{"id":4107,"date":"2020-12-10T13:23:18","date_gmt":"2020-12-10T11:23:18","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=4107"},"modified":"2023-01-10T10:00:56","modified_gmt":"2023-01-10T08:00:56","slug":"lucas-hiroux","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2020\/12\/lucas-hiroux\/","title":{"rendered":"Lucas Hiroux"},"content":{"rendered":"<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Rompre avec la machine<\/strong><\/p>\n<p>La ville est devenu le terrain fertile \u00e0 de nombreux questionnements, et notamment avec l\u2019\u00e9pid\u00e9mie de covid-19 qui \u00e0 oblig\u00e9 la quasi-totalit\u00e9 de la population mondiale \u00e0 se clo\u00eetrer chez elle en attendant une issue plus favorable. Beaucoup se sont retrouv\u00e9s dans des espaces exigus, isol\u00e9s avec tr\u00e8s peu de contacts avec l\u2019ext\u00e9rieur. Cette crise \u00e0 r\u00e9v\u00e9l\u00e9 le sentiment de malaise laiss\u00e9 par la ville, un lieu qui par la mani\u00e8re dont il \u00e0 \u00e9t\u00e9 imagin\u00e9 et am\u00e9nag\u00e9, est devenu invivable : surdensit\u00e9 des populations, artificialisation des terres, pollution environnementale, sonore, lumineuse&#8230;les raisons sont nombreuses pour quitter la ville. En France, on estime entre 600 000 et 800 000 le nombre de personnes ayant quitt\u00e9s les villes entre 2015 et 2018. Pour beaucoup, cette exode urbaine fait suite \u00e0 un d\u00e9sir d\u2019ailleurs, \u00e0 une envie de se reconnecter \u00e0 son environnement. Ceux qui rejoignent les campagnes voient leur rythme de vie ralentir, ils s\u2019\u00e9loignent de l\u2019exaltation de la ville, du r\u00e8gne des machines et du num\u00e9rique afin de retrouver un rapport sensible au vivant. Ils gagnent une qualit\u00e9 de vie et une autonomie qui ne leur est pas permise en ville.<\/p>\n<p>Cette crise sanitaire m\u2019a justement beaucoup interrog\u00e9 sur mon propre rapport \u00e0 l\u2019autonomie. La d\u00e9pendance induite par notre soci\u00e9t\u00e9 de consommation m\u2019a laiss\u00e9 une impression de vuln\u00e9rabilit\u00e9. J\u2019ai donc commenc\u00e9 \u00e0 me demander quelles strat\u00e9gies adopter afin de m\u2019en d\u00e9tourner ?<\/p>\n<\/div>\n<div class=\"column\">\n<p>Le regain d\u2019int\u00e9r\u00eat pour l\u2019artisanat dans notre soci\u00e9t\u00e9 ces derni\u00e8res ann\u00e9es \u00e0 marqu\u00e9 un retour au geste ancestral. Produire soi-m\u00eame ses propres objets est devenu un objectif a suivre. C\u2019est \u00e0 la fois un moyen de lutter contre la standardisation et les produits de mauvaise facture qui en r\u00e9sultent mais \u00e9galement une activit\u00e9 dans laquelle on peut s\u2019\u00e9panouir dans l\u2019action. Ce retour au \u00ab faire \u00bb est \u00e9galement li\u00e9 \u00e0 une d\u00e9mocratisation du savoir et des id\u00e9es du concepteur. En effet, le r\u00f4le du designer se r\u00e9invente \u00e0 notre \u00e9poque, il n\u2019est plus que la t\u00eate pensante au service d\u2019une industrie productrice. Son image de cr\u00e9ateur inaccessible \u00e0 \u00e9t\u00e9 d\u00e9mystifi\u00e9 gr\u00e2ce au mouvement des makers ou au DIY, beaucoup d\u2019entre-eux ont choisi de donner acc\u00e8s \u00e0 leurs id\u00e9es en les rendant accessibles au plus grand nombre (plans, m\u00e9thodes de fabrication etc).<\/p>\n<p>Le confinement \u00e0 plong\u00e9 beaucoup de personnes dans un \u00e9tat l\u00e9thargique quand d\u2019autres se sont sentit stimul\u00e9s par l\u2019enfermement et la contrainte de l\u2019immobilit\u00e9. Profitons de cette p\u00e9riode, \u00e0 d\u00e9faut de pouvoir agiter nos esprits en agitant nos corps endoloris par l\u2019inactivit\u00e9. Utilisons la contrainte comme une force g\u00e9n\u00e9ratrice en transformant cette exp\u00e9rience punitive en \u00e9mulsion cr\u00e9ative.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rompre avec la machine La ville est devenu le terrain fertile \u00e0 de nombreux questionnements, et notamment avec l\u2019\u00e9pid\u00e9mie de covid-19 qui \u00e0 oblig\u00e9 la quasi-totalit\u00e9 de la&#8230;<\/p>\n","protected":false},"author":20,"featured_media":4184,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[37,4],"tags":[673,706,300,544,723,724,56],"class_list":["post-4107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-autonomie","tag-epidemie","tag-geste","tag-objet","tag-population","tag-retour","tag-ville"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/DataFlow-3-scaled.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-14f","jetpack-related-posts":[{"id":4392,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/12\/destruction-pierrick-mordrel\/","url_meta":{"origin":4107,"position":0},"title":"Destruction \/ Pierrick Mordrel","author":"Reynald Drouhin","date":"7 d\u00e9cembre 2021","format":false,"excerpt":"Le fais de d\u00e9cimer une population, de voir des for\u00eats se faire carboniser ou des villes \u00eatre ravag\u00e9es par les al\u00e9as climatique sont des choses que nous voyons ou entendons parler de nos jours. Ici je voulais me pencher sur la destruction de toiles pour faire des liens avec le\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/IMG_20211116_192247_976.