{"id":4756,"date":"2022-11-24T18:05:20","date_gmt":"2022-11-24T16:05:20","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=4756"},"modified":"2023-04-02T17:03:33","modified_gmt":"2023-04-02T15:03:33","slug":"kouros-soltani","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/11\/kouros-soltani\/","title":{"rendered":"Kouros Soltani \/ Bruit de fond"},"content":{"rendered":"<audio class=\"wp-audio-shortcode\" id=\"audio-4756-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/01\/sans-titre.mp3?_=1\" \/><a href=\"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/01\/sans-titre.mp3\">https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/01\/sans-titre.mp3<\/a><\/audio>\n<div dir=\"auto\">Bruit de fond<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Outils 586g :<\/div>\n<div dir=\"auto\">&#8211; 2micros<\/div>\n<div dir=\"auto\">&#8211; 1filtre<\/div>\n<div dir=\"auto\">&#8211; 1sampler<\/div>\n<div dir=\"auto\">&#8211; 2amplis<\/div>\n<div dir=\"auto\">&#8211; 2hauts parleurs<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Bricolage d&rsquo;installation\/instrument sonore<\/div>\n<div dir=\"auto\">Intervention potentielle<\/div>\n<div dir=\"auto\">Pas fig\u00e9e dans le temps ou l&rsquo;espace<\/div>\n<div dir=\"auto\">Alt\u00e9rer le bruit de fond\/faire bruit de fond<\/div>\n<div dir=\"auto\">Faire sans trace sans impact<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Bruit de fond Outils 586g : &#8211; 2micros &#8211; 1filtre &#8211; 1sampler &#8211; 2amplis &#8211; 2hauts parleurs Bricolage d&rsquo;installation\/instrument sonore Intervention potentielle Pas fig\u00e9e dans le temps ou&#8230;<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[37,4],"tags":[932,563,933,631,992,624,993,411,807],"class_list":["post-4756","post","type-post","status-publish","format-standard","hentry","category-etudiants","category-projets","tag-bruit","tag-effondrement","tag-etrange","tag-fond","tag-furtif","tag-impact","tag-potentielle","tag-son","tag-trace"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-1eI","jetpack-related-posts":[{"id":5398,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2024\/01\/music-from-after-the-apocalypse-lea-bertini\/","url_meta":{"origin":4756,"position":0},"title":"Music from after the apocalypse \/ L\u00e9a Bertini","author":"Reynald Drouhin","date":"7 janvier 2024","format":false,"excerpt":"D\u00e9gradations musicales inspir\u00e9es du mouvement artistique anti-record. Imaginer ce dont pourrait ressembler la musique apocalyptique en en d\u00e9gradant manuellement un piste audio. Inspir\u00e9 des artistes du mouvement anti-record tels que: Lazlo Moholy-Nagy et Hans Heinz Stuckenshmidt. Les d\u00e9gradations volontaires de la piste analogique sont des repr\u00e9sentations picturales des visions de\u2026","rel":"","context":"Dans &quot;Documents&quot;","block_context":{"text":"Documents","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/image1-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4724,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2022\/11\/effondrement-remi-daumesnil\/","url_meta":{"origin":4756,"position":1},"title":"Effondrement \/ R\u00e9mi Daumesnil","author":"Reynald Drouhin","date":"15 novembre 2022","format":false,"excerpt":"La musique bruitiste, ou noise musique (traduction anglaise) est un terme pour regrouper divers genres musicaux venus de diffe\u0301rentes cate\u0301gories musicales telles que : l\u2019avant-garde, l\u2019e\u0301lectroacoustique, la musique improvise\u0301e, le jazz ou free-jazz, la musique industrielle, le rock, le me\u0301tal, le drone, la musique concre\u0300te, le sound art etc... Son\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/IMG_1123.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":5009,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2023\/03\/effondrements-en-cours\/","url_meta":{"origin":4756,"position":2},"title":"Effondrements en cours","author":"Reynald Drouhin","date":"27 mars 2023","format":false,"excerpt":"Exposition du 3 au 8 avril 2023 de 10h \u00e0 17h en semaine et le samedi de 14h \u00e0 19h Vernissage le lundi 3 avril 2023 \u00e0 17h30 H\u00f4tel Pasteur, 2 place Pasteur 35000 Rennes Avec Nathan Albert, Alexandra Bessette, Mo Blanc, Atika Camara, Alexandre Campos, R\u00e9mi Daumesnil, Camille Devaux,\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/Affiche_detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/Affiche_detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/Affiche_detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/03\/Affiche_detail.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4109,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2020\/12\/geoffrey-montagu\/","url_meta":{"origin":4756,"position":3},"title":"Geoffrey Montagu \/ Oxydotypes \/ Bruit blanc","author":"Reynald Drouhin","date":"10 d\u00e9cembre 2020","format":false,"excerpt":"Oxydotypes \u00a0 La destruction par le temps et les \u00e9l\u00e9ments transforme les espaces pour leur donner une certaine coh\u00e9rence visuelle. L\u2019esth\u00e9tique de la d\u00e9cr\u00e9pitude poss\u00e8de ses th\u00e8mes r\u00e9currents\u00a0: le grav\u00e2t, la v\u00e9g\u00e9tation envahissante, le m\u00e9tal rouill\u00e9, jusqu\u2019\u00e0 se d\u00e9chirer\u00a0; lorsque la vie humaine quitte une de ces constructions, elles finissent\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/Oxydotype-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/Oxydotype-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/Oxydotype-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/Oxydotype-2.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/Oxydotype-2.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/Oxydotype-2.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":5598,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2024\/04\/foule-sentimentale-atika-camara\/","url_meta":{"origin":4756,"position":4},"title":"Foule sentimentale \/ Atika Camara","author":"Reynald Drouhin","date":"4 avril 2024","format":false,"excerpt":"100 x 70 cm","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/05\/IMG_3851.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/05\/IMG_3851.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/05\/IMG_3851.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/05\/IMG_3851.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/05\/IMG_3851.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/05\/IMG_3851.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4453,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2021\/12\/fantome-de-louest-lea-chotard\/","url_meta":{"origin":4756,"position":5},"title":"Fant\u00f4me de l&rsquo;ouest \/ L\u00e9a Chotard","author":"Reynald Drouhin","date":"16 d\u00e9cembre 2021","format":false,"excerpt":"J\u2019ai appele\u0301 cette installation fanto\u0302me de l\u2019ouest. 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