{"id":4624,"date":"2022-05-13T16:32:28","date_gmt":"2022-05-13T14:32:28","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=4624"},"modified":"2023-01-10T09:56:32","modified_gmt":"2023-01-10T07:56:32","slug":"science-fiction-meline-raffanel","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/05\/science-fiction-meline-raffanel\/","title":{"rendered":"Science-fiction \/ M\u00e9line Raffanel"},"content":{"rendered":"
\"\"<\/a>

\u2013 Ils sont dans la r\u00e9alite virtuelle depuis combien de temps ? \u2013 Des jours, des semaines. \u2013 Tu veux dire qu\u2019ils ne dorment pas ? \u2013 C\u2019est \u00e7a. \u2013 Comment on peut choisir de vivre dans un monde virtuel ? \u2013 Le monde virtuel est beaucoup moins cruel que le vrai monde. Upgrade, 2018, Leigh Whannell<\/p><\/div>\n

\"\"<\/a>

Il brancha son minibloc d\u2019information sur le circuit du vaisseau et parcourut les derni\u00e8res nouvelles de la Terre. Il formait les num\u00e9ros de code des principaux journaux \u00e9lectronique du monde. Il pou- vait consulter la premi\u00e8re page et choisir rapidement les rubriques qui l\u2019int\u00e9ressaient. Le rectangle s\u2019agrandissait sur l\u2019\u00e9cran. La lecture achev\u00e9e, il suffisait de revenir \u00e0 la vision de la page enti\u00e8re et de choisir une autre rubrique. 2001 l\u2019Odyss\u00e9e de l\u2019espace,1968, Arthur C. Clarke<\/p><\/div>\n

\"\"<\/a>

Moiti\u00e9 homme moiti\u00e9 machine, son squelette est un organisme mue par une chaine de microprocesseur, invuln\u00e9rable et indestruc- tible mais enti\u00e8rement recouvert de tissu humain, chair peau sang il fait partie du groupe des cyborgs (…) il transpire, parle comme toi et moi on s\u2019y trompera (…) il ne conna\u00eet pas la piti\u00e9, ni les remords, ni la peur. Terminator, 1984, James Cameron<\/p><\/div>\n

Scienceouhumain<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Scienceouhumain<\/p>\n","protected":false},"author":20,"featured_media":4626,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37,4],"tags":[898,577,640,752,9,899,99,260,306,633,292],"class_list":["post-4624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-cyborg","tag-ecologie","tag-fiction","tag-histoire","tag-humain","tag-humanoides","tag-machine","tag-realite","tag-science-fiction","tag-terre","tag-virtuel"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/05\/2.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-1cA","jetpack-related-posts":[{"id":4185,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/02\/sara-laville\/","url_meta":{"origin":4624,"position":0},"title":"Sara Laville (aka sara ytic)","author":"Reynald Drouhin","date":"1 f\u00e9vrier 2021","format":false,"excerpt":"La shoe myst\u00e8re Pendant le confinement I, je suis rest\u00e9e seule dans un 25m2. J\u2019ai commenc\u00e9 \u00e0 me cr\u00e9er des comptes sur diff\u00e9rents jeux ou forums et \u00e0 avoir de vraies interactions virtuelles avec des vrais gens virtuels. L\u00e0 a commenc\u00e9 une nouvelle vraie vie. J\u2019ai d\u00e9couvert de nouveaux espaces,\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/sara-laville.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/sara-laville.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/sara-laville.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/sara-laville.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/sara-laville.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/sara-laville.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1952,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2015\/02\/alice-delanghe-hypothese\/","url_meta":{"origin":4624,"position":1},"title":"Alice Delanghe \/ Hypoth\u00e8se","author":"Reynald Drouhin","date":"10 f\u00e9vrier 2015","format":false,"excerpt":"Alice Delanghe, \"Hypoth\u00e8se\" (Teleportation cubicle to the future of the past), installation in situ, peinture, couvertures de survie, dimensions variables. Le but \u00e9tait de cr\u00e9er un espace fictif immersif faisant \u00e0 la fois \u00e9cho aux d\u00e9cors des oeuvres de science fiction et aux espaces virtuels. L\u2019id\u00e9e de d\u00e9mat\u00e9rialisation du corps\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/hyp.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/hyp.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/hyp.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/hyp.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/hyp.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":4168,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/01\/aariel-lupin\/","url_meta":{"origin":4624,"position":2},"title":"aariel lupin","author":"Reynald Drouhin","date":"12 janvier 2021","format":false,"excerpt":"\u00a0 A chaque jour suffit sa peine Vid\u00e9o en cours Il y a des n\u0153uds, des portails, des enlacements. Des dimensions parall\u00e8le aux autres, mais qui se croisent sans cesse. Un r\u00e9cit alternatif dans lequel on serait (presque) dans le m\u00eame monde. Quels sont les influences du r\u00e9el sur le\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/01\/sorcier-chat-chevalier-045-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/01\/sorcier-chat-chevalier-045-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/01\/sorcier-chat-chevalier-045-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/01\/sorcier-chat-chevalier-045-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/01\/sorcier-chat-chevalier-045-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/01\/sorcier-chat-chevalier-045-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4664,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/08\/worlds-ending-clara-deprez\/","url_meta":{"origin":4624,"position":3},"title":"World’s ending \/ Clara Deprez","author":"Reynald Drouhin","date":"31 ao\u00fbt 2022","format":false,"excerpt":"Update de l'\u00e9t\u00e9 World's ending de Clara Deprez (https:\/\/worlds-ending.claradeprez.xyz\/) \u00e0 partir de son projet de 2020 : Les fins du monde","rel":"","context":"Dans "Artiste"","block_context":{"text":"Artiste","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/artiste\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/08\/we.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/08\/we.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/08\/we.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/08\/we.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/08\/we.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":4202,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/02\/laura-karasek\/","url_meta":{"origin":4624,"position":4},"title":"Laura Karasek","author":"Reynald Drouhin","date":"3 f\u00e9vrier 2021","format":false,"excerpt":"Je m\u2019int\u00e9resse aux transitions et mutations \u00e9cologiques et technologiques de notre monde actuel. J\u2019ai r\u00e9alis\u00e9 une s\u00e9rie de cinq peintures \u00e0 l\u2019huile : Cr\u00e9atures hybrides. Spontan\u00e9ment, j\u2019ai combin\u00e9 des formes g\u00e9om\u00e9triques \u00e0 des formes animales, min\u00e9rales et v\u00e9g\u00e9tales. Mes choix picturaux ont \u00e9t\u00e9 influenc\u00e9s par les diff\u00e9rents aspects de la\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2021\/02\/IMG_20210120_163158-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":5960,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/01\/log-in-flora-rushiti\/","url_meta":{"origin":4624,"position":5},"title":"Ruines virtuelles \/ Flora Rushiti","author":"Reynald Drouhin","date":"22 janvier 2025","format":false,"excerpt":"\"Transformation de donn\u00e9es num\u00e9riques \u00e9ph\u00e9m\u00e8res en vestiges tangibles, r\u00e9flexion sur la m\u00e9moire collective et la perte de persistance des traces dans un monde virtuel en perp\u00e9tuelle mutation. La fluidit\u00e9 du m\u00e9tal fondu capture ces traces num\u00e9riques dans une forme durable, mais les imperfections naturelles du coulage illustrent la perte d\u2019information\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/Ruines_28.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/4624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=4624"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/4624\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/4626"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=4624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=4624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=4624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}