{"id":619,"date":"2020-05-01T08:23:48","date_gmt":"2020-05-01T07:23:48","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/wrks\/?p=619"},"modified":"2026-08-26T10:16:57","modified_gmt":"2026-08-26T09:16:57","slug":"instants-memes","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/wrks\/instants-memes\/","title":{"rendered":"Instants m\u00eames"},"content":{"rendered":"<p class=\"isSelectedEnd\"><em>Instants m\u00eames<\/em> est un projet vid\u00e9o \u00e9volutif commenc\u00e9 en 2015. Lorsque l\u2019ordinateur est actif, une capture automatique de l\u2019\u00e9cran est enregistr\u00e9e toutes les heures. Accumul\u00e9es pendant plusieurs mois ou plusieurs ann\u00e9es, ces images sont ensuite compil\u00e9es \u00e0 30 images par seconde pour former de courtes s\u00e9quences vid\u00e9o. Des milliers d\u2019instants de travail se trouvent ainsi condens\u00e9s en quelques minutes.<\/p>\n<p class=\"isSelectedEnd\">Ces captures ne documentent pas un \u00e9v\u00e9nement particulier. Elles enregistrent au contraire la succession ordinaire des activit\u00e9s num\u00e9riques : images ouvertes, logiciels, recherches, textes, fen\u00eatres, moments de travail ou d\u2019interruption. L\u2019\u00e9cran devient une surface d\u2019archivage involontaire, travers\u00e9e par les changements de projets, d\u2019outils et de contextes.<\/p>\n<p class=\"isSelectedEnd\">Le dispositif construit ainsi une forme d\u2019autoportrait indirect. L\u2019artiste n\u2019est presque jamais repr\u00e9sent\u00e9, mais son activit\u00e9 appara\u00eet par fragments, \u00e0 travers ce que la machine donne \u00e0 voir \u00e0 intervalles r\u00e9guliers. La r\u00e9p\u00e9tition automatique transforme le quotidien num\u00e9rique en m\u00e9moire, tandis que l\u2019acc\u00e9l\u00e9ration vid\u00e9o rend simultan\u00e9ment perceptibles la continuit\u00e9 du travail et l\u2019effacement des moments qui le composent.<\/p>\n<p>R\u00e9actualis\u00e9 au fil des ann\u00e9es, <em>Instants m\u00eames<\/em> constitue une archive en mouvement dans laquelle le temps long de la pratique se confronte au temps extr\u00eamement rapide de sa restitution. Ce qui a demand\u00e9 des ann\u00e9es \u00e0 se constituer ne dure finalement que quelques minutes \u00e0 l\u2019\u00e9cran.<\/p>\n<hr \/>\n<p>2019-24, vid\u00e9o 2 min. 02 s.<\/p>\n<p>Entre d\u00e9cembre 2019 et octobre 2021, dans le bureau de l\u2019atelier ou ailleurs des captures automatiques se font toutes les heures lorsque l\u2019ordinateur de RD est actif. (Capture sur MacBook Pro 2019-12-07 &gt; 2024-07-20)<\/p>\n<p>Une Captures de 3668 images \u00e0 30 i\/s pour une dur\u00e9e de 2 min. 02 s.<\/p>\n<div style=\"width: 1280px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-619-1\" width=\"1280\" height=\"720\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/red.reynalddrouhin.net\/wp-content\/uploads\/2021\/01\/instants_memes.mp4?_=1\" \/><a href=\"https:\/\/red.reynalddrouhin.net\/wp-content\/uploads\/2021\/01\/instants_memes.mp4\">https:\/\/red.reynalddrouhin.net\/wp-content\/uploads\/2021\/01\/instants_memes.mp4<\/a><\/video><\/div>\n<hr \/>\n<p>2015-19, vid\u00e9o 2min.30s.<\/p>\n<p>Entre juin 2015 et novembre 2019, dans le bureau de l&rsquo;atelier des captures automatiques se font toutes les heures lorsque l&rsquo;ordinateur de RD est actif. (Capture sur un iMac, 2015-06-07 &gt; 2019-05-23)<\/p>\n<p>Une Captures de 4600 images \u00e0 30 i\/s pour une dur\u00e9e de 2min.30s.<\/p>\n<div style=\"width: 900px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-619-2\" width=\"900\" height=\"720\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/red.reynalddrouhin.net\/wp-content\/uploads\/2021\/01\/Instants_memes1.mp4?