{"id":4202,"date":"2021-02-03T18:03:36","date_gmt":"2021-02-03T16:03:36","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=4202"},"modified":"2021-02-03T18:03:36","modified_gmt":"2021-02-03T16:03:36","slug":"laura-karasek","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/02\/laura-karasek\/","title":{"rendered":"Laura Karasek"},"content":{"rendered":"
Je m\u2019int\u00e9resse aux transitions et mutations \u00e9cologiques et technologiques de notre monde actuel. J\u2019ai r\u00e9alis\u00e9 une s\u00e9rie de cinq peintures \u00e0 l\u2019huile : Cr\u00e9atures hybrides.<\/div>\n
Spontan\u00e9ment, j\u2019ai combin\u00e9 des formes g\u00e9om\u00e9triques \u00e0 des formes animales, min\u00e9rales et v\u00e9g\u00e9tales. Mes choix picturaux ont \u00e9t\u00e9 influenc\u00e9s par les diff\u00e9rents aspects de la Science-Fiction, notamment par le cot\u00e9 fantastique des environnements du Planet Opera et du Space Opera, qui m\u2019ont permis d\u2019exploiter des paysages de fond pour mes toiles.<\/div>\n
La connaissance d\u2019illustrations comme celle de Chris Foss ou de Peter Elson, ont amplifi\u00e9 mon attirance d\u2019exploiter des formes plus m\u00e9caniques et\/ou robotis\u00e9es. Ces inspirations m\u2019ont conduite \u00e0 cr\u00e9er un univers et des cr\u00e9atures dans lesquelles faune, flore et technologie s\u2019entrem\u00ealent.<\/div>\n
Ces toiles ont fait na\u00eetre le d\u00e9sir d\u2019approfondir ce sujet avec l\u2019\u00e9laboration d\u2019une mise en sc\u00e8ne visuelle et sonore, dans laquelle j\u2019y associe d\u2019autres m\u00e9diums comme la vid\u00e9o, le son, la sculpture, la c\u00e9ramique. Ces m\u00e9diums et cette mise en espace pr\u00e9sentent les caract\u00e9ristiques de l\u2019univers de ces mutations insecto\u00efdes.<\/div>\n
Pour me situer, je me suis nourrie d\u2019un cin\u00e9ma de Science-Fiction post-apocalyptique, d\u2019Extraterrestre et de Science Fantasy. Dune de Jodoroswsky, Districk 9 de Neill Blomkamp et son projet Oats Studio ou encore la Saga Alien, ont influenc\u00e9 mes intentions contextuelles, visuelles et sonores pour exploiter l\u2019installation de mes toiles.<\/div>\n
Pour rendre coh\u00e9rente l\u2019inscription de ce monde imaginaire dans le r\u00e9el, je donne \u00e0 voir le bouleversement des esp\u00e8ces existantes. Les mondes imaginaires issus d\u2019\u00e9l\u00e9ments naturels que nous retrouvons dans L\u2019Indicible ou dans le mythe de Cthulhu de Howard Philip Lovecraft stimulent mes histoires.<\/div>\n
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Je m\u2019int\u00e9resse aux transitions et mutations \u00e9cologiques et technologiques de notre monde actuel. J\u2019ai r\u00e9alis\u00e9 une s\u00e9rie de cinq peintures \u00e0 l\u2019huile : Cr\u00e9atures hybrides. Spontan\u00e9ment, j\u2019ai combin\u00e9 des formes g\u00e9om\u00e9triques \u00e0 des formes animales, min\u00e9rales et v\u00e9g\u00e9tales. Mes choix picturaux ont \u00e9t\u00e9 influenc\u00e9s par les diff\u00e9rents aspects de la Science-Fiction, notamment par le cot\u00e9 […]<\/p>\n","protected":false},"author":20,"featured_media":4208,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37,4],"tags":[82,747,752,421,750,748,635,751,749,306],"class_list":["post-4202","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-animal","tag-creature","tag-histoire","tag-hybride","tag-imaginaire","tag-mineral","tag-mutation","tag-mythe","tag-post-apocalyptique","tag-science-fiction"],"jetpack_shortlink":"https:\/\/wp.me\/p72hC6-15M","jetpack-related-posts":[{"id":3879,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2019\/05\/siada-aminou-clemence-estingoy-julia-jacot\/","url_meta":{"origin":4202,"position":0},"title":"Siada Aminou, Cl\u00e9mence Estingoy, Julia Jacot","author":"Reynald Drouhin","date":"06\/05\/2019","format":false,"excerpt":"\u00c0 partir du th\u00e8me de la collapsologie et plus pr\u00e9cis\u00e9ment l\u2019anthropoc\u00e8ne \u2014 p\u00e9riode actuelle des temps g\u00e9ologiques, o\u00f9 les activit\u00e9s humaines ont de fortes r\u00e9percussions sur les \u00e9cosyst\u00e8mes de la plan\u00e8te (biosph\u00e8re) et les transforment \u00e0 tous les niveaux \u2014, les questions de mutation \u2014 changement brusque du patrimoine d\u2019un\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/Capture-d%E2%80%99%C3%A9cran-2019-05-06-%C3%A0-11.05.52.png?