{"id":873,"date":"2021-12-12T12:12:31","date_gmt":"2021-12-12T11:12:31","guid":{"rendered":"http:\/\/www.reynalddrouhin.net\/wrks\/?p=873"},"modified":"2025-02-13T09:24:35","modified_gmt":"2025-02-13T08:24:35","slug":"concrete-shoes","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/wrks\/concrete-shoes\/","title":{"rendered":"Concrete shoes"},"content":{"rendered":"

S\u00e9rie \u00ab\u00a0Concrete shoes\u00a0\u00bb in situ :
\n<\/em>
\nNous tous<\/strong><\/a>, 2021, ciment gris, chaussures (DC, Adidas), 23 x 24 x 42 cm. Monolithe 23 x 31 x 9,5 cm<\/p>\n

\"\"<\/a><\/p>\n

\n

En marche<\/strong><\/a>, 2021, ciment gris, chaussures (Supra), 23 x 31 x 35 cm. Monolithe 23 x 31 x 10,5 cm<\/p>\n

\"\"<\/a><\/p>\n

\n

Se planter<\/strong><\/a>, 2021, ciment gris, chaussures femme, 23 x 48 x 11 cm. Monolithe 23 x 30 x 11 cm<\/p>\n

\"\"<\/a><\/p>\n

\n

O\u00f9 va le monde<\/strong><\/a>, 2021, ciment gris, chaussures (Adidas Buzenitz), 23 x 31 x 28 cm. Monolithe 23 x 31 x 9,5 cm<\/p>\n

\"\"<\/a><\/p>\n

\u00ab\u00a0Concrete Shoes\u00a0\u00bb est une s\u00e9rie o\u00f9 des chaussures sont emprisonn\u00e9es dans du ciment, cr\u00e9ant un paradoxe visuel entre mobilit\u00e9 et immobilit\u00e9. Chaque bloc de ciment reprend le volume d’une bo\u00eete \u00e0 chaussures, \u00e9voquant la permanence et l’immuabilit\u00e9. Dispos\u00e9es en ext\u00e9rieur, les sculptures interagissent avec la nature, se transformant sous l’effet des intemp\u00e9ries et de la v\u00e9g\u00e9tation. L’\u0153uvre invite \u00e0 r\u00e9fl\u00e9chir sur le temps, les obstacles et la condition humaine, s’inscrivant dans une lign\u00e9e artistique qui inclut le minimalisme, le land art et les ready-mades.<\/p>\n

Voir texte de Clarice Thamel<\/a>, critique d’art<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

2021, s\u00e9rie \u00ab\u00a0Concrete shoes\u00a0\u00bb in situ, ciment gris et blanc, chaussures<\/p>\n","protected":false},"author":3,"featured_media":1119,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15],"tags":[381,394,299,122,467,382,251,364,365,366,383,362,369,370,371,255,459,458,375,468,372,373,304,378,374,464,132,363,376,377,403,460,446,466,191,451,449,456,452,44,408,453,447,231,10,450,402,429,385,457,462,448,454,455,379,368,465,380,214,188,461,404,463],"class_list":["post-873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sculpture","tag-adidas","tag-ai","tag-anthropocene","tag-art","tag-arte-povera","tag-avec-vous","tag-beton","tag-bloc","tag-boite","tag-bottes","tag-box","tag-capitalocene","tag-chaussures","tag-ciment","tag-clarks","tag-concrete","tag-condition","tag-contraintes","tag-dans-le-mur","tag-dc","tag-debout","tag-droit-dans-ses-bottes","tag-effondrement","tag-en-marche","tag-ensemble","tag-environnement","tag-ephemere","tag-etre","tag-femme","tag-gris","tag-herbe","tag-humaine","tag-immobilite","tag-immuabilite","tag-in-situ","tag-insectes","tag-intemperies","tag-introspection","tag-land","tag-memoire","tag-menhir","tag-minimalisme","tag-mobilite","tag-monolith","tag-monolithe","tag-mousse","tag-nature","tag-naturel","tag-nous-tous","tag-obstacles","tag-paradoxe","tag-permanence","tag-ready-mades","tag-reflexion","tag-royal","tag-shoes","tag-solidite","tag-supra","tag-temps","tag-terre","tag-transformation","tag-vegetation","tag-visuel"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2021\/12\/IMG_7367-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hz6-e5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/comments?post=873"}],"version-history":[{"count":7,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/873\/revisions"}],"predecessor-version":[{"id":1218,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/873\/revisions\/1218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media\/1119"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media?parent=873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/categories?post=873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/tags?post=873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}