{"id":1305,"date":"2025-11-14T17:59:56","date_gmt":"2025-11-14T16:59:56","guid":{"rendered":"https:\/\/www.reynalddrouhin.net\/wrks\/?p=1305"},"modified":"2026-03-12T18:43:59","modified_gmt":"2026-03-12T17:43:59","slug":"mirrored-encodings","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/wrks\/mirrored-encodings\/","title":{"rendered":"Mirrored Encodings"},"content":{"rendered":"<header class=\"post-header\"><\/header>\n<div class=\"post-content entry-content\">\n<p dir=\"auto\">2025, photographie, 34,5 x 46 cm, vid\u00e9o en cours&#8230;<\/p>\n<\/div>\n<p dir=\"auto\"><strong data-start=\"142\" data-end=\"164\">Mirrored Encodings<\/strong> (2025) revisite <em data-start=\"181\" data-end=\"201\">Renverser ses yeux<\/em> de Giuseppe Penone en transposant son geste dans un paysage visuel marqu\u00e9 par les r\u00e9seaux sociaux, la post-v\u00e9rit\u00e9 et l\u2019intelligence artificielle. L\u2019autoportrait met en sc\u00e8ne des pupilles transform\u00e9es en surfaces miroir, refl\u00e9tant une galerie vide et la silhouette d\u2019une photographe. Entre hyper-r\u00e9alisme et minimalisme, l\u2019image ouvre un espace d\u2019ambigu\u00eft\u00e9 o\u00f9 perception, illusion et construction du regard se superposent.<br data-start=\"623\" data-end=\"626\" data-is-only-node=\"\" \/>Le projet interroge la fabrication de l\u2019image de soi, la porosit\u00e9 entre r\u00e9el et fiction, et la mani\u00e8re dont les technologies reconfigurent nos modes de vision. Une version vid\u00e9o g\u00e9n\u00e9rative prolonge cette exploration par de l\u00e9gers d\u00e9placements du point de vue, accentuant la dimension contemplative et quasi science-fictionnelle de l\u2019ensemble.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2025, photographie, 34,5 x 46 cm, vid\u00e9o en cours&#8230;<\/p>\n","protected":false},"author":3,"featured_media":1306,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,52],"tags":[394,144,282,467,705,240,154,508,515,421,700,411,699,702,704,456,453,256,514,133,701,698,357,427,193,703,706],"class_list":["post-1305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photographie","category-video","tag-ai","tag-alter-ego","tag-alterite","tag-arte-povera","tag-artiste","tag-autoportrait","tag-dispositif","tag-esthetique","tag-fiction","tag-galerie","tag-hyperrealisme","tag-ia","tag-illusion","tag-image-de-soi","tag-immersion","tag-introspection","tag-minimalisme","tag-miroir","tag-perception","tag-portrait","tag-post-verite","tag-reflet","tag-science-fiction","tag-technologie","tag-visage","tag-vision","tag-yeux"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2025\/11\/rdgp-scaled.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hz6-l3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/1305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/comments?post=1305"}],"version-history":[{"count":3,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/1305\/revisions"}],"predecessor-version":[{"id":1309,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/1305\/revisions\/1309"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media\/1306"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media?parent=1305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/categories?post=1305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/tags?post=1305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}