de races ou de vari\u00e9t\u00e9sdiff\u00e9rentes \u2014 \u00e9voquant des objets du quotidien. Ces outils devaient avoir un impact sur une sculpture en pl\u00e2tre, mati\u00e8re repr\u00e9sentant la notion de construction, que ce soit par la destruction ou la construction.<\/p>\n<p>L\u2019id\u00e9e serait donc que la mati\u00e8re \u00e9voluerait de partici-pant en participant afin de signifier la transmission de notreenvironnement actuel aux g\u00e9n\u00e9rations futures.<\/p>\n<p>Notre projet ayant pris de nombreuses id\u00e9es diff\u00e9rentes, s\u2019estfinalement conclu par la r\u00e9alisation d\u2019un poster pr\u00e9sentant<\/p>\n<p>les objets hybrides en dessin vectoriel, inspir\u00e9 de l\u2019esth\u00e9tique des modes IKEA sur une face; et de l\u2019autre, l\u2019ensemble desd\u00e9finitions li\u00e9 \u00e0 nos probl\u00e9matiques.<\/p>\n<p>Julia Jacot (3\u00e8me ann\u00e9e Design), Siada Aminou (3\u00e8me ann\u00e9e Design graphique), Cl\u00e9mence Estingoy (3\u00e8me ann\u00e9e Design graphique).<\/p>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<p>Anthropoc\u00e8ne: P\u00e9riode actuelle des temps g\u00e9ologiques, o\u00f9 les activit\u00e9s humaines ont de fortes r\u00e9percussions sur les \u00e9cosyst\u00e8mes de la plan\u00e8te (biosph\u00e8re) et les transforment \u00e0 tous les niveaux.<\/p>\n<\/div>\n<div class=\"column\">\n<p>D\u00e9t\u00e9rioration: Action de d\u00e9t\u00e9riorer; fait qu&rsquo;une chose est d\u00e9t\u00e9rior\u00e9e, se d\u00e9t\u00e9riore.<\/p>\n<\/div>\n<div class=\"column\">\n<p>Hybride: Qui provient du croisement natu-rel ou artificiel de deux individus d\u2019esp\u00e8ces,de races ou de vari\u00e9t\u00e9s diff\u00e9rentes.<br \/>\nQui provient du croisement naturel ou arti-ficiel de deux individus d\u2019esp\u00e8ces, de racesou de vari\u00e9t\u00e9s diff\u00e9rentes.<\/p>\n<\/div>\n<div class=\"column\">\n<p>Destruction: Alt\u00e9ration profonde qui m\u00e8ne \u00e0 la ruine (cf. d\u00e9gradation). D\u00e9sorganisation d&rsquo;un ensemble coh\u00e9rent<br \/>\net organis\u00e9 selon une structure d\u00e9termin\u00e9e.<\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Construction: Op\u00e9ration qui consiste \u00e0 as- sembler, \u00e0 disposer les mat\u00e9riaux ou les diff\u00e9rentes parties pour former un tout complexe et fonctionnel.<\/p>\n<\/div>\n<div class=\"column\">\n<p>Transmission: Ensemble des proc\u00e9d\u00e9s<br \/>\npar lesquels des \u00e9l\u00e9ments de civilisation se r\u00e9pandent dans les soci\u00e9t\u00e9s humaines.<\/p>\n<\/div>\n<div class=\"column\">\n<p>D\u00e9gradation: Destitution infamante.<\/p>\n<\/div>\n<div class=\"column\">\n<p>Mutation: Changement brusque du patri- moine d&rsquo;un \u00eatre vivant. Mutation de g\u00e8nes; mutation naturelle, provoqu\u00e9e.<br \/>\nModification survenant dans la s\u00e9quence<br \/>\nde l&rsquo;A.D.N. d&rsquo;une cellule et pouvant entra\u00ee- ner la disparition d&rsquo;un caract\u00e8re pr\u00e9existant ou l&rsquo;apparition d&rsquo;un caract\u00e8re nouveau.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 partir du th\u00e8me de la collapsologie et plus pr\u00e9cis\u00e9ment l\u2019anthropoc\u00e8ne \u2014 p\u00e9riode actuelle des temps g\u00e9ologiques, o\u00f9 les activit\u00e9s humaines ont de fortes r\u00e9percussions sur les \u00e9cosyst\u00e8mes&#8230;<\/p>\n","protected":false},"author":20,"featured_media":3880,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[37,4],"tags":[564,563,421,622,635,544],"class_list":["post-3879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-collapsologie","tag-effondrement","tag-hybride","tag-ikea","tag-mutation","tag-objet"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/Capture-d\u2019\u00e9cran-2019-05-06-\u00e0-11.05.52.png","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-10z","jetpack-related-posts":[{"id":4202,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/02\/laura-karasek\/","url_meta":{"origin":3879,"position":0},"title":"Laura Karasek","author":"Reynald Drouhin","date":"3 f\u00e9vrier 2021","format":false,"excerpt":"Je m\u2019int\u00e9resse aux transitions et mutations \u00e9cologiques et technologiques de notre monde actuel. J\u2019ai r\u00e9alis\u00e9 une s\u00e9rie de cinq peintures \u00e0 l\u2019huile : Cr\u00e9atures hybrides. Spontan\u00e9ment, j\u2019ai combin\u00e9 des formes g\u00e9om\u00e9triques \u00e0 des formes animales, min\u00e9rales et v\u00e9g\u00e9tales. Mes choix picturaux ont \u00e9t\u00e9 influenc\u00e9s par les diff\u00e9rents aspects de la\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3829,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2019\/03\/marin-doll\/","url_meta":{"origin":3879,"position":1},"title":"Marin Doll","author":"Reynald Drouhin","date":"16 mars 2019","format":false,"excerpt":"Dans le contexte actuel dans lequel de plus en plus de catastrophe naturelles, guerre et crises viennent d\u00e9truire les objets culturelles j\u2019ai d\u00e9cid\u00e9 de r\u00e9aliser une collection d\u2019objets hybrides, compos\u00e9s de fossiles et sculptures num\u00e9ris\u00e9, r\u00e9imprim\u00e9 qui essaie de se projeter dans un futur proche dans lequel ces objets ne\u2026","rel":"","context":"Dans &quot;Documents&quot;","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/03\/md.