{"id":872,"date":"2011-03-21T17:00:40","date_gmt":"2011-03-21T15:00:40","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/edu\/dataflow\/?p=872"},"modified":"2011-11-15T12:04:05","modified_gmt":"2011-11-15T10:04:05","slug":"stephane-maguet","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2011\/03\/stephane-maguet\/","title":{"rendered":"St\u00e9phane Maguet"},"content":{"rendered":"<p>St\u00e9phane Maguet, directeur de la Fonderie de l\u2019image, ancien directeur de la galerie Numeriscausa et commissaire d\u2019exposition (Art num\u00e9rique, voir article \u00ab\u00a0Numeriscausa, ou comment produire et exposer des oeuvres num\u00e9riques)<br \/>\n<a href=\"http:\/\/www.nouveauxmedias.net\/smag.html\">www.nouveauxmedias.net\/smag.html<\/a><br \/>\nApres des \u00e9tudes de philosophie et une formation de chef de projet multim\u00e9dia, St\u00e9phane Maguet rejoint CANAL+ aux nouveaux programmes en tant que responsable de production. Il int\u00e8gre ensuite la web agency (numedia) de Vivendi Universal en tant que directeur artistique. Apr\u00e8s ce passage dans l&rsquo;industrie culturelle Il fonde l&rsquo;agence numeriscausa sp\u00e9cialis\u00e9e dans l\u2019innovation technologique et la cr\u00e9ation au service des marques, et des \u00e9v\u00e9nements. Peu \u00e0 peu les comp\u00e9tences de l&rsquo;agence s&rsquo;\u00e9tendent au design, \u00e0 la mus\u00e9ographie et \u00e0 l&rsquo;architecture. La galerie numeriscausa voit le jour en 2007 et devient un lieu de r\u00e9f\u00e9rence pour les arts num\u00e9riques en d\u00e9fendant des artistes comme Miguel Chevalier ou Eduardo Kac . Parall\u00e8lement au d\u00e9veloppement de numeriscausa, il rejoint pendant deux ans la Cit\u00e9 de l&rsquo;Architecture et du Patrimoine (Minist\u00e8re de la Culture) en tant que responsable des march\u00e9s publics li\u00e9s au multim\u00e9dia. Aujourd&rsquo;hui \u00e0 c\u00f4t\u00e9 des activit\u00e9s de numeriscausa, il travaille en tant que consultant nouveaux m\u00e9dias ind\u00e9pendant pour de nombreuses agences de communication et d&rsquo;architecture. Sp\u00e9cialiste sur les aspects production, diffusion &#038; usages ainsi que sur les politiques culturelles li\u00e9es aux outils num\u00e9riques, St\u00e9phane Maguet participe a de nombreuses conf\u00e9rences tant en France qu&rsquo;\u00e0 l&rsquo;\u00e9tranger. Membre du RAN (R\u00e9seau Art Num\u00e9rique), il est \u00e9galement curateur avec \u00e0 son actif une trentaine d\u2019expositions dans le champ de l\u2019art contemporain, du design, de la mus\u00e9ographie et de l\u2019\u00e9v\u00e9nementiel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>St\u00e9phane Maguet, directeur de la Fonderie de l\u2019image, ancien directeur de la galerie Numeriscausa et commissaire d\u2019exposition (Art num\u00e9rique, voir article \u00ab\u00a0Numeriscausa, ou comment produire et exposer des oeuvres num\u00e9riques)<\/p>\n","protected":false},"author":20,"featured_media":873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[124,3],"tags":[125],"class_list":["post-872","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferences","category-documents","tag-multimedia"],"jetpack_shortlink":"https:\/\/wp.me\/p72hC6-e4","jetpack-related-posts":[{"id":1216,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2010\/09\/des-materialisations\/","url_meta":{"origin":872,"position":0},"title":"Des Mat\u00e9rialisations","author":"Reynald Drouhin","date":"14\/09\/2010","format":false,"excerpt":"Titre : ARC \"Des Mat\u00e9rialisations\" Lieu : Ecole des beaux-arts de Rennes, salle 302, ateliers, auditorium et \u00e0 l'ext\u00e9rieur. Date : 2010-2011 et plus Enseignant : Reynald Drouhin Collaboration : Articulation possible avec l'ARC \"D\u00e9mat\u00e9rialisation\" de Luc Larmor (son) Intervenants : 2011-2012 : Ivan Argote (artiste, conf\u00e9rence) 2010-2011 : St\u00e9phane\u2026","rel":"","context":"Dans &quot;Projets&quot;","block_context":{"text":"Projets","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2417,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/04\/material-reality\/","url_meta":{"origin":872,"position":1},"title":"Material Reality","author":"Reynald Drouhin","date":"22\/04\/2016","format":false,"excerpt":"\u00a0 Group Show Une proposition de Reynald Drouhin Du 22 avril au 4 mai 2016 Vernissage le vendredi 22 avril 2016 