{"id":5389,"date":"2024-01-07T09:01:58","date_gmt":"2024-01-07T07:01:58","guid":{"rendered":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=5389"},"modified":"2024-01-07T09:01:58","modified_gmt":"2024-01-07T07:01:58","slug":"archi-ikea-emma-galliot","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2024\/01\/archi-ikea-emma-galliot\/","title":{"rendered":"Archi-IKEA \/ Emma Galliot"},"content":{"rendered":"

Id\u00e9e : Mettre en parall\u00e8le les nouvelles architectures r\u00e9sidentielles\/locaux d\u2019entreprises\/<\/p>\n

p\u00e9pini\u00e8res de startup avec les meubles Ikea.<\/p>\n

Conception, cr\u00e9ation, production et distribution des deux similaires et probl\u00e9matiques :<\/p>\n

fonctionnement hors-sol, modification des territoires en dehors de ses r\u00e9alit\u00e9s\/besoins et<\/p>\n

modification des habitudes de consommation, destin\u00e9s aux m\u00eames classes sociales,<\/p>\n

normalisation\/globalisation\/mondialisation, simplification des formes\/lissage\/pseudo-neutralit\u00e9\u2026<\/p>\n

Hypoth\u00e8se id\u00e9e : Mises en parall\u00e8le de deux fa\u00e7ons d\u2019habiter \u00e9tablies dans la soci\u00e9t\u00e9 en r\u00e9alisant<\/p>\n

deux gestes<\/p>\n

1. Un travail de peinture sur cartons (d\u2019apr\u00e8s photographies d\u2019architectures au t\u00e9l\u00e9phone pendant<\/p>\n

d\u00e9ambulations) o\u00f9 l\u2019architecture se veut tendre vers l\u2019abstraction en retirant les fen\u00eatres et portes<\/p>\n

(qui permettent de distinguer si ce sont des habitations ou des locaux). Faire ressortir similarit\u00e9s<\/p>\n

de ces diff\u00e9rents ensembles construits. Diff\u00e9rentes architectures tendent vers les m\u00eames formes\/<\/p>\n

normes. Travail en N\/B.<\/p>\n

Architectures diff\u00e9rentes ; enlever les \u00e9l\u00e9ments permettant de reconna\u00eetre leur fonction : semblent<\/p>\n

sortir du m\u00eame type de moule\/conception ; deviennent des formes g\u00e9n\u00e9riques avec cadrage<\/p>\n

particulier pour saisir leur forme : se r\u00e9inscrivent dans une s\u00e9rie ne permettant pas de reconnaitre<\/p>\n

le lieu + territoire (possibilit\u00e9 d\u2019utiliser les donn\u00e9es de localisation des photos pour le titre ?) ; faire<\/p>\n

ressortir abstraction de ces architectures sur le territoire (la fa\u00e7on dont elles sont implant\u00e9es et<\/p>\n

leur formes\/normes particuli\u00e8res pas si neutres.) Carton : maquette\/renvoie processus cr\u00e9ation.<\/p>\n

2. Un travail d\u2019impression (sur des parties de diff\u00e9rents meubles Ikea que j\u2019ai r\u00e9cup\u00e9r\u00e9) en<\/p>\n

apposant un m\u00eame motif (fa\u00e7ade d\u2019architecture). Faire ressortir la singularit\u00e9 des pi\u00e8ces par les<\/p>\n

variations du motif apport\u00e9es par la technique (s\u00e9rigraphie?).<\/p>\n

Diff\u00e9rents morceaux de meubles de s\u00e9ries Ikea deviennent des supports d\u2019impression et<\/p>\n

s\u2019int\u00e8grent \u00e0 nouveau dans une s\u00e9rie par le motif mais sont uniques par les variations<\/p>\n

d\u2019impression de ce m\u00eame motif. (Meuble usine : s\u00e9rie, moule, copie, identique ; quand rentre<\/p>\n

dans habitation : va devenir unique : traces du temps, marques, t\u00e2ches\u2026 aura sa propre histoire).<\/p>\n