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/03\/md.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/03\/md.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/03\/md.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/03\/md.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":6048,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/09\/lasphalte-vegetale-elwine-bourreau\/","url_meta":{"origin":3879,"position":2},"title":"L\u2019asphalte v\u00e9g\u00e9tale \/ Elwine Bourreau","author":"Reynald Drouhin","date":"25 septembre 2025","format":false,"excerpt":"photographies La nature est rejet\u00e9e dans la soci\u00e9t\u00e9 dans laquelle je vis. On la m\u00e9prise, on la domine, on la d\u00e9truit, la percevant comme un \u00eatre fragile. Pourtant, elle s\u2019enracine partout. Elle infiltre les ruines, brise l\u2019asphalte, habite ce que nous abandonnons. L\u2019humain est son propre ennemi, tandis que les\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/IMG_8733-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/IMG_8733-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/IMG_8733-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/IMG_8733-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/IMG_8733-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/IMG_8733-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3874,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2019\/04\/tom-david\/","url_meta":{"origin":3879,"position":3},"title":"Tom David","author":"Reynald Drouhin","date":"28 avril 2019","format":false,"excerpt":"Dans la conception d\u2019un objet, le parti-prit du designer est omnipr\u00e9sent. Il peut tenter de s\u2019y soustraire mais la conception m\u00eame qu\u2019il apportera \u00e0 l\u2019objet sera parti-prit. Tentons d\u2019illustrer simplement ce propos. Si le concepteur souhaite faire par exemple un tabouret dans sa forme la plus simple admettons : certains\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/04\/IMG_0293.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/04\/IMG_0293.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/04\/IMG_0293.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/04\/IMG_0293.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/04\/IMG_0293.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/04\/IMG_0293.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":5960,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/01\/log-in-flora-rushiti\/","url_meta":{"origin":3879,"position":4},"title":"Ruines virtuelles \/ Flora Rushiti","author":"Reynald Drouhin","date":"22 janvier 2025","format":false,"excerpt":"\"Transformation de donn\u00e9es num\u00e9riques \u00e9ph\u00e9m\u00e8res en vestiges tangibles, r\u00e9flexion sur la m\u00e9moire collective et la perte de persistance des traces dans un monde virtuel en perp\u00e9tuelle mutation. La fluidit\u00e9 du m\u00e9tal fondu capture ces traces num\u00e9riques dans une forme durable, mais les imperfections naturelles du coulage illustrent la perte d\u2019information\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4586,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/05\/alterable-pierrick-mordrel\/","url_meta":{"origin":3879,"position":5},"title":"Alterable \/ Pierrick Mordrel","author":"Reynald Drouhin","date":"9 mai 2022","format":false,"excerpt":"SERIE ALTERABLE Acrylique sur papier bulle. Silhouettes de formes entrem\u00eal\u00e9es symbolisant la fragilit\u00e9 d'une relation. Le sol rentre en r\u00e9sonnance avec la forme qui a besoin du passage des visiteurs pour s'activer. L'\u0153uvre va se d\u00e9truire, les bulles vont s'\u00e9clater et la peinture va s'\u00e9cailler. Il y a un fond\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/20220315_155105.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/20220315_155105.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/20220315_155105.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/20220315_155105.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/20220315_155105.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/20220315_155105.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/3879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=3879"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/3879\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/3880"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=3879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=3879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=3879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}