{"id":1409,"date":"2026-08-12T20:20:14","date_gmt":"2026-08-12T19:20:14","guid":{"rendered":"https:\/\/www.reynalddrouhin.net\/wrks\/?p=1409"},"modified":"2026-08-14T10:19:59","modified_gmt":"2026-08-14T09:19:59","slug":"interregnum","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/wrks\/interregnum\/","title":{"rendered":"Interregnum"},"content":{"rendered":"

2026, site web g\u00e9n\u00e9ratif, installation sonore, photographie<\/p>\n

https:\/\/www.reynalddrouhin.net\/works\/interregnum\/<\/a><\/p>\n

Interregnum<\/em>\u00a0met en pr\u00e9sence trois temporalit\u00e9s qui coexistent sans jamais se synchroniser compl\u00e8tement : le temps cosmique de l\u2019image, l\u2019acc\u00e9l\u00e9ration continue de l\u2019information et le temps int\u00e9rieur du son.<\/p>\n

L\u2019\u00e9clipse n\u2019est pas ici un \u00e9v\u00e9nement spectaculaire \u00e0 reproduire. Elle agit comme un protocole de suspension. Deux corps se rapprochent, une lumi\u00e8re se retire, mais aucun compte \u00e0 rebours ne permet d\u2019anticiper le moment o\u00f9 le seuil sera franchi. Le ph\u00e9nom\u00e8ne demeure lent, autonome et indiff\u00e9rent \u00e0 l\u2019agitation humaine qui d\u00e9file au bas de l\u2019\u00e9cran.<\/p>\n

Les titres d\u2019actualit\u00e9, en fran\u00e7ais et en anglais, traversent l\u2019\u0153uvre comme une mati\u00e8re m\u00e9diatique instable. Ils se succ\u00e8dent sans produire de r\u00e9cit commun et sans commander l\u2019image. Leur vitesse contraste avec la lenteur monumentale de l\u2019occultation. La radio anglophone, enfouie dans la mati\u00e8re sonore, fait entendre au loin la pr\u00e9sence continue d\u2019un monde qui parle, commente et annonce, sans que ses mots soient toujours discernables.<\/p>\n

Ces titres sont d\u00e9j\u00e0 anciens quand ils apparaissent. \u00c9crits, relay\u00e9s, agr\u00e9g\u00e9s, ils portent le d\u00e9lai de leur propre transmission. Le temps r\u00e9el qu\u2019ils pr\u00e9tendent occuper est une convention.<\/p>\n

Le son principal ne traduit ni l\u2019\u00e9clipse ni les informations. Il constitue un troisi\u00e8me espace : granulation, souffle, profondeur \u00e9lectronique, r\u00e9sonances min\u00e9rales et \u00e9v\u00e9nements intermittents. Il peut couvrir les voix, les laisser affleurer, puis les faire dispara\u00eetre. Cette superposition ne cherche pas l\u2019harmonie ; elle maintient une tension entre ce qui arrive, ce qui est annonc\u00e9 et ce qui demeure imperceptible.<\/p>\n

Le passage ne d\u00e9pend de personne en particulier. Il s\u2019alimente de la pr\u00e9sence de ceux qui regardent au m\u00eame moment et de ce qu\u2019ont laiss\u00e9 ceux qui regardaient il y a peu ; une trace qui s\u2019efface d\u2019elle-m\u00eame en quelques heures. Aucun geste ne le d\u00e9clenche ; rien n\u2019est compt\u00e9 devant vous ; aucune mesure n\u2019est rendue visible. Un visiteur ne saura pas si sa pr\u00e9sence a compt\u00e9.<\/p>\n

