{"id":922,"date":"2023-03-20T12:11:14","date_gmt":"2023-03-20T11:11:14","guid":{"rendered":"https:\/\/www.reynalddrouhin.net\/wrks\/?p=922"},"modified":"2025-11-14T09:29:47","modified_gmt":"2025-11-14T08:29:47","slug":"code-source","status":"publish","type":"post","link":"https:\/\/www.reynalddrouhin.net\/wrks\/code-source\/","title":{"rendered":"Code Source"},"content":{"rendered":"<h3 data-start=\"183\" data-end=\"216\"><em data-start=\"187\" data-end=\"216\">(Origine et fin d\u2019un monde)<\/em><\/h3>\n<p data-start=\"218\" data-end=\"533\">\u00ab Code Source \u00bb d\u00e9signe ce qui pr\u00e9c\u00e8de l\u2019image tout en demeurant invisible. Le projet explore cette part cach\u00e9e qui conditionne la forme finale (un syst\u00e8me sous-jacent, \u00e0 l\u2019\u0153uvre mais rarement per\u00e7u). Ici, le code devient m\u00e9taphore de ce qui fonde un paysage tout en contenant d\u00e9j\u00e0 la possibilit\u00e9 de sa disparition.<\/p>\n<p data-start=\"535\" data-end=\"900\">La s\u00e9rie repose sur un dispositif hybride : des images g\u00e9n\u00e9r\u00e9es par intelligence artificielle sont d\u2019abord produites, \u00e9tendues et transform\u00e9es, puis r\u00e9interpr\u00e9t\u00e9es en peinture acrylique. L\u2019IA con\u00e7oit et calcule ; la main humaine traduit, rejoue et mat\u00e9rialise. Deux modes de production d\u2019images se confrontent (le num\u00e9rique et le pictural, la donn\u00e9e et la mati\u00e8re).<\/p>\n<p data-start=\"902\" data-end=\"1277\">Les tableaux qui en r\u00e9sultent \u00e9voquent des paysages en suspens, entre apparition et effondrement, entre vestige et fiction. Monolithes, fragments, horizons instables composent un monde qui semble avoir d\u00e9j\u00e0 bascul\u00e9. Il ne s\u2019agit pas d\u2019illustrer la catastrophe, mais de rendre perceptible ce qui agit silencieusement dans un territoire (forces, traces ou logiques invisibles).<\/p>\n<p data-start=\"1279\" data-end=\"1677\">\u00ab Code Source \u00bb interroge ainsi la condition contemporaine du paysage \u00e0 l\u2019\u00e8re de l\u2019anthropoc\u00e8ne : un paysage moins observ\u00e9 que calcul\u00e9, mod\u00e9lis\u00e9 ou g\u00e9n\u00e9r\u00e9. Ce qui importe n\u2019est plus seulement ce que l\u2019image montre, mais ce qu\u2019elle contient en profondeur (archives, algorithmes, vestiges d\u2019un futur possible). La peinture devient un moyen d\u2019amener \u00e0 la surface ce que le num\u00e9rique tend \u00e0 dissimuler.<\/p>\n<p data-start=\"1679\" data-end=\"1871\">S\u00e9rie en cours, \u00ab Code Source \u00bb poursuit une r\u00e9flexion sur ce qui est dissimul\u00e9 dans les images, sur les origines d\u2019un monde et sur la mani\u00e8re dont sa fin peut \u00eatre inscrite d\u00e8s sa conception.<\/p>\n<p><em>\u00a0<\/em><\/p>\n<figure id=\"attachment_1277\" aria-describedby=\"caption-attachment-1277\" style=\"width: 750px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1277\" data-permalink=\"https:\/\/www.reynalddrouhin.net\/wrks\/code-source\/cs-2022-web\/\" data-orig-file=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web.jpg\" data-orig-size=\"2000,1647\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"cs-2022-web\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web-1024x843.jpg\" class=\"wp-image-1277 size-medium\" src=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web-750x618.jpg\" alt=\"\" width=\"750\" height=\"618\" srcset=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web-750x618.jpg 750w, https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web-1024x843.jpg 1024w, https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web-768x632.jpg 768w, https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web-1536x1265.jpg 1536w, https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/cs-2022-web.jpg 2000w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-1277\" class=\"wp-caption-text\">Origine, 2022, peinture acrylique, 65 x 54 cm.<\/figcaption><\/figure>\n<figure id=\"attachment_1088\" aria-describedby=\"caption-attachment-1088\" style=\"width: 750px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1088\" data-permalink=\"https:\/\/www.reynalddrouhin.net\/wrks\/code-source\/img_0606-2\/\" data-orig-file=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606.jpg\" data-orig-size=\"2000,1500\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_0606\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606-1024x768.jpg\" class=\"wp-image-1088 size-medium\" src=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606-750x563.jpg\" alt=\"\" width=\"750\" height=\"563\" srcset=\"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606-750x563.jpg 750w, https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606-1024x768.jpg 1024w, https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606-768x576.jpg 768w, https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606-1536x1152.jpg 1536w, https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606.jpg 2000w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-1088\" class=\"wp-caption-text\">Monolithe, 2022, peinture acrylique, 61 x 50 cm.<\/figcaption><\/figure>\n<hr \/>\n<p><span style=\"color: #808080;\"><em>Mise en oeuvre de plusieurs intelligence artificiel (Disco Diffusion, Open ai et ChatGPT)<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2022-24, s\u00e9rie de peintures, dimensions variables. Work in progress\u2026<\/p>\n","protected":false},"author":3,"featured_media":1088,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[69,298],"tags":[394,640,299,397,396,6,686,692,301,304,689,314,34,687,411,685,695,395,684,516,201,691,231,10,694,11,697,392,12,51,391,13,360,693,696,393,688,357],"class_list":["post-922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-internet","category-peinture","tag-ai","tag-algorithme","tag-anthropocene","tag-artificiel","tag-artisant","tag-cloud","tag-code-source","tag-donnees-invisibles","tag-ecologie","tag-effondrement","tag-fiction-speculative","tag-fin-dun-monde","tag-fin-du-monde","tag-geste-pictural","tag-ia","tag-image-generee","tag-image-numerique","tag-imagination","tag-inpainting","tag-intelligence-artificielle","tag-landscape","tag-materialisation","tag-monolith","tag-monolithe","tag-mutation-du-paysage","tag-nuage","tag-origine-et-fin-dun-monde","tag-outpainting","tag-passage","tag-paysage","tag-peinture","tag-porte","tag-post-apocalyptique","tag-processus-hybride","tag-protocole-de-creation","tag-recyclage","tag-ruine","tag-science-fiction"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-content\/uploads\/2023\/03\/IMG_0606.jpg","jetpack_shortlink":"https:\/\/wp.me\/p72hz6-eS","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/comments?post=922"}],"version-history":[{"count":8,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/922\/revisions"}],"predecessor-version":[{"id":1295,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/posts\/922\/revisions\/1295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media\/1088"}],"wp:attachment":[{"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/media?parent=922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/categories?post=922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reynalddrouhin.net\/wrks\/wp-json\/wp\/v2\/tags?post=922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}