![\"0052\"](\"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/0052.jpg?w=246&h=339&ssl=1\" "\\"0052\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n","protected":false},"excerpt":{"rendered":"Repr\u00e9senter les probl\u00e8mes li\u00e9es \u00e0 l’urbanisation intensif sur notre plan\u00e8te. L’id\u00e9e est de cr\u00e9er diff\u00e9rentes espaces et des jeux constructions avec des motifs g\u00e9om\u00e9triques simples qui permet de mettre en en relation l\u2019homme et l\u2019espace \u00e0 travers un jeu visuel. Cette proposition, interroge l\u2019id\u00e9e de l\u2019urbanisme en grande \u00e9chelle et les d\u00e9g\u00e2ts irr\u00e9versible que les […]<\/p>\n","protected":false},"author":20,"featured_media":3887,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37,4],"tags":[563,486,623,56],"class_list":["post-3882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-effondrement","tag-plan","tag-urbanisation","tag-ville"],"jetpack_shortlink":"https:\/\/wp.me\/p72hC6-10C","jetpack-related-posts":[{"id":4640,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/05\/semoirs-fiona-persichetti\/","url_meta":{"origin":3882,"position":0},"title":"Semoirs \/ Fiona Persichetti","author":"Reynald Drouhin","date":"14\/05\/2022","format":false,"excerpt":"\u00abARTICLE DEUX. L\u2019espace public est l\u2019espace qui n\u2019appartient \u00e0 personne. Ce qui n\u2019appartient \u00e0 personne appartient \u00e0 l\u2019Etat. L\u2019Etat conc\u00e8de \u00e0 la s\u00e9miocratie marchande l\u2019occupation de l\u2019espace susdit.\u00bb \u00a0TIQQUN, \u00ab Dernier avertissement au parti imaginaire \u00bb Revue Tiqqun n\u00b0 2, octobre 2001. La ville est un produit, l\u2019espace public un\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/1l-300x200.jpg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":4107,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2020\/12\/lucas-hiroux\/","url_meta":{"origin":3882,"position":1},"title":"Lucas Hiroux","author":"Reynald Drouhin","date":"10\/12\/2020","format":false,"excerpt":"Rompre avec la machine La ville est devenu le terrain fertile \u00e0 de nombreux questionnements, et notamment avec l\u2019\u00e9pid\u00e9mie de covid-19 qui \u00e0 oblig\u00e9 la quasi-totalit\u00e9 de la population mondiale \u00e0 se clo\u00eetrer chez elle en attendant une issue plus favorable. Beaucoup se sont retrouv\u00e9s dans des espaces exigus, isol\u00e9s\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/DataFlow-3-scaled.jpg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":4577,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/05\/les-delaisses-urbains-lucie-robin\/","url_meta":{"origin":3882,"position":2},"title":"Les d\u00e9laiss\u00e9s urbains \/ Lucie Robin","author":"Reynald Drouhin","date":"09\/05\/2022","format":false,"excerpt":"La n\u00e9cessit\u00e9 biologique\/ \u00e9cologique des d\u00e9laiss\u00e9s urbains. Sensibiliser les usagers d'un territoire \u00e0 ce type d'espaces abandonn\u00e9s o\u00f9 la nature \u00e0 repris ses droits. Je propose une d\u00e9ambulation entre diff\u00e9rents projets et diff\u00e9rentes strates spaciales et temporelles afin de s'ancrer dans un territoire et de comprendre son histoire et ses\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/20220503_152724-290x290.jpg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":1289,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/03\/ponctuations-a-r-m\/","url_meta":{"origin":3882,"position":3},"title":"Ponctuations \/ A.R.M.","author":"Reynald Drouhin","date":"15\/03\/2013","format":false,"excerpt":"A.R.M., Ponctuations,\u00a02 vid\u00e9os 15'35\" (beaux-arts) et 15'34\" (4bis), 2013. (A.R.M.\u00a0: collectif compos\u00e9 de\u00a0Marion Augusto,\u00a0Ma\u00eblle Bertrand\u00a0et de\u00a0Lorraine Vivien) \"La r\u00e9p\u00e9tition d'un trajet.Une structure \u00e9tablie entre en collision avec la notion d'improvisation pour \u00e0 chaque fois laisser le corps se d\u00e9ployer dans l'espace. Jouant par nos postures avec l'environnement urbain, nous le\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"arm","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/arm-610x340.jpg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]},{"id":4977,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2023\/03\/atika-camara-dys-paraitre\/","url_meta":{"origin":3882,"position":4},"title":"Atika Camara \/ Dys-para\u00eetre","author":"Reynald Drouhin","date":"14\/03\/2023","format":false,"excerpt":"\u00a0 Ce travail interroge la trace de l'homme sur son environnement \u00e0 travers diff\u00e9rentes exp\u00e9riences, r\u00e9flexion, et critiques L'impact que l'homme a sur son environnement n'est plus \u00e0 d\u00e9montrer que nous \u00e9tions l'arme fatale de la vie animale et v\u00e9g\u00e9tal, nous avons pomp\u00e9, d\u00e9truit, exploit\u00e9s, modifi\u00e9s pratiquement la totalit\u00e9 de\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1242-300x400.jpg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":4453,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/12\/fantome-de-louest-lea-chotard\/","url_meta":{"origin":3882,"position":5},"title":"Fant\u00f4me de l’ouest \/ L\u00e9a Chotard","author":"Reynald Drouhin","date":"16\/12\/2021","format":false,"excerpt":"J\u2019ai appele\u0301 cette installation fanto\u0302me de l\u2019ouest. Elle se compose d\u2019un tapis et d\u2019une vide\u0301o avec une bande-son projete\u0301es sur une TV. Tout d\u2019abord, le tapis est une sce\u0300ne ou\u0300 les the\u0301matiques de la route, de l\u2019abandon, du cine\u0301ma et de la lumie\u0300re reviennent. Plusieurs e\u0301le\u0301ments reconnaissables nous renvoient directement\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/DSC04008-300x451.jpeg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/0041.jpg","_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/3882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=3882"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/3882\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/3887"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=3882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=3882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=3882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"0037\"](\"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/0037.jpg?ssl=1\" "\\"0037\\"")
<\/a> <\/div> <\/div>