{"id":4724,"date":"2022-11-15T16:59:22","date_gmt":"2022-11-15T14:59:22","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=4724"},"modified":"2023-04-05T12:04:05","modified_gmt":"2023-04-05T10:04:05","slug":"effondrement-remi-daumesnil","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/11\/effondrement-remi-daumesnil\/","title":{"rendered":"Effondrement \/ R\u00e9mi Daumesnil"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div style=\"width: 620px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-4724-1\" width=\"620\" height=\"349\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1153.mp4?_=1\" \/><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1153.mp4\">https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1153.mp4<\/a><\/video><\/div>\n<p>La musique bruitiste, ou noise musique (traduction anglaise) est un terme pour regrouper divers genres musicaux venus de diffe\u0301rentes cate\u0301gories musicales telles que : l\u2019avant-garde, l\u2019e\u0301lectroacoustique, la musique improvise\u0301e, le jazz ou free-jazz, la musique industrielle, le rock, le me\u0301tal, le drone, la musique concre\u0300te, le sound art etc&#8230; Son esthe\u0301tique se caracte\u0301rise en opposition aux musiques conventionnelles pour s\u2019inte\u0301resser a\u0300 des notions comme la cacophonie, la tonalite\u0301, la dissonance, les bruits, l\u2019improvisation, la re\u0301pe\u0301tition, l\u2019arythmie et l\u2019utilisation de bandes magne\u0301tiques. Elle se caracte\u0301rise e\u0301galement par des questions sur le sens des sons, des bruits et leurs effets sur l\u2019auditeur. La noise puise ses racines esthe\u0301tiques et politiques directement issues des dadai\u0308stes dans leur recherche de l\u2019anti-esthe\u0301tique, mais e\u0301galement des futuristes dans leur co\u0302te\u0301 agressif et spontane\u0301. La noise a\u0300 un co\u0302te\u0301 primaire, voire brutale. Elle est le reflet de notre socie\u0301te\u0301 : une socie\u0301te\u0301 criante, bruyante, rapide et violente. Luigi Russolo l\u2019a de\u0301ja\u0300 releve\u0301 dans son manifeste futuriste \u00ab L\u2019arte dei rumori \u00bb (L\u2019art des bruits) paru le 3 mars 1913. Il y pose les bases du futurisme et induit entre autres que l\u2019oreille humaine s\u2019est familiarise\u0301e avec la vitesse, l\u2019e\u0301nergie et le bruit de l\u2019environnement sonore urbain et industriel.<\/p>\n<p>Les musiciens de tout temps, ont toujours tenu a\u0300 placer dans leurs arts, des gestes affirme\u0301s de de\u0301saccord, de re\u0301sistance ou d\u2019utopie.<\/p>\n<p>Pour ce projet \u00ab d\u2019effondrement\u00bb, je me suis inspire\u0301 du travail de Raphae\u0308l Cendo compositeur franc\u0327ais (1975) et de sa conception de la \u00ab saturation instrumental \u00bb, il explore l\u2019exce\u0300s et la sur- sursaturation du son.<\/p>\n<p>La saturation pour donner un exemple, c\u2019est lorsque que l\u2019on approche un micro d\u2019une trop grosse source sonore, par exemple un moteur d\u2019avion. Le micro n\u2019est donc pas capable d\u2019enregistrer toute cette force, toute cette puissance sonique.<\/p>\n<p>De\u0301sireux d\u2019air peut-e\u0302tre plus frais et moins sature\u0301, il continue ses recherches et de\u0301finit un autre point dans sa recherche de saturation instrumental, mais peut-e\u0302tre un poil moins violent. C\u2019est l\u2019infra-saturation, dans laquelle on retrouve une saturation plus ralenti, plus e\u0301tire\u0301, lui permettant de respirer.<\/p>\n<p>Dans son \u0153uvre \u00ab Introduction aux te\u0301ne\u0300bres \u00bb un \u0153uvre de 45 minutes qui est une sorte de re\u0301sume\u0301 de ce concept de saturation instrumentale et d\u2019infra-saturation.<\/p>\n<p>Il est particulie\u0300rement curieux que cette pie\u0300ce s\u2019appuie sur l\u2019apocalypse de Saint-Jean, texte a\u0300 l\u2019aspect prophe\u0301tique.<\/p>\n<p>\u00ab A\u0300 cause de la de\u0301sobe\u0301issance des hommes, Dieu infligera a\u0300 ces derniers ce cha\u0302timent<br \/>\nse\u0301ve\u0300re. Les six premie\u0300res trompettes provoqueront un de\u0301sastre e\u0301cologique e\u0301norme. La plane\u0300te ayant de plus en plus de mal a\u0300 soutenir la vie, les hommes souffriront au point de vouloir mourir. \u00bb<\/p>\n<p>Ce the\u0300me de l\u2019apocalypse est tre\u0300s utilise\u0301 dans le monde musical, cine\u0301matographique et litte\u0301raire&#8230; On pourrait dire que l\u2019effondrement travaille les humains depuis des mille\u0301naires&#8230; Et est toujours dans une forme d\u2019actualite\u0301.