{"id":6117,"date":"2025-10-21T16:00:43","date_gmt":"2025-10-21T14:00:43","guid":{"rendered":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=6117"},"modified":"2025-11-25T16:27:27","modified_gmt":"2025-11-25T14:27:27","slug":"exposition-hacking-dreams","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/10\/exposition-hacking-dreams\/","title":{"rendered":"Exposition \u00ab Hacking Dreams \u00bb"},"content":{"rendered":"

Exposition \u00ab\u00a0Hacking Dreams\u00a0\u00bb du 21 octobre au 2 novembre 2025
\nDans le clo\u00eetre et la biblioth\u00e8que de l\u2019EESAB Rennes
\nVernissage 16h le mardi 21 octobre<\/p>\n

\n

Traverse \u00ab Hacking Dreams \u00bb propos\u00e9e par Reynald Drouhin et Marion Zilio<\/p>\n

Texte de Perrine Lechevalier<\/p>\n

Affiche<\/a> : Malo Le Breton<\/p>\n

Artistes : Maxime Barry, Flavien Bonnois, L\u00e9a Brunaud, Elwine Bourreau, Nolwen Garrec, Luis Huet, Dana\u00e9 Jungers, Perrine Lechevalier, Barbara Le Coz, Rosalie Maillard, Am\u00e9lie Maresch, Soo-ahn Michon, Eva Saadi, Marie-Lucile Scott, Pierre Pierron, Isis Vu Ngoc, Tess Young<\/p>\n

\n

2050, l\u2019IA est devenue indispensable \u00e0 la vie humaine, et on s\u2019en doutait, mais on a quand m\u00eame fait nos s\u00e9ances psy avec ChatGPT parce que c\u2019\u00e9tait gratuit \u00e0 l\u2019\u00e9poque.<\/p>\n

2050, l\u2019IA a atteint tout le savoir qui lui \u00e9tait possible d\u2019entasser, elle est logique et imparable. Les scienticitaires ont dit il faut maintenant acc\u00e9der \u00e0 l\u2019inconscient, \u00e0 l\u2019intime, au sensible, \u00e0 la subjectivit\u00e9… bref, au plus profond de l\u2019\u00eatre humain.e, et les r\u00eaves constituent les meilleures data pour ce projet de giga envergure qui constitue la machine des r\u00eaves. Les scienticitaires ont dit plus les gens sont pauvres, meilleurs sont leurs r\u00eaves; r\u00eaves de stabilit\u00e9 financi\u00e8re sur son lit d\u2019angoisse de perdre son taff et de sombrer, r\u00eaves de partir au soleil l\u2019\u00e9t\u00e9 et \u00e0 la neige l\u2019hiver, nostalgie, souvenirs, espoir, espoirs…<\/p>\n

2050, les humano\u00efdes sous IA ne servent plus qu\u2019aux exp\u00e9riences scientifiques et aux riches incels en manque affectif, iels arrivent dans les foyers fran\u00e7ais, un peu comme la t\u00e9loche 100 ans auparavant. Encore un peu trop cher pour la classe populaire, la CAF propose aux foyers les plus pr\u00e9caires d\u2019obtenir la gyno\u00efde AmeliA gratuitement, \u00e0 une condition : lui offrir leurs r\u00eaves. Tous les soirs, \u00e9lectrodes sur le cr\u00e2ne de toute la famille, c\u2019est inoffensif on leur a dit, et en \u00e9change m\u00e9nage, cuisine, m\u00e9decin, psy, hypnoth\u00e9rapeute, ost\u00e9opathe, kin\u00e9, ma\u00eetre.sse Reiki, iASMR-artist…*consulter le contrat pour les d\u00e9tails et sp\u00e9cificit\u00e9s. Il faudra simplement veiller \u00e0 ce qu\u2019AmeliA ait toujours suffisamment d\u2019acide hyaluronique sur sa chair synth\u00e9tique afin qu\u2019elle garde son aspect rebondi et lisse, mais en vrai, si c\u2019est le prix \u00e0 payer pour ne pas avoir \u00e0 faire le d\u00eener apr\u00e8s une semaine \u00e0 46h, c\u2019est plus que raisonnable. Les foyers et AmeliA cr\u00e9ent une relation de co-d\u00e9pendance, AmeliA une fois d\u00e9velopp\u00e9e \u00e9motionnellement s\u2019attache de plus en plus \u00e0 sa famille, et inversement. Certains cas de jalousie et crises \u00e9motionnelles ont \u00e9t\u00e9 d\u00e9clar\u00e9s, mais ce ph\u00e9nom\u00e8ne reste minime et les mises \u00e0 jour tendent \u00e0 r\u00e9duire ce risque.<\/p>\n

