{"id":29,"date":"2015-01-28T13:38:57","date_gmt":"2015-01-28T12:38:57","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/wrks\/?page_id=29"},"modified":"2026-06-08T23:10:45","modified_gmt":"2026-06-08T22:10:45","slug":"biographie","status":"publish","type":"page","link":"https:\/\/www.reynalddrouhin.net\/wrks\/biographie\/","title":{"rendered":"Biographie"},"content":{"rendered":"

Reynald Drouhin est artiste et enseignant \u00e0 l’\u00c9cole des Beaux-Arts de Bretagne<\/a> (Rennes). N\u00e9 en 1969, il vit et travaille en Bretagne.<\/p>\n

Reynald Drouhin travaille \u00e0 partir de la culture num\u00e9rique (archives, donn\u00e9es, internet comme r\u00e9servoir de formes et de sens). Son approche est multim\u00e9dia : il passe par la photographie, la vid\u00e9o, la peinture et l’IA selon les besoins du projet. Ses \u0153uvres r\u00e9sultent souvent d’un protocole \u00e9tabli, parfois g\u00e9n\u00e9ratif, et r\u00e9v\u00e8lent une profusion de repr\u00e9sentations al\u00e9atoires et fragmentaires.<\/p>\n

La science-fiction traverse son travail comme cadre d’anticipation : le rapport entre les intelligences artificielles et les fins du monde, l’effondrement des syst\u00e8mes, ce que les images et les donn\u00e9es disent du temps qui vient. Il utilise aujourd’hui l’IA \u00e0 la fois comme outil de production et comme sujet d’investigation.<\/p>\n

Esth\u00e9tiquement, il tend vers une certaine simplicit\u00e9 (le monolithe, le monochrome comme formes r\u00e9currentes) tout en faisant du bug, de l’erreur et de l’incident des \u00e9l\u00e9ments plastiques \u00e0 part enti\u00e8re. L’humour, souvent critique, traverse l’ensemble du travail.<\/p>\n

Formation<\/h4>\n

\u00c9cole des Beaux-Arts de Paris, DNSAP et Mast\u00e8re Hyperm\u00e9dia Multim\u00e9dia, 1998
\nUniversit\u00e9 de Paris 1 Panth\u00e9on-Sorbonne, Ma\u00eetrise Arts plastiques, 1994<\/p>\n

Expositions et participations (s\u00e9lection)<\/h4>\n

Simulation<\/a>, 2026
\nMelting Point<\/a>, 2020
\nRetro Web<\/a>, Seoul Museum of Art, Cor\u00e9e, 2019
\nCapturer l’\u00e9ph\u00e9m\u00e8re<\/a>, 2015
\nPhoto London<\/a>, galerie Vanessa Quang, 2015
\nVariation<\/a>, Paris, 2014 et 2015
\nShow Off Lab’<\/a>, Paris, 2012
\nBiennale de Rennes<\/a>, 2010
\nGhost Walk<\/a>, galerie Numeriscausa, Paris, 2009
\nIl \u00e9tait une fois\u2026<\/a>, galerie Numeriscausa, Paris, 2007
\nSans titre<\/a>, galerie des Beaux-Arts de Lorient, 2006
\nNatural\/Digital, Biche de Bere Gallery, 2005
\nConfluences<\/a>, 2003
\nFestival international d’arts multim\u00e9dias urbains, Belfort, 2000
\nBiennale de Montr\u00e9al<\/a>, 2000
\nISEA<\/a>, Chicago, 1997<\/p>\n

R\u00e9sidences<\/h4>\n

La Chartreuse<\/a>, France, 2011
\nEurop\u00e9o, Italie, 2001
\nCICV<\/a>, Belfort, 2000-2001
\nC3<\/a>, Budapest, 2000
\nCarnegie Mellon University, Pittsburgh, 1997<\/p>\n

Prix et distinctions<\/h4>\n

Allocation d’installation d’atelier (AIA), 2015
\nAide \u00e0 la Cr\u00e9ation Multim\u00e9dia Exp\u00e9rimentale, Arcadi, 2007
\nBourse d\u00e9partementale du MAC\/VAL<\/a>, 2005
\nGrand Prix Scam<\/a> de l’\u0153uvre d’art num\u00e9rique interactive, 2003
\nPrix vid\u00e9o du FIAV<\/a>, Tanger, 2001
\nGrand Prix, Cyberfestival, Rueil-Malmaison, 1999
\nPrix Multim\u00e9dia DRAC Auvergne \/ Vid\u00e9oformes<\/a>, 1999<\/p>\n