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":4624,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/05\/science-fiction-meline-raffanel\/","url_meta":{"origin":4202,"position":1},"title":"Science-fiction \/ M\u00e9line Raffanel","author":"Reynald Drouhin","date":"13\/05\/2022","format":false,"excerpt":"Scienceouhumain","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/3-710x1004.jpg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]},{"id":6048,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/09\/lasphalte-vegetale-elwine-bourreau\/","url_meta":{"origin":4202,"position":2},"title":"L\u2019asphalte v\u00e9g\u00e9tale \/ Elwine Bourreau","author":"Reynald Drouhin","date":"25\/09\/2025","format":false,"excerpt":"photographies La nature est rejet\u00e9e dans la soci\u00e9t\u00e9 dans laquelle je vis. On la m\u00e9prise, on la domine, on la d\u00e9truit, la percevant comme un \u00eatre fragile. Pourtant, elle s\u2019enracine partout. Elle infiltre les ruines, brise l\u2019asphalte, habite ce que nous abandonnons. L\u2019humain est son propre ennemi, tandis que les\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/03\/a-300x450.jpeg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":3829,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2019\/03\/marin-doll\/","url_meta":{"origin":4202,"position":3},"title":"Marin Doll","author":"Reynald Drouhin","date":"16\/03\/2019","format":false,"excerpt":"Dans le contexte actuel dans lequel de plus en plus de catastrophe naturelles, guerre et crises viennent d\u00e9truire les objets culturelles j\u2019ai d\u00e9cid\u00e9 de r\u00e9aliser une collection d\u2019objets hybrides, compos\u00e9s de fossiles et sculptures num\u00e9ris\u00e9, r\u00e9imprim\u00e9 qui essaie de se projeter dans un futur proche dans lequel ces objets ne\u2026","rel":"","context":"Dans "Documents"","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/03\/md.png?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":2328,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/03\/wysiwyg-sybil-dary\/","url_meta":{"origin":4202,"position":4},"title":"WYSIWYG, Sybil Dary","author":"Reynald Drouhin","date":"01\/03\/2016","format":false,"excerpt":"2016, 6 photographies, 119 x 84\u00a0cm chacune. WYSIWYG, litt\u00e9ralement What You See Is What You Get (r\u00e9sum\u00e9 en fran\u00e7ais par \u00ab Tel affichage, tel r\u00e9sultat \u00bb), L\u2019origine de ce travail prend sa source dans un exercice de dessin d\u2019observation et une recherche \u00e0 travers la notion de biomorphisme qui me\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/1-290x290.jpg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":1952,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2015\/02\/alice-delanghe-hypothese\/","url_meta":{"origin":4202,"position":5},"title":"Alice Delanghe \/ Hypoth\u00e8se","author":"Reynald Drouhin","date":"10\/02\/2015","format":false,"excerpt":"Alice Delanghe, \"Hypoth\u00e8se\" (Teleportation cubicle to the future of the past), installation in situ, peinture, couvertures de survie, dimensions variables. Le but \u00e9tait de cr\u00e9er un espace fictif immersif faisant \u00e0 la fois \u00e9cho aux d\u00e9cors des oeuvres de science fiction et aux espaces virtuels. L\u2019id\u00e9e de d\u00e9mat\u00e9rialisation du corps\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"hyp","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/hyp-710x1264.jpg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg","_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/4202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=4202"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/4202\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/4208"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=4202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=4202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=4202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}