<\/p>\n<p>Ce morceau que j\u2019ai cre\u0301e\u0301 fait e\u0301cho a\u0300 l\u2019he\u0301ritage bruitiste et a\u0300 toutes les \u0153uvres cite\u0301, de l\u2019exce\u0300s, de l\u2019accumulation en passant par un certain sens de l\u2019extinction, de l\u2019apocalypse du son, ou de l\u2019humanite\u0301&#8230;<\/p>\n<p>Dans la conception du morceau, on retrouve plusieurs enregistrements de terrains (field- recording), oiseaux, enfants, concert d\u2019improvisation, machines e\u0301lectroniques, piano, orage, pluie, machines, sons me\u0301talliques, travaux, l\u2019impact humain.<\/p>\n<p>Le son<img decoding=\"async\" id=\"&lt;29C1EDE4-1C24-482D-A0EA-6D519725436C&gt;\" class=\"Apple-web-attachment\" style=\"caret-color: #ffffff; color: #ffffff; font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; background-color: #fefefe; -apple-color-filter: none; opacity: 1;\" src=\"cid:29C1EDE4-1C24-482D-A0EA-6D519725436C\" alt=\"&lt;Data Flow - effondrement - Re\u0301mi Daumesnil .pdf&gt;\" \/> se distord jusqu\u2019a\u0300 saturation&#8230; Et destruction totale. Tic-tac-tic-tac-boom-silence-radio<\/p>\n<p><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5068\" data-permalink=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/11\/effondrement-remi-daumesnil\/img_1032\/\" data-orig-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032.jpg\" data-orig-size=\"1500,2000\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_1032\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032-710x947.jpg\" class=\"alignnone size-large wp-image-5068\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032-710x947.jpg\" alt=\"\" width=\"620\" height=\"827\" srcset=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032-710x947.jpg 710w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032-300x400.jpg 300w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032-768x1024.jpg 768w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032-1152x1536.jpg 1152w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032-973x1297.jpg 973w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032-508x677.jpg 508w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2022\/11\/IMG_1032.jpg 1500w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5173\" data-permalink=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2023\/03\/effondrements-en-cours\/img_1123\/\" data-orig-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg\" data-orig-size=\"1500,2000\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_1123\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123-710x947.jpg\" class=\"alignnone size-large wp-image-5173\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123-710x947.jpg\" alt=\"\" width=\"620\" height=\"827\" srcset=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123-710x947.jpg 710w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123-300x400.jpg 300w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123-768x1024.jpg 768w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123-1152x1536.jpg 1152w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123-973x1297.jpg 973w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123-508x677.jpg 508w, https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg 1500w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<div class=\"column\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>Dans la composition de ce morceau on retrouve plusieurs enregistrements sur le terrain\u00a0(field-recording).<\/p>\n<p>On y retrouve notamment au d\u00e9but la vie :\u00a0oiseaux, enfants, concert d&rsquo;improvisation machines \u00e9lectroniques et piano.<\/p>\n<p>Progressivement, le son se transforme, s&rsquo;intensifie :\u00a0l&rsquo;orage, la pluie, les machines, les sons m\u00e9talliques, les travaux de la ville, l&rsquo;impact humain.<\/p>\n<p>Le son se distord jusqu&rsquo;\u00e0 saturation&#8230;\u00a0Tic-tac-tic-tac, c&rsquo;est l&rsquo;effondrement, la bombe, l&rsquo;explosion.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-4724-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/wav\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/01\/Leffondrement-master-ozone.wav?