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/IMG_20211116_192247_976.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/IMG_20211116_192247_976.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/IMG_20211116_192247_976.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/12\/IMG_20211116_192247_976.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":4135,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2020\/12\/clemence-desseauve\/","url_meta":{"origin":4107,"position":1},"title":"Cl\u00e9mence Desseauve","author":"Reynald Drouhin","date":"10 d\u00e9cembre 2020","format":false,"excerpt":"Architecture des camps Architecture des camps Cl\u00e9mence Desseauve\u00a0 R\u00e9f\u00e9rences abri A l\u2019air de l\u2019Anthropoc\u00e8ne, b\u00e9ton, goudron et acier ont \u00e0 tout jamais boulevers\u00e9 le paysage, d\u00e9sormais urbanis\u00e9 : selon l\u2019ONU, pr\u00e8s de 70 % de la population mondiale vivra en ville d\u2019ici 2050 contre \u00ab seulement \u00bb 55 % aujourd\u2019hui.\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4002,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2020\/03\/clementine-remicourt\/","url_meta":{"origin":4107,"position":2},"title":"Cl\u00e9mentine Remicourt","author":"Reynald Drouhin","date":"10 mars 2020","format":false,"excerpt":"\u00ab Urgence \u00bb Malgr\u00e9 la prise de conscience citoyenne autour de la pollution plastique, la production et la consommation de mati\u00e8res plastiques continuent d\u2019augmenter \u00e0 un rythme exponentiel. Tr\u00e8s concr\u00e8tement, cela signifie que chaque ann\u00e9e, nous produisons plus de plastique que l\u2019ann\u00e9e pr\u00e9c\u00e9dente. La consommation au niveau mondial a ainsi\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/03\/gant.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/03\/gant.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/03\/gant.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/03\/gant.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/03\/gant.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/03\/gant.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1330,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2013\/03\/aller-simple-clement-le-pallec\/","url_meta":{"origin":4107,"position":3},"title":"Aller simple \/ Cl\u00e9ment Le Pallec","author":"Reynald Drouhin","date":"18 mars 2013","format":false,"excerpt":"Cl\u00e9ment Le Pallec, Aller simple, texte imprim\u00e9 sur feuille A4, 2013. Aller simple est un travail participatif, une invitation non dissimul\u00e9e \u00e0 r\u00e9aliser le voyage entre l'\u00e9cole des beaux arts et l'esplanade du G\u00e9n\u00e9ral de Gaulle, quitter un lieu traditionnel d'exposition, pour en rejoindre un autre moins conventionnel : la\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2013\/03\/as2.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1921,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2015\/02\/brendan-keenan-ton-hardcore-il-est-tout-pete-linsolence-cest-tout-un-art-pd\/","url_meta":{"origin":4107,"position":4},"title":"Brendan Keenan \/ Ton hardcore il est tout p\u00e9t\u00e9, L&rsquo;insolence c&rsquo;est tout un art, pd !","author":"Reynald Drouhin","date":"10 f\u00e9vrier 2015","format":false,"excerpt":"2015,\u00a0animation vid\u00e9o 2min 06s en boucle, 27 signes, sans son, sur TV plasma. L\u2019existence de nombreux gang ont marqu\u00e9es les grandes villes am\u00e9ricaines. Pour lire rapidement l\u2019alphabet ou les pr\u00e9noms de leurs acolytes, ces membres mimaient avec leurs doigts. Sans dire un seul mot, ils conversaient par des gestes de\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/1.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":4640,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/05\/semoirs-fiona-persichetti\/","url_meta":{"origin":4107,"position":5},"title":"Semoirs \/ Fiona Persichetti","author":"Reynald Drouhin","date":"14 mai 2022","format":false,"excerpt":"\u00abARTICLE DEUX. L\u2019espace public est l\u2019espace qui n\u2019appartient \u00e0 personne. Ce qui n\u2019appartient \u00e0 personne appartient \u00e0 l\u2019Etat. L\u2019Etat conc\u00e8de \u00e0 la s\u00e9miocratie marchande l\u2019occupation de l\u2019espace susdit.\u00bb \u00a0TIQQUN, \u00ab Dernier avertissement au parti imaginaire \u00bb Revue Tiqqun n\u00b0 2, octobre 2001. La ville est un produit, l\u2019espace public un\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/1l-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/1l-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/1l-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/1l-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/1l-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/1l-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/4107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=4107"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/4107\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/4184"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=4107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=4107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=4107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}