Le titre latin\u00a0Interregnum<\/em>\u00a0d\u00e9signe moins une vacance du pouvoir qu\u2019un intervalle incertain entre deux \u00e9tats. Un ordre s\u2019interrompt, tandis que le suivant n\u2019est pas encore identifiable. L\u2019\u0153uvre habite cet entre-deux : un moment sans r\u00e9solution, o\u00f9 les signes continuent de circuler alors que la transformation essentielle reste lente, ambigu\u00eb et peut-\u00eatre inaccessible.<\/p>\n

\n
\n

Interregnum<\/em>\u00a0holds together three temporalities that coexist without ever fully synchronising: the cosmic time of the image, the continuous acceleration of information, and the inner time of sound.<\/p>\n

The eclipse here is not a spectacular event to be reproduced. It acts as a protocol of suspension. Two bodies draw closer, a light withdraws, but no countdown allows the moment at which the threshold will be crossed to be anticipated. The phenomenon remains slow, autonomous and indifferent to the human agitation scrolling at the foot of the screen.<\/p>\n

News headlines, in French and English, cross the work as an unstable media material. They follow one another without producing a common narrative and without commanding the image. Their speed contrasts with the monumental slowness of the occultation. The English-language radio, buried in the sonic material, lets through the distant, continuous presence of a world that speaks, comments and announces, without its words always being discernible.<\/p>\n

These headlines are already old when they appear. Written, relayed, aggregated, they carry the delay of their own transmission. The real time they claim to occupy is a convention.<\/p>\n

The principal sound translates neither the eclipse nor the news. It constitutes a third space: granulation, breath, electronic depth, mineral resonances and intermittent events. It may cover the voices, let them surface, then make them disappear. This superimposition does not seek harmony; it maintains a tension between what is happening, what is announced, and what remains imperceptible.<\/p>\n

The passage depends on no one in particular. It is fed by the presence of those watching at the same moment and by what was left behind by those watching a short while ago \u2014 a trace that fades of its own accord within a few hours. No gesture triggers it; nothing is counted in front of you; no measure is made visible. A visitor will not know whether their presence counted.<\/p>\n

The Latin title\u00a0Interregnum<\/em>\u00a0designates less a vacancy of power than an uncertain interval between two states. One order breaks off, while the next is not yet identifiable. The work inhabits this in-between: a moment without resolution, where signs keep circulating while the essential transformation remains slow, ambiguous and perhaps inaccessible.<\/p>\n

https:\/\/red.reynalddrouhin.net\/wp-content\/uploads\/2026\/07\/interregnum-out.mp4<\/a><\/video><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

2026, site web g\u00e9n\u00e9ratif, installation sonore, photographie<\/p>\n","protected":false},"author":3,"featured_media":1412,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[37,69,4],"tags":[886,875,868,872,881,899,882,858,884,323,88,864,314,34,76,865,863,874,900,857,888,859,885,889,862,877,12,876,873,861,887,93,866,670,860,878,214,855,867,869,883],"class_list":["post-1409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-installation","category-internet","category-photographie","tag-acceleration","tag-actualites","tag-affleurement","tag-agregation","tag-convention","tag-cosmique","tag-delai","tag-desynchronisation","tag-differe","tag-duree","tag-eclipse","tag-entre-deux","tag-fin-dun-monde","tag-fin-du-monde","tag-flux","tag-granulation","tag-imperceptible","tag-indiscernabilite","tag-interieur","tag-interregne","tag-intervalle","tag-latence","tag-lenteur","tag-lune","tag-occultation","tag-parole","tag-passage","tag-radio","tag-relais","tag-seuil","tag-simultaneite","tag-soleil","tag-souffle","tag-superposition","tag-suspension","tag-temporalites","tag-temps","tag-temps-reel","tag-tension","tag-titres","tag-transmission"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p72hz6-mJ","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2026\/07\/interregnum.jpg","_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/1409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/comments?post=1409"}],"version-history":[{"count":8,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/1409\/revisions"}],"predecessor-version":[{"id":1452,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/1409\/revisions\/1452"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media\/1412"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media?parent=1409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/categories?post=1409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/tags?post=1409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}