_=2\" \/><a href=\"https:\/\/red.reynalddrouhin.net\/wp-content\/uploads\/2021\/01\/Instants_memes1.mp4\">https:\/\/red.reynalddrouhin.net\/wp-content\/uploads\/2021\/01\/Instants_memes1.mp4<\/a><\/video><\/div>\n<hr \/>\n<h2><\/h2>\n<p><em>Instants m\u00eames<\/em> is an evolving video project begun in 2015. Whenever the computer is active, an automatic screenshot is recorded every hour. Accumulated over months or years, these images are then compiled at 30 frames per second to form short video sequences. Thousands of moments of work are thus condensed into just a few minutes.<\/p>\n<p>These captures do not document any particular event. Instead, they record the ordinary succession of digital activities: open images, software, searches, texts, windows, moments of work, and interruptions. The screen becomes a surface of involuntary archiving, crossed by shifts in projects, tools, and contexts.<\/p>\n<p>The device thus constructs a form of indirect self-portrait. The artist is almost never represented, yet his activity appears in fragments through what the machine reveals at regular intervals. Automatic repetition transforms the digital everyday into memory, while the accelerated video makes both the continuity of the work and the disappearance of the moments that compose it perceptible.<\/p>\n<p>Updated over the years, <em>Instants m\u00eames<\/em> forms a moving archive in which the long duration of artistic practice confronts the extremely rapid time of its playback. What took years to accumulate ultimately lasts only a few minutes on screen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2015-24, vid\u00e9os<\/p>\n","protected":false},"author":3,"featured_media":1116,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Instants m\u00eames","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[52],"tags":[258,296,919,886,70,848,144,282,135,486,259,260,240,261,257,297,262,94,498,73,167,263,497,495,492,323,165,103,496,264,76,918,265,237,490,266,920,267,268,493,269,270,271,272,44,488,256,273,274,275,522,917,276,491,489,133,277,769,335,632,455,278,134,279,239,283,280,175,427,487,214,295,291,294,98,485,193,281,177,494],"class_list":["post-619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video","tag-258","tag-296","tag-absence","tag-acceleration","tag-accumulation","tag-activite","tag-alter-ego","tag-alterite","tag-archive","tag-archive-visuelle","tag-atelier","tag-au-travail","tag-autoportrait","tag-autre","tag-autres","tag-big-brother","tag-bureau","tag-capture","tag-changement","tag-collection","tag-compilation","tag-computer","tag-constante","tag-creation","tag-documentation","tag-duree","tag-ecran","tag-espace","tag-evolution","tag-face","tag-flux","tag-fragments","tag-identite","tag-image","tag-images","tag-in-progress","tag-instant","tag-instantane","tag-instants","tag-interactions","tag-lieu","tag-maison","tag-meme","tag-memes","tag-memoire","tag-memoire-numerique","tag-miroir","tag-moi","tag-moi-aussi","tag-moment","tag-numerique","tag-ordinateur","tag-pause","tag-perception-du-temps","tag-periodes","tag-portrait","tag-pose","tag-presence","tag-processus","tag-quotidien","tag-reflexion","tag-rencontre","tag-repetition","tag-screenshot","tag-selfie","tag-stop-motion","tag-studio","tag-surveillance","tag-technologie","tag-temporalite","tag-temps","tag-temps-libre","tag-trace","tag-travail","tag-video","tag-videos","tag-visage","tag-vitesse","tag-webcam","tag-oeuvre-evolutive"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p72hz6-9Z","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2020\/05\/instants-memes.jpg","_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/comments?post=619"}],"version-history":[{"count":11,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/619\/revisions"}],"predecessor-version":[{"id":1475,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/619\/revisions\/1475"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media\/1116"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media?parent=619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/categories?post=619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/tags?post=619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}