Installation rejoue milieu urbain. Echelle\/corps\/b\u00e2timent\/objet.<\/p>\n

 <\/p>\n

Archi-IKEA<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Id\u00e9e : Mettre en parall\u00e8le les nouvelles architectures r\u00e9sidentielles\/locaux d\u2019entreprises\/ p\u00e9pini\u00e8res de startup avec les meubles Ikea. Conception, cr\u00e9ation, production et distribution des deux similaires et probl\u00e9matiques :…<\/p>\n","protected":false},"author":20,"featured_media":5390,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[78,232,622,506,6,484,404,274],"class_list":["post-5389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documents","tag-architecture","tag-carton","tag-ikea","tag-impression","tag-peinture","tag-recyclage","tag-serigraphie","tag-volume"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2024\/01\/eg.png","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-1oV","jetpack-related-posts":[{"id":4135,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2020\/12\/clemence-desseauve\/","url_meta":{"origin":5389,"position":0},"title":"Cl\u00e9mence Desseauve","author":"Reynald Drouhin","date":"10 d\u00e9cembre 2020","format":false,"excerpt":"Architecture des camps Architecture des camps Cl\u00e9mence Desseauve\u00a0 R\u00e9f\u00e9rences abri A l\u2019air de l\u2019Anthropoc\u00e8ne, b\u00e9ton, goudron et acier ont \u00e0 tout jamais boulevers\u00e9 le paysage, d\u00e9sormais urbanis\u00e9 : selon l\u2019ONU, pr\u00e8s de 70 % de la population mondiale vivra en ville d\u2019ici 2050 contre \u00ab seulement \u00bb 55 % aujourd\u2019hui.\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2020\/12\/page3image49299872.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1879,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2015\/02\/alice-cadillon-cyberspace\/","url_meta":{"origin":5389,"position":1},"title":"Alice Cadillon \/ Cyberspace","author":"Reynald Drouhin","date":"10 f\u00e9vrier 2015","format":false,"excerpt":"Alice Cadillon, \"Cyberspace\", peinture triptyque,\u00a04,5 m x 3m, 2015. Il n\u2019y a pas si longtemps, le cyberespace \u00e9tait un lieu ext\u00e9rieur bien d\u00e9fini, que l\u2019on visitait p\u00e9riodiquement, en le scrutant depuis le monde mat\u00e9riel familier. Maintenant le cyberespace s\u2019est retourn\u00e9 comme un gant\u00a0; il a colonis\u00e9 le monde mat\u00e9riel. Faisant\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/f.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/f.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/f.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/f.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/f.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/f.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":872,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2011\/03\/stephane-maguet\/","url_meta":{"origin":5389,"position":2},"title":"St\u00e9phane Maguet","author":"Reynald Drouhin","date":"21 mars 2011","format":false,"excerpt":"St\u00e9phane Maguet, directeur de la Fonderie de l\u2019image, ancien directeur de la galerie Numeriscausa et commissaire d\u2019exposition (Art num\u00e9rique, voir article \"Numeriscausa, ou comment produire et exposer des oeuvres num\u00e9riques)","rel":"","context":"Dans "Conf\u00e9rences"","block_context":{"text":"Conf\u00e9rences","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/conferences\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/04\/stephane_maguet_1_1PfuaA.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3879,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2019\/05\/siada-aminou-clemence-estingoy-julia-jacot\/","url_meta":{"origin":5389,"position":3},"title":"Siada Aminou, Cl\u00e9mence Estingoy, Julia Jacot","author":"Reynald Drouhin","date":"6 mai 2019","format":false,"excerpt":"\u00c0 partir du th\u00e8me de la collapsologie et plus pr\u00e9cis\u00e9ment l\u2019anthropoc\u00e8ne \u2014 p\u00e9riode actuelle des temps g\u00e9ologiques, o\u00f9 les activit\u00e9s humaines ont de fortes r\u00e9percussions sur les \u00e9cosyst\u00e8mes de la plan\u00e8te (biosph\u00e8re) et les transforment \u00e0 tous les niveaux \u2014, les questions de mutation \u2014 changement brusque du patrimoine d\u2019un\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/Capture-d%E2%80%99%C3%A9cran-2019-05-06-%C3%A0-11.05.52.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/Capture-d%E2%80%99%C3%A9cran-2019-05-06-%C3%A0-11.05.52.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/Capture-d%E2%80%99%C3%A9cran-2019-05-06-%C3%A0-11.05.52.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/Capture-d%E2%80%99%C3%A9cran-2019-05-06-%C3%A0-11.05.52.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/Capture-d%E2%80%99%C3%A9cran-2019-05-06-%C3%A0-11.05.52.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2019\/05\/Capture-d%E2%80%99%C3%A9cran-2019-05-06-%C3%A0-11.05.52.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1493,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2005\/03\/habiter-linternet\/","url_meta":{"origin":5389,"position":4},"title":"Habiter l\u2019Internet","author":"Reynald Drouhin","date":"1 mars 2005","format":false,"excerpt":"Workshop\u00a0\u00ab\u00a0Habiter l\u2019Internet\u00a0\u00bb? 2004\/2005 dirig\u00e9 par Reynald Drouhin, avec Sonia Marques et Nikola Jankovic. Au d\u00e9but de ce workshop, le rapport \u00ab habiter \u00bb \/ \u00ab Internet \u00bb me semblait une \u00e9vidence tant le vocabulaire utilis\u00e9 sur le net est proche de celui de l\u2019architecture (site, adresse, domaine, fen\u00eatre, home page,\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/couv.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/couv.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/couv.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2014\/01\/couv.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1776,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2015\/02\/rencontre-dans-la-vraie-vie\/","url_meta":{"origin":5389,"position":5},"title":"Rencontre dans la vraie vie","author":"Reynald Drouhin","date":"11 f\u00e9vrier 2015","format":false,"excerpt":"Rencontre dans la vraie vie Data Flow IRL Exposition du 23 mars au 10 avril 2015 dans le clo\u00eetre, le jardin du clo\u00eetre et la biblioth\u00e8que de L'EESAB - site de Rennes et sur l'\u00e9cran g\u00e9ant du 4bis. Vernissage le 25 mars 2014 \u00e0 18h \u00e0 l'EESAB - site de\u2026","rel":"","context":"Dans "\u00c9tudiants"","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/affiche-IRL.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/affiche-IRL.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/affiche-IRL.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/affiche-IRL.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/affiche-IRL.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2015\/02\/affiche-IRL.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/5389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=5389"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/5389\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/5390"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=5389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=5389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=5389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}