C\u2019est le point de d\u00e9part vers Hacking Dreams, une exposition qui flotte entre aujourd\u2019hui et demain en se questionnant sur toutes les tensions et dualit\u00e9s que constitue notre rapport \u00e0 cette machine des r\u00eaves capitaliste.<\/b><\/b><\/p>\n

Le r\u00eave n\u2019y est plus un espace intime mais partag\u00e9, qui invite \u00e0 \u00eatre pirat\u00e9 et contamin\u00e9. Les formes peuvent se m\u00e9tamorphoser par glissement ; comme la chair qui devient pixel ou rigide, ou au contraire elles peuvent se r\u00e9p\u00e9ter \u00e0 l\u2019infini, coinc\u00e9es entre quatre murs. Les nostalgies des ruines de l\u2019Internet et du jeu-vid\u00e9o d\u2019hier s\u2019expriment en m\u00eame temps que l\u2019observation du flux d\u2019aujourd\u2019hui, comme pour pr\u00e9venir de la m\u00e9lancolie de demain. L\u2019organique s\u2019invite comme une mauvaise herbe envahissante qui viendrait introduire le trouble dans le logiciel, rappelant sa grandeur. C\u2019est comme \u00e7a qu\u2019Hacking Dreams s\u2019amuse de la machine en y introduisant le bug pour que technologie et humain.e.s tissent un r\u00e9cit commun, pour que nous puissions observer notre rapport \u00e0 l\u2019outil capitaliste dans cet entre-deux fragile<\/p>\n

Est-ce qu\u2019en 3025, les humano\u00efdes r\u00eaveront de nous?<\/b><\/p>\n

\n
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    \n
  1. \n

    Maxime Barry, 1mj par 1<\/a>, vid\u00e9o sonore, 1 min. 46 s., diffus\u00e9 sur TV.<\/p>\n<\/li>\n

  2. \n

    Flavien Bonnois, AHS<\/a>, vid\u00e9o sonore, 1min. 09 s., projection.<\/p>\n<\/li>\n

  3. Flavien Bonnois et Pierre Pierron, Sans titre<\/a>, s\u00e9rigraphie sur toile, 241 x 180 cm.<\/li>\n
  4. \n

    L\u00e9a Brunaud, Les \u00c9treintes<\/a>, installation, structures m\u00e9talliques, tissu, cyanotype, dimension variable.<\/p>\n<\/li>\n

  5. \n

    Elwine Bourreau, L\u2019asphalte v\u00e9g\u00e9tale<\/a>, vid\u00e9o sonore, 8 min. 44 s., photographie, 122 x 83 cm.<\/p>\n<\/li>\n

  6. \n

    Nolwen Garrec, Vestige d\u2019adolescence<\/a>, huile sur toile, 46 x 38,5cm – Ruines, huile sur toile, 46 x 38cm. – Robe de chat, huile sur toile, 30 x 22cm – Fourrure de biche, huile sur toile, 30 x 24cm<\/p>\n<\/li>\n

  7. Luis Huet, Stop-motion<\/a>, vid\u00e9o, 7 min, diffus\u00e9 sur iMac.<\/li>\n
  8. \n

    Dana\u00e9 Jungers, sims_auxence (even motherlode wont take me out of here)<\/a>, vid\u00e9o , 7 min. 41 s., sur iMac<\/p>\n<\/li>\n

  9. \n

    Perrine Lechevalier, Diva \u2013 In memory of Tinkerbell<\/a>, acrylique au airbrush sur toile, 50 x 70cm – Cute internet kittens, acrylique au airbrush sur tissu, 50 x 50cm<\/p>\n<\/li>\n