de 17h \u00e0 21h \u00e0 la\u00a0Galerie Vanessa Quang, 7 Rue des Filles du Calvaire, 75003 Paris Artistes expos\u00e9s : C\u00e9lia Calvez,\u00a0Thibault Coudouret,\u00a0Sybil Dary,\u00a0Corentin Derbr\u00e9,\u00a0Geoffrey Jeanville,\u00a0Elisabeth Gomes-Barradas,\u00a0Brendan Keenan,\u00a0Shankar Lestr\u00e9han,\u00a0Alisson Schmitt,\u00a0Lilas\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"z","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/03\/z-300x225.jpg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]},{"id":5281,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2024\/04\/infinie-galerie-1-tess-foure\/","url_meta":{"origin":872,"position":2},"title":"Infinie Galerie 1 \/ Tess Four\u00e9","author":"Reynald Drouhin","date":"29\/04\/2024","format":false,"excerpt":"Infinie Galerie 1, 2023, acrylique sur toile, totem en r\u00e9alit\u00e9 augment\u00e9e, 120 x 80 cm Cartel avec QRcode Inscrit sur un cartel : Instagram est un espace de partage de photos et de vid\u00e9os qui nous permet de partager qui nous voulons \u00eatre. Ces photos, parfois plus d\u2019une centaine par\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2023\/11\/artbreeder-mixer-2023-11-28T09_28_25.312Z.jpeg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]},{"id":2925,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2017\/02\/palettes-johanna-cartier\/","url_meta":{"origin":872,"position":3},"title":"Palettes, Johanna Cartier","author":"Reynald Drouhin","date":"28\/02\/2017","format":false,"excerpt":"2017, peinture sur t\u00e9l\u00e9phones grillage, environ 300 x 150 cm Palettes est une installation compos\u00e9e d\u2019une structure principale plane de grillage en plastique extrud\u00e9, \u00e0 mailles carr\u00e9es, qui d\u00e9limite mon espace d\u2019action, tout en me servant de toile. Cette surface \u00e0 \u00ab peindre \u00bb, suspendue au mur, accueille la couleur\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2017\/02\/IMG_7272-710x533.jpg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]},{"id":2161,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2016\/01\/vanessa-quang\/","url_meta":{"origin":872,"position":4},"title":"Vanessa Quang","author":"Reynald Drouhin","date":"04\/01\/2016","format":false,"excerpt":"Conf\u00e9rence Vanessa Quang \u00e0 l'EESAB - Rennes, \u00e0 18h le 11 janvier 2016","rel":"","context":"Dans &quot;Conf\u00e9rences&quot;","block_context":{"text":"Conf\u00e9rences","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/documents\/conferences\/"},"img":{"alt_text":"IMG_2858","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2016\/01\/IMG_2858-710x533.jpg?resize=9999%2C9999","width":"9999","height":"9999"},"classes":[]},{"id":5960,"url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/2025\/01\/log-in-flora-rushiti\/","url_meta":{"origin":872,"position":5},"title":"Ruines virtuelles \/ Flora Rushiti","author":"Reynald Drouhin","date":"22\/01\/2025","format":false,"excerpt":"\"Transformation de donn\u00e9es num\u00e9riques \u00e9ph\u00e9m\u00e8res en vestiges tangibles, r\u00e9flexion sur la m\u00e9moire collective et la perte de persistance des traces dans un monde virtuel en perp\u00e9tuelle mutation. La fluidit\u00e9 du m\u00e9tal fondu capture ces traces num\u00e9riques dans une forme durable, mais les imperfections naturelles du coulage illustrent la perte d\u2019information\u2026","rel":"","context":"Dans &quot;\u00c9tudiants&quot;","block_context":{"text":"\u00c9tudiants","link":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/category\/projets\/etudiants\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2025\/01\/IMG_9007-300x400.jpg?resize=9999%2C9999&ssl=1","width":"9999","height":"9999"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-content\/uploads\/2011\/04\/stephane_maguet_1_1PfuaA.jpg","_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/comments?post=872"}],"version-history":[{"count":0,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/posts\/872\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media\/873"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/media?parent=872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/categories?post=872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/edu\/dataflow\/wp-json\/wp\/v2\/tags?post=872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}