Liens<\/h4>\n

CV (PDF)<\/a> \/ Revue de presse (PDF)<\/a>
\nRecherches Esquisses Documents (RED)<\/a>
\nVimeo<\/a>
\nInstagram<\/a>
\nreynalddrouhin.net<\/a><\/p>\n

\n

Reynald Drouhin is an artist and teacher at the \u00c9cole des Beaux-Arts de Bretagne<\/a> (Rennes). Born in 1969, he lives and works in Brittany.<\/p>\n

Reynald Drouhin works from digital culture (archives, data, the internet as a reservoir of forms and meaning). His approach is multimedia: he works through photography, video, painting and AI depending on the needs of the project. His works often result from an established protocol, sometimes generative, and reveal a profusion of random and fragmentary representations.<\/p>\n

Science fiction runs through his work as a framework for anticipation: the relationship between artificial intelligence and the end(s) of the world, the collapse of systems, what images and data tell us about the time to come. He now uses AI both as a production tool and as a subject of investigation.<\/p>\n

Aesthetically, he tends toward a certain simplicity (the monolith, the monochrome as recurring forms) while making the bug, the error and the incident essential plastic elements. Humour, often critical, runs throughout his work.<\/p>\n

Education<\/h4>\n

\u00c9cole des Beaux-Arts de Paris, DNSAP and Hypermedia Multimedia Master, 1998
\nUniversity of Paris 1 Panth\u00e9on-Sorbonne, Master in Visual Arts, 1994<\/p>\n

Exhibitions and participations (selection)<\/h4>\n

Simulation<\/a>, 2026
\nMelting Point<\/a>, 2020
\nRetro Web<\/a>, Seoul Museum of Art, Korea, 2019
\nCapturer l’\u00e9ph\u00e9m\u00e8re<\/a>, 2015
\nPhoto London<\/a>, Vanessa Quang Gallery, 2015
\nVariation<\/a>, Paris, 2014 and 2015
\nShow Off Lab’<\/a>, Paris, 2012
\nBiennale de Rennes<\/a>, 2010
\nGhost Walk<\/a>, Numeriscausa Gallery, Paris, 2009
\nIl \u00e9tait une fois\u2026<\/a>, Numeriscausa Gallery, Paris, 2007
\nSans titre<\/a>, Lorient Fine Arts Gallery, 2006
\nNatural\/Digital, Biche de Bere Gallery, 2005
\nConfluences<\/a>, 2003
\nInternational Festival of Urban Multimedia Arts, Belfort, 2000
\nMontreal Biennial<\/a>, 2000
\nISEA<\/a>, Chicago, 1997<\/p>\n

Residencies<\/h4>\n

La Chartreuse<\/a>, France, 2011
\nEurop\u00e9o, Italy, 2001
\nCICV<\/a>, Belfort, 2000-2001
\nC3<\/a>, Budapest, 2000
\nCarnegie Mellon University, Pittsburgh, 1997<\/p>\n

Awards<\/h4>\n

Installation Studio Grant (AIA), 2015
\nExperimental Multimedia Creation Grant, Arcadi, 2007
\nMAC\/VAL<\/a> Departmental Individual Creation Grant, 2005
\nScam Grand Prix<\/a> for Interactive Digital Artwork, 2003
\nVideo Prize, FIAV<\/a>, Tangier, 2001
\nGrand Prix, Cyberfestival, Rueil-Malmaison, 1999
\nMultimedia Prize, DRAC Auvergne \/ Vid\u00e9oformes<\/a>, 1999<\/p>\n

Links<\/h4>\n

CV (PDF)<\/a> \/ Press review (PDF)<\/a>
\nRecherches Esquisses Documents (RED)<\/a>
\nVimeo<\/a>
\nInstagram<\/a>
\nreynalddrouhin.net<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Reynald Drouhin est artiste et enseignant \u00e0 l’\u00c9cole des Beaux-Arts de Bretagne (Rennes). N\u00e9 en 1969, il vit et travaille en Bretagne. Reynald Drouhin travaille \u00e0 partir de la culture num\u00e9rique (archives, donn\u00e9es, internet comme r\u00e9servoir de formes et de sens). Son approche est multim\u00e9dia : il passe par la photographie, la vid\u00e9o, la peinture […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-29","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P72hz6-t","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/pages\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/comments?post=29"}],"version-history":[{"count":17,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/pages\/29\/revisions"}],"predecessor-version":[{"id":1370,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/pages\/29\/revisions\/1370"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media?parent=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}