  10. \n

    Barbara Le Coz, Tasty Tropic Ice Summer Edition<\/a> (en collaboration avec Perrine Lechevalier), huile, acrylique, airbrush sur toile, 65 x 92cm – 2013, acrylique sur toile, 116 x 89cm – I deserve love too, collage, 33 x 24cm – Ongles stickers, acrylique sur toile, 20 x 20cm – Mandala, acrylique sur toile, 30 x 30cm – Night routine, collage, 20 x 20cm<\/p>\n<\/li>\n

  11. \n

    Rosalie Maillard, Mes contours sont des blessures<\/a>, 3 c\u00e9ramiques et broderie de perles, 30 x 15 cm.<\/p>\n<\/li>\n

  12. \n

    Am\u00e9lie Maresch, Tresse<\/a>, transfert ac\u00e9tone sur calque, 300 x 35 cm.<\/p>\n<\/li>\n

  13. \n

    Soo-ahn Michon, Many ways to dissolve<\/a> (s\u00e9rie), encre, draps, gravure laser, dimension variable.<\/p>\n<\/li>\n

  14. Eva Saadi, S+E<\/a> (en collaboration avec Sirel Tammisto), EPL, Chronically online, Kiss, peintures, huile, acrylique, crayon de couleur sur toile, dimensions variables<\/li>\n
  15. Marie-Lucile Scott, Gael<\/a>, bois grav\u00e9, installation, dimension variable.<\/li>\n
  16. Isis Vu Ngoc, Le passage, etc…<\/a>, dessin, pastel, dimension variable.<\/li>\n
  17. Tess Young, Patates<\/a>, installation en paraffine et \u00e9pluchures de pomme de terre.<\/li>\n<\/ol>\n

    \"\"<\/a><\/p>\n

    \n

    Brochure<\/p>\n

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    \n
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    Exposition \u00ab\u00a0Hacking Dreams\u00a0\u00bb du 21 octobre au 2 novembre 2025 Dans le clo\u00eetre et la biblioth\u00e8que de l\u2019EESAB Rennes Vernissage 16h le mardi 21 octobre Traverse \u00ab Hacking…<\/p>\n","protected":false},"author":20,"featured_media":6280,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1146],"tags":[1718,1719,1713,1711,1717,1655,1665,402,757,1369,1725,1715,1726,688,21,1596,831,538,1714,105,308,1712,1716,828,1728,899,1721,856,750,1594,1706,90,1722,99,1708,100,635,1038,1027,627,1724,1720,209,1723,1707,1160,306,1710,604,1709,1579,1729,765,295,1727,764],"class_list":["post-6117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-1718","tag-1719","tag-acide-hyaluronique","tag-amelia","tag-art-numerique","tag-asmr","tag-beaux-arts","tag-bug","tag-capitalisme","tag-chair","tag-classe-populaire","tag-co-dependance","tag-critique-sociale","tag-data","tag-donnees","tag-dualite","tag-dystopie","tag-eesab","tag-emotions","tag-exposition","tag-futur","tag-gynoide","tag-hacking-dreams","tag-humanite","tag-humanite-augmentee","tag-humanoides","tag-hypnose","tag-ia","tag-imaginaire","tag-inconscient","tag-intelligence-artificielle","tag-internet","tag-logiciel","tag-machine","tag-machine-des-reves","tag-memoire","tag-mutation","tag-nostalgie","tag-organique","tag-pixel","tag-precarite","tag-psy","tag-rennes","tag-reve-collectif","tag-reves","tag-robotique","tag-science-fiction","tag-sensibilite","tag-societe","tag-subjectivite","tag-technologie","tag-technologie-sensible","tag-tension","tag-transformation","tag-transhumanisme","tag-utopie"],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-14-at-11.26.52.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p72hC6-1AF","jetpack-related-posts":[{"id":6315,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/10\/affiche-hacking-dreams-malo-le-breton\/","url_meta":{"origin":6117,"position":0},"title":"Affiche 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