_=1\" \/><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/01\/Leffondrement-master-ozone.wav\">https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/01\/Leffondrement-master-ozone.wav<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>La musique bruitiste, ou noise musique (traduction anglaise) est un terme pour regrouper divers genres musicaux venus de diffe\u0301rentes cate\u0301gories musicales telles que : l\u2019avant-garde, l\u2019e\u0301lectroacoustique, la musique&#8230;<\/p>\n","protected":false},"author":20,"featured_media":5173,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[37,4],"tags":[786,563,782,9,99,639,923,924,411,56],"class_list":["post-4724","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etudiants","category-projets","tag-bombe","tag-effondrement","tag-explosion","tag-humain","tag-machine","tag-nature","tag-orage","tag-pluie","tag-son","tag-ville"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-1ec","jetpack-related-posts":[{"id":2442,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/03\/genejazz-shankar-lestrehan\/","url_meta":{"origin":4724,"position":0},"title":"GeneJazz, Shankar Lestr\u00e9han","author":"Reynald Drouhin","date":"9 mars 2016","format":false,"excerpt":"2016, performance sonore \u00e0 partir de vid\u00e9o YouTube de Free jazz. D\u00e9ambulant dans l'espace d'exposition, l'artiste fait jouer sur son ordinateur portable des vid\u00e9os Youtube de Jazz et\u00a0Free Jazz, accumulant la mati\u00e8re sonore de\u00a0plusieurs vid\u00e9os \u00e0 la fois, cr\u00e9ant des nappes musicales\u00a0plus ou moins denses et coh\u00e9rentes. Le mat\u00e9riau disponible\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/IMG_3732.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":5398,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2024\/01\/music-from-after-the-apocalypse-lea-bertini\/","url_meta":{"origin":4724,"position":1},"title":"Music from after the apocalypse \/ L\u00e9a Bertini","author":"Reynald Drouhin","date":"7 janvier 2024","format":false,"excerpt":"D\u00e9gradations musicales inspir\u00e9es du mouvement artistique anti-record. Imaginer ce dont pourrait ressembler la musique apocalyptique en en d\u00e9gradant manuellement un piste audio. Inspir\u00e9 des artistes du mouvement anti-record tels que: Lazlo Moholy-Nagy et Hans Heinz Stuckenshmidt. Les d\u00e9gradations volontaires de la piste analogique sont des repr\u00e9sentations picturales des visions de\u2026","rel":"","context":"Dans &quot;Documents&quot;","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3507,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2018\/03\/alisson-schmitt\/","url_meta":{"origin":4724,"position":2},"title":"Alisson Schmitt","author":"Reynald Drouhin","date":"11 mars 2018","format":false,"excerpt":"Welcome to Nine Dragons Hill Resort, vid\u00e9o performance, 02\u201934\u2019\u2019, 2017 J'ai dans\u00e9 sur ce parking. Il y avait la musique \u00e0 fond. \u00c7a donnait sur l'entr\u00e9e du parc d'attractions mais, il \u00e9tait ferm\u00e9. La ville italienne \u00e9tait derri\u00e8re et j'avais l'impression que ce parking avait pour seule fonction le passage\u2026","rel":"","context":"Dans &quot;Documents&quot;","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/as.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/as.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/as.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/as.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/as.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2018\/03\/as.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":875,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2011\/03\/jacques-perconte\/","url_meta":{"origin":4724,"position":3},"title":"Jacques Perconte","author":"Reynald Drouhin","date":"7 mars 2011","format":false,"excerpt":"\"Jacques Perconte pratique la photographie, la vid\u00e9o, la cr\u00e9ation num\u00e9rique et la musique. Il explore les ressources conjugu\u00e9es du corps, du paysage et de la couleur d\u00e9tach\u00e9s d'une inscription limitative et contraignante. Caract\u00e9ris\u00e9e par l'alt\u00e9ration programm\u00e9e, par la puissance entra\u00eenant toute production dans la tension d'un flux constamment renouvel\u00e9, son\u2026","rel":"","context":"Dans &quot;Artiste&quot;","block_context":{"text":"Artiste","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/artiste\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/04\/jp.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/04\/jp.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/04\/jp.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/04\/jp.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6507,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2026\/03\/nuit-de-velours-jacques-carmen\/","url_meta":{"origin":4724,"position":4},"title":"Nuit de Velours \/ Jacques Carmen","author":"Reynald Drouhin","date":"7 mars 2026","format":false,"excerpt":"Bande dessin\u00e9e, 2026 Extrait d'une nouvelle en bande dessin\u00e9e. Une histoire se d\u00e9roulant \u00e0 Berlin. Un homme assujetti par le deuil d'un \u00eatre cher a perdu l'envie de jouer de la musique. 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